Loyalty, benevolence and sincerity

Jeromy 2022-03-27 09:01:09

Tragedy of the samurai class of a particular era. The false and decent Bushido spirit carefully maintained by the ruler is completely punctured by the director at the end of the film. The low-angle and a lot of gentle push-pull shots present a certain solemn atmosphere, and a lot of slanted compositions strongly show the mental state of the characters. The fighting scenes are not good-looking but purely the externalization of a certain emotional state. In order to maintain the consistency of time and space, Kobayashi Masaki used a lot of flashbacks to explain the history of Qian Qianyan and Tsuyun Hanshiro respectively.

Amir 2022-03-26 09:01:07

The whole film is narrated around a point (cut belly), which traces the questions behind this self-esteem and the things exchanged with it, compiled into a story, and then reflects the various values. , and the last gushing of heavy feelings. The heavy effect is the method of craftsmanship. When Jinyun Hanshiro describes his revenge process, he can still calmly express the character's charm, directly to the final climax, Nakadai Tatsuya is getting better and better, Iwashita Shima is also very skilled, but I think the most The wonderful thing is that the role and performance of Rentaro of the Three Kingdoms are very unconventional, and he has become a very exciting character even if the role is not active and often not the focus.