at the risk of the world. Youth, growth, lost maternal love, adolescent sexual impulse, innocent secret love, broken love, and clear love. This is not a youth movie, but a zombie movie. What runs through it is not the despair and desolation of the last days, but the road and the father and the son.
Whether it’s a doomsday movie or a zombie movie, it’s not about doomsday and zombies, but about human nature at the edge. In the place of the torture stakes, the human nature on the margins is father and growth.
Sister, maternal love. Kind, humble and weak faith. He was raped by false beliefs and ended up committing suicide by betraying his beliefs under the cross. Her gentleness and firmness belonged to the juvenile's attachment. When the juvenile was injured and fainted, she woke up with a pillow on her lap. But this can't help the teenager.
Unfulfilled hope for young pregnant women. Pure and innocent, she sang a sweet song and appeared in front of the boy's eyes. With the hope of a new life, they embarked on a journey together. But this new and beautiful hope was ultimately just a burden, and even turned into an unachievable obstacle in the end. When the boy asked his husband: What should we prepare for the birth of a child, the husband looked at a loss. In the end, this good hope died tragically in the hands of evil.
Negro, silent system. The army, as the last resort of ordinary people's most basic political identity, is the basic unit of ordinary people who just want to settle their families. No matter how sound the system is, it is just a collection full of humanity. They are the direct executors of the system, but they don't know who the highest leader is. They carry concrete personalities, indifferent and abstract executors, indifferent and abstract commands. When the black person who is the executor of the system is with everyone, in the end it is nothing more than a soy saucer.
The only person who can accompany a teenager is a fatherly gentleman. Powerful, silent and gentle, shouldering a group of gentlemen who are waiting for life and death. The gentleman is silent, just lighting a cigarette, and guarding when everyone is asleep. He said, go to trap, he said, have another cup, he said, you should drive too. The husband silently looked at the wounded old face in the mirror, and silently looked at the face of the sleeping boy. After he fell into the boy's solid embrace, after he needed the boy to light him a cigarette, he knew that he should leave the field, and the story no longer belonged to him but to the boy. He knew that the boy was no longer a boy, but a gentleman like him. So he left silently, leaving only the skeleton ornament symbolizing male power.
The growth of a teenager in a marginal state is a road leading to a place called New Eden. There are broken remnants on the road, beautiful scenery along the way, small towns where you can take a short rest, and fierce and evil people and things. He was shaken in the town where he was resting, he was powerless in the face of evil, and he had missed when he was fighting, but he was growing. Lost the faith of motherhood, shattered the good hope, got rid of the indifferent system, and finally joined forces with the husband to eliminate the trailing Avenger, and finally strong enough to support the fallen husband. So he met the girl, he knew that New Eden was a little bit close, but he didn't know that the last bit of the difference was the departure of her husband. Because if the husband does not leave, the boy will never become the husband.
If the world facing collapse on the fringe can be supported, it must rely on the male power who is determined to enrich and self-improvement. And the supported space is the path to the growth of New Eden.
The source of this male's power, Mr. said: Live freely.
The above is my impression of this film from a man who was a teenager and will be a father
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