"No, it's the moon chasing me."
Sabrina, who has returned from France, has a sharp rise in temperament and taste. Of course, the process of turning a sparrow into a phoenix is omitted from the movie. In her suitcase, holding a princess pet dog in her hand. This girl doesn't care if her sweetheart has a fiancée, and firmly believes that everything is different. Class and marriage contract are not a problem. She sat on the rocking chair and said happily that it is the moon chasing me now.
This is a line whose temperament is slightly higher than that of a popular idol drama, but it does not reach the height of female awakening. The tone is natural, so you can't help but remember what kind of experience it was that made her think. This can be regarded as a compliment to women's maturity and self-confidence, but the mismatch of the subsequent plot gradually makes the sudden charm lose its due edge. This sense of violation constitutes a kind of irony. If everyone's change can be so easy and simple, perhaps only the noble and beautiful Hepburn can accept such a sudden change in the role, so that people can forget how long and difficult it is to independence and growth.
"I thought I was growing up, but it might just be a different hairstyle."
Sabrina showed the results of her growth through a letter before returning to China. She said that I learned how to no longer just be a bystander in life, and how to participate in life and how to be myself. If the movie stayed at this moment, or ended up wearing Givenchy's glamorous outfit after coming back, I would mistakenly think that this transformation will come more thorough. But trendy hairstyles and decent skirts do not make Cinderella a princess in reality. She must escape from her original homeland, not to mention seamless integration into the family relationship of the nobles. On the road, she must pass the bumps on the carriage and the palace. Running in. And Hepburn, who wears flat shoes, was born a princess. This role did not give her too much difficulty. Sabrina didn't know who she would fall in love with. She couldn't forget that on the first day of Paris, she must not hold an umbrella in the heavy rain. Romance will be moved by a mature man's recollection of a sad relationship. If he accepts an invitation rashly, he will jump for joy, cry sadly, turn around and leave gracefully like a swan, but still has the perfect ending of a fairy tale.
Billy Wilde took good care of the public’s expectation of joy, set up some conflicts, extended a bit of inspiration, shaken a few burdens, evaded a part of reality, and uttered the difficulty of transcending the class through the mouth of the previous generation. , And let Humphrey Bogart, who is suitable to play a tough guy, complain about the absurdity of being a middle-aged entrepreneur who is a versatile middle-aged entrepreneur who wants to fall in love with a girl in her early 20s. These little complaints, together with the little awakening, in the rose-colored love fairy tale, are like popping candy on the cake, a bit playful and strange, but finally integrated into the sweet and greasy.
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