The impression of Kristin Scott Thomas is that of a woman with deep eye sockets, a type of woman who will appear cunning and old-fashioned. This is indeed a movie that has almost no other people's light, but the brightest woman is also old.
A very typical and not very good literary drama, the trailer tells me that this is director Philippe Claudel's debut. The plot of the whole film is a little insufficient for the 110-minute length, and the procrastination and redundancy are slightly visible. For example, the swimming pool and the part where the black students are entangled, do not see any need. A breakdown of Léa in the middle of it appeared unnaturally, and suddenly there was no text. The Juliette police department contact suicide setting seems to be a good idea, but it also seems to be taken too quickly. (In this way, the previous episode of Juliette escaping from the nightclub and sitting cross-legged on the street can be put behind it.)
The beginning of the film is that Juliette, who is sitting in the airport waiting hall, smoking, and Léa, who is in a hurry, are straightforward. story introduction. Also liked the ending, Juliette after the heat, shouting "Je suis là" - yes, I am.
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