There is no love and love, everyone just wants to live

Tamara 2022-04-19 09:02:29

Since female directors, it is inevitable to interpret the film from a feminist perspective. According to this, the following expression will probably appear: The female dean in power amputated the lower leg of the male soldier, which symbolizes the punishment of female centralization for not obeying the order of human relations under the changed power distribution, so the price he pays is castration. Male soldiers after castration also went out of male gender recognition. Actually, I don't know much about sexism (male and female). In the film, every woman is consciously or unintentionally striving to gain the goodwill of male soldiers, and this kind of goodwill is not entirely emotional recognition, but more psychological comfort to fill the physical emptiness. Therefore, in this sense, the male soldier in the film is only an object of lust for women. The scumbag soldier refuses to accept female visitors in order to continuously satisfy his pride as the only male in the small group. This forms a game. Since it is a game, there is a loser and a winner. At the end of the film, women poison men. This is not the victory of feminism, but the interests of the group are higher than the lust of the individual. The reason why it gave me the impression that "group interests are higher than individual interests" is also because the power source exposed the lightness of Coppola's performance on the six women. Judging from the light shooting of the film, Coppola seems to be shooting the six women from a high angle and from a completely outsider's perspective. He is objective and calm, and seems to deliberately suppress the characters and inner struggles, and make the big plot in the plot smaller. , so that the audience will feel that it is not too big during the viewing process. And this kind of performance confined to a frosted glass box seems to be exactly what Coppola wants. With the natural light photography, the gray and dim interior, the overgrown backyard, the women who have their own thoughts buried a common secret in a very tacit understanding.

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Extended Reading
  • Kayley 2022-04-22 07:01:40

    One star for Cass. The natural light matches the tone, and it is really tiring to look at. When the first time I went to the table to eat, the women's invitations were too naive and too childish. I couldn't help laughing until my leg was amputated and thrown there. Weak scheming, weak lust, and short, it is a pity to think about such a lineup. I really want to wipe Jon Lin's body (serious face)

  • Andres 2022-03-23 09:02:33

    When all the overtones of the plot are expressed in veneer, unintelligent character lines, it's such a tasteless effect. The repression of the war on this land, the consolation of women and the subtle confrontation have all been omitted to become superficial confrontations between men and women, and feasting. Sofia Coppola is even more embarrassed by the transfer of outstanding actors. The tension of the dialogue is not only unattainable, but it turns into a clumsy self-statement.

The Beguiled quotes

  • Jane: Can we go greet the soldiers?

    Martha Farnsworth: No! No. We do not want to put temptation in their way.

  • Martha Farnsworth: When I return, would you care to join me for a brandy, Corporal?

    John McBurney: I'd like that very much, ma'am.