Fur

Zelda 2022-04-19 09:03:12

The film begins with a tousled-haired Arbus going to the nudist camp for a photo shoot, asking for solitude when asked to strip as well. Back to three months ago.
Three months ago, she was a well-ordered housewife, perming her hair in a neat bun, shaved legs, and even a stray eyebrow. Arbus, who was born in a fur family, was nervous under the pressure of his parents, and even the clothes were despised by his mother to be last year's models.
Even if the people at the reception were well-dressed, she could see the ugliness of the upper class in her eyes, the close-up of smoke rings, red lips chewing food, and a woman with rolling eyes. She was so nervous that she was hiding in the room to smoke, and she was attracted by the eyes covered by a pair of red masks. He was a new neighbor who moved in and only wore different masks forever.
Arbus, who was under the scrutiny of everyone, couldn't hide his grief and uncontrollable desire to escape. When asked "What you do", Arbus couldn't even speak. At this time, Arbus was a woman with no existence value.
She unbuttoned the figure behind the opposite window on the balcony, and after she was released, she became quiet. But when her senses recovered, she was horrified and discovered another side of herself. The suppressed soul had just been liberated and shrank back.
Newly moved neighbor Lionel is a hirsutist, living in isolation and making friends who are just like him, all of which are fatal to Arbus. It was only when I talked to the neighbors that I learned that Arbus has always been a person with strange hobbies, stalking boys with large purple birthmarks, exposing their bodies, wandering in madhouse morgue dumps, etc. Now she is just being Parents cover up the double? Zhang Na Ы parrot〗 闼 stir-fry to lure the evil horsefly Na 阌 Dad frame ionel awakens Arbus's repressed soul, and a master photographer is born.
Forget who has ever been better than this photographer around and was recommended for her work. I don't know much about the real Diane Arbus, and it's not clear how much this movie is different from the real Arbus. As far as the biographical film is concerned, the film clearly explains how Arbus developed his photography style, upbringing, family background and enlightenment teacher.
The movie often features some eerie details, door locks, water pipes, and receivers, which are in line with Arbus's focus. Moreover, the characters in Arbus's works will look directly at each other, so many of the pictures seen in the movie are stares without any disguise, and the soundtrack is quite in line with the weird feeling. The first part of the movie is quite compact, but it drags on near the end. It should be to match Arbus's tangled and contradictory mood, and let the camera stay on her face for a longer time, with a close-up of her expression without language. Nicole plays hard and goes a little too far. The important thing is that I don't want to see her in any movie again, or I'm so nervous that I smoke and pace all the time, or my mouth is slightly open in a panic. Little Robert played Lionel anyway, I was quite scared, no matter whether it was wearing a mask or showing hair, I kept telling myself that he was the one with the big double eyelids to get through it safely.
There are also a lot of animals, hairy, and densely displayed things, which make my heart even more hairy.

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Extended Reading
  • Brendon 2022-04-22 07:01:55

    If this film is not a gimmick but a biography of Diane Arbus, I can accept it, but it has nothing to do with photography.

  • Turner 2022-04-22 07:01:55

    A relatively bad biography, I don't know what the director thought? ! Under his lens, there is absolutely nothing extraordinary about this shocking female photographer.

Fur: An Imaginary Portrait of Diane Arbus quotes

  • Lionel Sweeney: Cookie?

  • Diane Arbus: Why isn't she your girlfriend?

    Lionel Sweeney: She doesn't touch me.