As female classmates, we were arranged to sit at a table. She was a high school classmate, and I was a college classmate. We had never met each other before. They came from different provinces, and soon went to other places. I happily shared with her an impressive bridal anecdote, trying to find each other's memory traces in the bridal deeds. When it came to each other's current jobs, she, who was born in a top-notch university, chose a real estate company and now started home sales. When I asked the reason, she said very generously, "We are all from the Hongzhi class, but the school is subsidized by the poor family conditions. Although the system is stable, but the income is too low, so I and my husband chose to go outside the system." A married young woman under 30 years old, when she can talk about her family's embarrassment calmly, I know that she must have gotten out of the embarrassment, or she must be out of the embarrassment soon.
That's it, when we are able to face our pain calmly, we have fought against it, and the process of those struggles is integrated into our blood and becomes a part of who we are now.
In the film, the male protagonist's inability to study in childhood, the fetters with his partner in youth, and the surrender and struggle with his sick self in old age are all personal pains. The male protagonist also tried to avoid it with white powder, but when he saw that his partner who had been separated for 30 years had left the white powder and lived a happy life, he also began to face his own pain and went to the doctor for examination and treatment. Finally, filmed these.
This is the first movie of Almodovar I watched, and it only added a little lesson to the director's life. If you look at the director's personal experience, I think it will be more able to verify my title.
In fact, Nietzsche has long been on my side, "Those who don't kill you will eventually make you stronger." Want to kill you - pain, stronger - glory.
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