The coolest romance movie I've seen so far

Aisha 2022-03-26 09:01:07

Ivory's adaptation of Kazuo Ishiguro will definitely turn the camera's attitude towards reflexivity or self-deception, and Ivory's choice is the former. Because Ivory's image itself does not have the style of Kazuo Ishiguro. So the appearance of the classicism/image (the afterglow of the sunset, the manor in the distant view) also becomes the camera's shell to hide its ugliness. The layer-by-layer maze-like composition (especially the scene of meeting Hugh Grant) and the ringtones (montage) that imply prayer, mourning and oppression also confirm the four groups of contrasting relationships - Stevens and old Stevens, The Duke of Darlington and Stevens (two ends, the differentiation of the Duke of Darlington is Stevens) Stevens and Mrs. Kenton, and the political relationship between the pawn and the manipulator. With the help of these four groups, the reflexivity and critique of the camera is achieved—the fable of the butler under the table tiger, the tragedy of the Duke of Darlington, the trilogy of the tragedy of the maid (past tense, object and subject) is an idealist ( Another refers to the British native character) was stabbed by the realist fatal knife. Gazes (windows and car windows) are the usual process of emotional integration, implying tender grief.

Cielo 2021-12-31 08:02:27

Aunt emma’s perseverance in acting has added a lot to the character’s forbearing love. It’s in the Chinese version of cav6. It makes me feel helpless if I want to complain.