The sense of substitution is very important

I like to watch disaster movies, and I like to try my best to find a sense of substitution when watching disaster movies. On a large screen full of ghosts, crying, wolves and howling smoke, thinking of ways to squeeze myself in, experiencing the thrill of coming to life from a desperate situation.

So although the hand-cranked camera makes people feel a little dizzy and dizzy, I have to admit that the realistic sense of substitution from the beginning to the end conceals all the deficiencies in the picture, the plot, and even the appearance of the monster. Typical "tell the story from another angle." It's been a long time since I was sweating in the "blockbuster" full of flashy CG scenes. And this work has enough ending subtitles and it is less than 90 minutes.

Naturally, the pretentious propaganda in the early stage is new and necessary for low-cost commercial production. I also like the contrast of rewinding into the narrative.

In short, the five stars are not for monsters, not for Liberty's head, but for a hand-cranked camera that makes people dizzy and dizzy with breathless voiceover. It's so real.

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