5 minutes after the opening, looking at the close-up shot of the face with one, I couldn't help asking the person beside me: Is this a domestic film?
Less than 10 minutes into the story, I asked him again: Have we been tricked into watching bad domestic films?
I have to say that this trick is used well. When I saw the terms Stallone and Escape Plan 2, I thought it was a brain-burning action movie with a complex plot. Before the screening, the film party did not arrange for Huang Xiaoming to attend any promotional activities, and most of the audience, who did not know it, escaped to buy tickets for Stallone and Jin Chan to enter the arena.
Originally, it was okay to borrow the corpse, but the filming technique, plot development and character presentation should respect Jin Chan's escape. The characters are flat, the direction is single, the whole story line has not been sublimated, and the plot from beginning to end has not even achieved a single point of ingenuity.
About halfway through, a few people in front left the stage. In the mysterious light and shadow, I began to close my eyes and rest. He said: If it is not with friends, we can go.
Finally got to the end of the show and walked out of the gate of the movie theater. My friends couldn't help but start complaining about the loopholes in the plot setting, the creation of someone's image, and the acting skills of big and small characters. Is this really a Hollywood blockbuster, he asked? I said that it should be unlikely to sell money overseas. After all, the Asians in the film should speak English that no one can understand except the chef and cousin.
Yes, I shouldn't say borrowing a corpse to bring back a soul, such a dying soul can't support a corpse. Just give up the first impression and follow the public saying that it is good to sell dog meat with a sheep's head.
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