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It's really not that the screenwriter sucks.
Margarette 2022-04-23 07:03:04
The movie starts with the old man's daughter dead and his wife left him but never explained why and then he predicts his friend's cancer but he doesn't say the policewoman (Theron and Nick mix) is bleeding and he doesn't say he keeps The attitude of being on the sidelines is what led him to euthanize his own daughter until he received a fax and found out that the target was his killer who saw farther than him and decided to quit. In the middle, it was predicted that the heroine was full of blood. This time, he called him by name. I guess he always predicted his own death, not the heroine. I don't want to continue because he doesn't want to volunteer to euthanize everyone, but the old man is the one who euthanized his daughter. Killer can see his memories. He jumped out definitely not a sudden IQ short circuit. And this set is not to let him seek death or let him kill himself, but to let him walk step by step until he takes over. Why do you say that the old man finally took over from him? Actually, he can tell the policewoman not to come. He has been hesitating. I think he wanted to die, but he avoided the important part of his brain at the last moment. At the end, he recalled the part of euthanizing his daughter and putting down his burden to find his wife and making peace. Killer-like scar on his forehead is enough to prove his choice. Before the movie, he said that Killer forced himself to foresee further. It was true that he could change the outcome of the future. This can be seen from the chase after the psychiatric painter, but Killer already knew the ending. It's not that the director doesn't shoot high-IQ duels, it's that you don't understand the screenwriter's stalk.
Extended Reading
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Ocie 2021-12-27 08:01:12
"Sometimes the greatest act of love is to commit a terrible sin."
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Wendy 2021-12-27 08:01:12
Except for Hopkins's performance, every link is clichéd. Many of the details under those montages are not integrated into the clues, which seems long-winded. The director should have made commercials before.
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Agent Katherine Cowles: Hi.
John Clancy: Hi.
Agent Katherine Cowles: I brought the case files.
John Clancy: It wasn't necessary.
Agent Katherine Cowles: The agency's changed the guidelines for the way we break down the cases. It makes them more readable.
John Clancy: Hm. Well, that's a relief.
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John Clancy: Whatever it is, I happen to get this super-duper deluxe edition of what people now call 'intuition' and 'gut-reaction'.