It seems to say that the first episode was filmed by Ridley Scott. After watching it, it was fine, and it was praised by default, but I just watched the tenth episode and am amazed that this is "Alien"! This is Ridley Scott! When mother and father cuddled together and rushed to the abyss of purgatory desperately and decisively with the "child of the devil" they gave birth, I almost cried. At that moment, the Bible, the Lord, the creation of the world, and the continuation of civilization are not important, only the aliens, only Ridley Scott (although it may be just a gimmick)! There is only the grand world view constructed by the exquisite series of movies, as well as the hopeless and transcendent metaphor and prospect of human destiny!
Well, the excitement is over!
Two of my personal favorite characters, mother and Marcus, played so well. Marcus's transformation may seem radical, but it is also convincing. Thor's voice expresses his inner longing. His strong survivability and desire to control his own destiny are just used by Thor, even if he is strong In this way, it is also vulnerable in the face of the deepest human desires. Mother will not talk about the big heroine this season (although I can only confirm that she is the heroine in the fourth episode), I think I am about to become (drive) poor (car) ru (sit) control (steady).
There is also the joke of the cat robot priest. The laughing point is that the audience will listen to this story seriously, because it is very strange and ridiculous, and the priest finally made a self-deprecating sentence of "I am still schizophrenic", which is actually taking the audience from the situation of the story. Pulled out, this is the point of laughter (really not funny). Specific metaphors, cats have no rational thinking, robots have no feelings, their performance in the story is either virtual, or a priest, a human schizophrenic who has both emotions and rational thinking, that is, the incoordination of left and right brain functions. the illusion.
And then there's the badass "Sol". His characteristics are, first of all, destructive, destroying human civilization, the ecology of the earth, and manipulating and destroying individual spirits regardless of gender, age, and age. Based on this, this thing cannot and cannot be a good thing. The other is his manipulation ability, which is individual, otherwise he will not send scriptures to those believers, and he can directly control it in full. The last is the way of its transmission that has not yet been revealed. This is the most complicated, because it involves the "dark photon" technology it has mastered, which is the core of this science fiction. The core of science fiction is the foundation of the logic and plot of science fiction, and the way it unfolds is only in the hands of the author. The possibility of the preliminary analysis is that the first is mechanical transmission. For the time being, only the believers show signs of being manipulated, so the uniforms and accessories of the believers may be the medium; the other possibility is related to the setting of the dark photon, which is not good. guessed.
Let’s talk a little about the setting of “Dark Photon”. It comes directly from the terms dark energy and dark matter in physics. Science fiction themes such as time travel, parallel universes, and multi-dimensional universes have all been played. Now the only thing that can be played is dark matter and dark energy. After all, no one knows what it is, and that is the field of science fiction works. The clues in the play, the spaceship engine and the eyes of the undead robot are all related to the "dark photon". The spacecraft engine uses dark photons as fuel to generate propulsion. The necromancer obtains "dark photon energy" through the eyes, and then uses it as flight power and weapon energy. The screaming ultrasonic waves and the beam weapons in the title all come from the eyes. At first I thought that the robot flight was a setting of "anti-gravity engine", but since the spacecraft needs to be pushed in a conventional way, it will not be the setting of "anti-gravity", only the role of "dark photons" on the robot The principle is similar to "anti-gravity". "Dark photon" is a kind of invisible, but huge energy that can be absorbed through high technology. As for the development of the sci-fi core and worldview involved in this setting, it depends on the progress of the later story. And "Sol" mastered this technology, and used it to wipe out human civilization, advancing human behavior completely to what it intended, that is, the situation described in the scriptures, the so-called prophecy. Therefore, the setting of "Light and Dark Son" must be closely related to the true appearance of this "Sol".
And then there's another point, the location of the event, this magical planet that's half barren and half lush. Why does Sol go to great lengths to sing "Farewell to Earth" in the ears of various people every day, and bring human believers to this planet even at the expense of destroying human civilization. What happened to this planet and why Neanderthals are here, these things will slowly unfold in the next season.
In the end, it was the alien who was placed in new hope for mankind and turned out to be a "snake". Can only guess. The snake and the girl phantom should come from two different wills, and it is different from "Sol"'s mental manipulation that causes auditory hallucinations. The snake grows by using other species as parasites, while the girl phantom is not a brain illusion, but a reality. Existing images, because of different people, even robots can see. So far, the only clues to the destructive display of the snake are the incident of putting a person in a barrel as a petri dish for the snake and the radiation of the giant snake's skeleton, and the girl phantom, although it looks dark, is actually not practical except for cuteness. Events reveal its true intentions.
In the end, there are too many religious metaphors in this play, including Taoism. There is a saying in the scriptures of the Sol believers that "the way is hell". , The "Tao" of the unity of heaven and man is of course hell. Moreover, the home planet of the story is half barren and half lush, and the giant pits go straight to both ends of the planet. This is Nima, a giant three-dimensional Tai Chi. Looking forward to next season! !
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