The film is very well done. The director puts us in the cramped interior space of the car, or zigzags back and forth on the loess wasteland, externalizing the characters' psychological space into the physical space. This sense of alienation and tension jumped out unexpectedly at the end. The actor who played the protagonist handed the director a cigarette, the soldiers played in groups resting beside the grave, and the loess plateau turned into a green field. Abbas understood depression. Depressed people can easily cry when they see the ending of this movie. He probably didn't shoot it for something as specific as depression, it's just that I see it in it.
View more about Taste of Cherry reviews
