The days go on like running water, and my film reviews are written like running accounts. Originally, Ah Shen said he wanted to come to Xinjiang, but later he said that he would not bother me anymore. This kind of behavior is really disgusting. I take his itinerary very seriously, I have worked with him in this seriousness, and take a very tolerant approach to his artistic creation. But what is the other party doing now? If you can't say it, you won't come, it's like a child's play. This behavior is very annoying. People who cannot separate work and personal relationships, and who cannot maintain public trust in their commitments at work, will not be liked and continuously trusted by others. Some people say that this drama is very similar to Mo Yan's return to his hometown - I'm very puzzled, I don't know how these people can be sure what will happen to Mo Yanhui's hometown when they don't know Mo Yan at all. I didn't dig very deeply, but at least I wouldn't be very sure that Mo Yan and his hometown are already an outsider's image. Regarding this idea, I told Yew that I like it very much, it is very similar to Yan Lianke's "Sleep Together", I think this method seems to be a try.
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