Almodovar continues to make films, this world is worth looking forward to. He is good at making women's stories, but also telling men's stories. When I tell a man's story, it makes me feel like I'm always talking about himself, and when I tell a woman's story, I feel like he's always talking about his mother. It seems to be repeating, but it is not boring. The so-called style is embedded in it, and it can be carried forward. Finished work last night and found that there was only one movie at 10:40 in the suburbs of Santiago, the capital of Chile. I took a taxi and went through some areas I didn't know about. It was winter in South America and the wind was blowing. The little brother at the ticket office was sleepy. When I bought the ticket, I found that I was the only one buying it. I rushed to the screening room, and the popcorn sellers at the door started to pack their things. I pushed open the door and found a little brother who was cleaning for a living. I asked if I could go in and sit. I was a little afraid of going outside. Brother said ok. After sweeping, the little brother said, I'm going to turn off the lights, are you afraid? I said it doesn't matter, you turn off the lights. He said, let me sit with you for a while, there will be a few more audience members coming. Almodóvar said that women's stories all end in comedy, while men's stories end in tragedy. But this time, the story is a comedy. Almodovar never avoided the pain and depression of life. This story is even a bit vulgar and bloody, but the story of Almodovar is not vulgar. Penelope in the comeback kills her husband and wife, tells her that your male nurse raped a comatose female patient, everything about my mother is bizarre. Salvodor's (Banderas) nanny says, "
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