"The Wilderness" movie script

Marlon 2022-01-09 08:01:07

"The Wilderness" movie script

(Shein)

(Camera record book)

Screenwriter/(US) AB Guthrie

Director/George Stevens

Translation/Dongxia

〔fade in〕

Extremely distant view, mountain pass, and Shayin rides into the foreground.

〔Into〕

Extremely distant view, valley, Xie Yin rides into the picture and crosses the picture.

〔Into〕

Panorama, a small deer drinking by the creek. Someone is working on the farm in the background. The deer raised his head.

Exterior scene, Starlight’s yard, during the day.

In the middle panorama, Joey Starlight tiptoed towards the deer outside the frame with his gun.

Panoramic, the deer turned around.

Close-up, Joey hides behind the bushes and raises his gun to aim at the deer.

Medium panorama, fawn eating grass. Shein rode up from a distance. The deer was startled.

Close-up, Joey leaned forward and looked into the distance.

Extremely distant view, the camera passes over the deer, and Xie Yin rides forward.

Close shot, Joey bent down.

In the panoramic view, the camera passes over the frightened deer, and Shein continues to ride on horseback.

Close-up, Joey stood up.

In the panorama, Joey ran towards the house in the background, and Joe Starlight appeared on the screen, he was raising his axe.

Panorama, Joe Starlight chopping wood. Voiceover: Marianne is singing a song. Joey ran into the foreground.

Joey: Someone is here, Dad!

In the close-up shot, Starlight straightened up and looked into the distance. He raised the axe again.

Starlight: Well, come on.

Great panorama, Joey and Starlight. Joey ran towards the door in the foreground.

Middle shot, farmhouse, Marianne walked into the house. She came out of the picture by the window, still singing the song in her mouth.

With a panoramic view, Joey climbed up the gate.

With a large panorama, the camera passes over Starlight to shoot Joey. Shein rode into the background.

Panoramic, Shein rides across the creek.

In the close-up shot, Marianne can be seen through the window, she is still singing.

Panoramic view, Shein rode forward and reined his horse to look out of the painting.

Close-up, Joey looks out of the frame.

Close-up, Shain.

Close-up, Joey.

In the close-up shot, Marianne looks out of the window.

Panoramic view, Shein rides over. The camera passed Starlight. Shein stopped the horse.

Xie Yin: I have passed through your territory, I hope you don't care.

Starlight: I think it's okay.

Xie Yin: I went north, but I didn't expect that the land here was fenced.

In the close-up shot, Marianne leaves the window.

In the panorama, Shein and Joey.

Shein: Hello, boy!

Close-up, Joey looked up at Xie in embarrassment.

Mid-close shot, Shain and Joey.

Xie Yin: You looked at me on the small road for a while, right?

Close-up, Joey lowered his head.

Joey: Yes, it seems to me.

Mid-close shot, Shain and Joey.

Xie Yin: You know, I—I like the kind of people who pay attention to things around them. Such people will be promising in the future.

Close-up, Joey.

Panoramic, the camera shot Shein and Joey over the cow and calf, Starlight in the background. Xie turned his horse's head.

Xie Yin: I haven't seen any Jersey-bred cows in good time!

Shein rode around on his horse.

Starlight: Then you can see a lot more here, Jersey cows, Holstein cows, all of this kind. May I get you some water to drink?

Panoramic, Shein rode over, and Starlight came over with a water scoop in his hand. Xie dismounted.

Xie Yin: Thank you.

In the middle shot, Joey jumped from the fence gate with a gun in his hand.

In the middle shot, Xie Shan took the water scoop from Starlight to drink water.

In the close-up shot, Joey pulled on the bolt while walking. Pan the camera.

Close shot, Xie Yin was still in the water, turned around and drew his spear.

In the middle shot, Joey is at a loss.

Medium and close shot, Starlight.

In the close-up shot, Marianne looks out of the window.

In the close-up shot, Xie Yin straightened up.

Middle shot, Starlight and Shein. Joey is in the background.

Starlight: You are a little too sensitive, aren't you?

In the middle shot, Joey is in the foreground and Marian is in the back window.

Marianne: Joey, you know you can't point your gun at someone.

Joey: I'm not facing people, mom.

In the close-up shot, Marianne looked at Xie Yin outside the painting, and then walked away.

In the close-up shot, Shayin walked to his horse.

Xie Yin: I was really taken aback, kid!

In the middle shot, Joey walked towards him and stopped again.

In the close-up shot, Shein tightened the horse's girth.

Joey: I just want you to see my rifle. I bet you will shoot, right?

Xie Yin: A little bit.

In the near and middle shots, shouts came from a distance, and Starlight looked out of the painting.

In the middle panorama, Starlight is in the foreground and Joey is in the background. Starlight walked to the background. Rickel and his men galloped in the distance. The lens takes in sheer. Starlight took the gun in Joey's hand.

Starlight: See it? Your friend is a little late. What do Rickel's people want to do this time?

Shein: People from Rickel?

Starlight: Yes, that's what it said.

Xie Yin: I can't even tell the difference between Rickel and your Jersey.

Extremely distant view, three Rickel men came on horseback. The camera crosses Shein, Starlight, and Joey.

Starlight: Don't forget to close the door when you go out.

Xie Yin: Can you put down the gun? I will leave after putting it down.

Starlight: What is your business with this gun, you have to leave anyway.

Xie Yin: I hope you better do what I want.

Mid-close shot, Starlight and Joey. Marianne is in front of the rear view window. Starlight put down his gun.

Close shot, Xie Yin mounted his horse.

Panoramic view, Shein is on the horse, Starlight and Joey. A group of people on horseback galloped forward. Xie Yin rode out to face her. Talette and Joey turned and walked towards the house.

Panoramic, Shein rode up to the fence and strangled his horse.

Panoramic, Rufu Rickel and his men rode to a brook and stopped.

In the middle panorama, Starlight and Joey are standing outside the window, and Marianne looks out of the painting from the window.

In the panoramic view, Rufu Rickel and others waded over. The camera pans down, and the horse's legs are patted overhead.

Panoramic, the camera passes Starlight and Joey. Rufu and others crossed the stream and stopped the horse.

Rufu: Hello, Starlight.

Mid-close shot, Starlight and Joey. Marianne stood at the window.

Close shot, Morgan is riding on a horse.

Morgan: You think we are asking for trouble, right?

Rickel's people laughed.

Panoramic, the camera passed Starlight and Joey to take pictures of Rufu and his men.

Rufu: I don't want to make trouble, Starlight. Let me tell you one thing. I signed a contract to supply beef to the Indian Reserve.

Close-up, Starlight.

Starlight: Do you need to mobilize everyone to tell me this?

Middle shot, Rufu and two of his men.

Rufu: I'm here to do errands.

Close-up, Starlight.

Starlight: Then you can do your own thing.

Special and, Rufu.

Rufu: I am doing my own business. I now inform you that I need to use the entire pastoral area.

Close-up, Starlight.

Starlight: Now that you have declared it, would you please leave my site?

Rufu: (Voiceover) Your site? You have to get out of me before it snows!

Middle shot, Starlight and Joey. Marianne is in the background, she leaves the window.

Starlight: What if I don't?

Rufu: (Voiceover) You and the others who occupy the ground...

Starlight: You mean immigrants, right?

Rufu: (Voiceover) I can blast you out right away, blast you, and people like you!

Middle shot, Starlight and Joey. Xie Yin is in the background. Marianne came out of the house, walked to the foreground, and stood in front of Starlight.

Starlight: Listen to me, the days of shooting people out of their homes with guns are over. They are building a prison to contain...

Marianne: Joe, that's enough, don't talk about it.

Close-up, Rufu stared at Shein outside the painting.

Close shot, Shayin looked at Rufu outside the painting.

Close-up, Rufu gestured towards Morgan outside the painting.

Close shot, Morgan.

Morgan: Who are you, stranger?

In the middle shot, Starlight, Joey and Marian are in the foreground, and Shein is in the background.

Shein: I'm Starlight's friend.

Panorama, Rufu and his men. The camera passes over the Starlights and Shein.

Rufu: Yes, Starlight, I warned you in advance anyway.

Middle shot, Starlights and Shein.

Starlight: Okay, you said it. Now you all get out!

Close-up, Rufu gestured to the people outside the painting.

Extremely distant view, Rufu and all his crew turned their heads and walked out.

In the middle shot, the horseshoe tramples on Starlight’s vegetable garden.

Extremely distant view, the camera passes the Starlights and Shein. Rufu and his gang galloped into the background. Xie Yin walked out of the picture from the foreground.

In the panorama, Xie Yin walked towards his horse. In the background is the Starlight family.

Marianne: Supper will be ready in a while, Joe, don't have to wait long.

Starlight: Wait, sir. I...I swear, I...Please wait! I... I take back the job I just said... Uh, look, this... this thing doesn't contain bullets at all.

In the middle shot, Starlight walked towards Shein in the foreground, Marian and Joey in the background. Starlight pulled the bolt and handed it to Shein. Shein took the gun, and Joey approached him. Marianne stepped out of the painting. Shein checked the gun and returned it to Starlight.

Xie Yin: No bullets?

Starlight: No, no. Joey is too young to use live ammunition. This gun belongs to him, but it won't hurt people at all. My name is Starlight, Joe Starlight, and this is Joey. Did you hear my wife? Please come in, I...I want to eat.

Starlight stretched out his hand, and Shein shook his hand.

Xie Yin: Call me Xie Yin!

Starlight: I... I think I've been a little lost recently.

Close-up, Joey smiled.

In the middle panorama, Starlight and Shein walked towards Joey in the background, and Shein stretched out his hand.

Close-up, Joey shakes hands with Shein outside the painting.

Shein: Hello, Joey!

In the panorama, Starlight, Joey and Shein walked forward. Starlight handed the gun back to Joey. Pull the camera back and pan the camera.

Starlight: My place is not very good right now, but I have to tell you one thing-my wife is really a good cook. Wait, you can have dinner without much effort. Come, you can wash it here.

Starlight pointed to the washbasin on the bench. Xie took off the bullet belt and hat. Starlight looked over the entire plain. Xie washes his face. Joey walked into the house. Starlight pointed around.

Starlight: If you want to know, this piece...this piece is Rickel's land—the whole piece. He believes that the whole world belongs to him.

〔Into〕

Interior view, Starlight's house.

In the close-up shot, Marianne takes the pie from the oven. Joey stood aside and stared at Shein's holster hanging on the edge of his chair. In order to look more closely, he knelt down on his knees.

Close shot, Xie Yin sitting at the table. Joey looked at his gun in the background, and Shein looked at him. Starlight sat at the table while eating.

In the close-up shot, Joey crouched beside the gun.

Close shot, Marianne took a seat at the table.

Starlight: These old-fashioned people still don't see this, but the method of free-range cattle herds on large ranches cannot last forever. This method occupies too much space and has too little effect. This breed of cattle is no longer good, with only long horns and bones. Now we should raise beef cattle, keep them in captivity, and feed them well. You have to pick a good place-get your own land-your own ten land. An immigrant can only feed a few cows, but he can harvest grain, harvest straw, plus his own vegetable garden, pigs and milk, he can handle it. We have dealt with it. Right, Marian?

Close shot, Shein looked at Marian outside the painting. Joey was still looking at the gun in the background.

Close shot, Marianne.

Marianne: Of course, deal with it!

In the middle shot, Shain reaches for his gun, and Joey jumps up quickly. Close shots of Marianne, Starlight, and Shein and Joey. Outside the painting came the cry of the Mavericks.

Starlight: Ah, that calf again. Joey, you blast it out.

Close shot, Shain and Joey. Joey looked at Xie as he walked out.

Close shot, Starlight. When Joey passed behind him, he patted Joey's ass.

Starlight: Joey, go ahead, kid. Don't forget to close the door.

In the middle shot, Joey walked to the door and looked back, and walked out to look at Xie Yin outside the painting.

Starlight: Joey!

Exterior view, Starlight’s farmhouse.

In the big panorama, the camera passed the cow herd, Joey stepped forward and drove the calf into the corral with the cow. He closed the door.

Joey: Go in, hush—!

Interior view, Starlight's house, daytime.

Close shot, Starlight sits at the table and eats.

Starlight: I am not going to ask where you are going.

Close shot, Shein sits at the table, looking at Marian outside the painting.

Xie Yin: I am a home from all over the world, and I want to find a place I haven't been to.

Close shot, Marianne.

Close shot, Starlight.

Starlight: Well, one thing is clear to me: the only way they can blast me out is to put it in a pine box.

In the middle shot, Joey comes in from outside.

Joey: Dad, what do you mean by that?

Close shot, Starlight.

Starlight: Boy, I mean they have to shoot at me and then carry me out.

Close shot, Marianne.

Marianne: I hope you don't say such things.

Close shot, Starlight.

Starlight: But this is the truth. You like this place too. We have taken root here.

Marianne: (Voiceover) I know, but I hope you don't talk like that.

Mid-close shot, Starlight and Joey standing beside him.

Starlight: This is our first real home.

Joey: So what did you mean just now, you said...

Close shot, Marianne.

Marianne: Joey... Stop it, your lord wants to talk.

Mid-close shot, Starlight and Joey. Joey murmured, sitting on the rocking chair behind Starlight and shaking it up.

Starlight: There is only one thing. There is so much work here that I can't do it. If I can hire someone... (clears throat) I have hired someone, but Rickel’s people beat him up, and he ran away, and it was all on my head.

Joey: They knocked out his tooth.

Medium panorama, everyone. Marianne got up to clean up the dishes. The camera followed her to the stove.

Marianne: Do you want pie?

Starlight: Well, if no one eats the last snack, it seems that I will have to kill it.

In the close-up shot, Marianne puts the pie on the plate, and the camera follows her when she walks to the table, and she cuts the pie for Shein. Then he walked behind him and cut another piece of pie for Starlight. Joey had sat down at the table, and Marianne picked up a few plates and walked to the front.

Starlight: I said, we had a very lavish life, didn't we?

Joey: What, dad?

Starlight: Our plates are very particular, and we use an extra knife and fork, and...

Joey: Where's mine, mom?

Medium panorama, everyone. Marianne gave Joey a piece of pie and walked to the stove.

Starlight: What's wrong, Marianne?

Marianne: It's okay.

Middle shot, Shein, Joey and Starlight. Marianne came with the coffee pot.

〔Into〕

Exterior view, Starlight’s farmhouse.

Close shot, an axe embedded in a tree post. Xie walked to the rear view window and looked out.

Interior view, Starlight's house.

In the middle shot, the Starlight family sits at the table. Xie Yin turned and walked forward in front of the window in the background.

Xie Yin: Just now... this meal was really top-notch, Mrs. Starlight.

Close shot, Marianne was very satisfied with his praise.

Medium panorama, everyone. Xie walked out.

Xie Yin: Please forgive me, let me go out.

Joey: Where did Mr. Shein go? He hasn't said goodbye yet. (He walks to the window)

Starlight: No, he didn't go, Joey. If he wants to go, he will not take this away.

Insert shot: Shein’s bullet belt and gun are on the chair.

Middle shot, Starlight and Marianne. Joey crossed the frame from the background.

Joey: I will go outside with him.

Marianne: Did you ask him to stay overnight, Joe?

Middle shot, Starlight and Marianne. Starlight stood up.

Starlight: Yes, I... I'll talk about it now.

〔Into〕

Exterior scene, Starlight’s yard.

In the panorama, Xie Yin is splitting the stump. Joey stood looking in the background. Starlight appeared in the window.

In the panorama, Joey and Starlight.

Starlight: Well, I'm so damned! Come on, come and stay with me for a while.

Marianne walked to Starlight, and he put his arms around her.

〔Into〕

Location, Xiaozi from Starlight's house.

In the close-up shot, Xie Yin is chopping a tree stump.

〔Into〕

Exterior scene, Starlight’s yard.

In the middle shot, Starlight is swinging his axe.

〔Into〕

Middle shot, Xie Yin splits the other side of the stump.

Close-up, Starlight splitting the stump.

Close-up, Shein splitting the stump.

Insert the lens: The axe struck the stump.

Insert the lens: Another axe is splitting the stump.

Close shot, Starlight.

Insert the lens: The axe splits the stump.

Close shot, Xie Yin splitting the stump.

Insert the lens: The axe splits the stump.

The insertion shots of the two axes appear alternately.

In the middle shot, Xie Yin stopped and looked out of the painting.

Close-up, Starlight looked up and smiled.

In the middle panorama, Starlight's back to the camera is in the foreground, and Shein is in the background. The two continued to split the stump.

〔Into〕

Exterior view, Starlight’s yard, dusk.

Middle panorama, in the foreground Marian and Joey are working in Lay Garden. Shein and Starlight tried to move the stump in the background. Marianne stood up and walked towards them.

In the middle shot, Shein and Starlight want to plan out the stump.

Panoramic view, Shein, Starlight and Marianne. Joey walked into the foreground.

Marianne: Joe, why don't you put on Malay and pull it?

Starlight: Marianne, I've been fighting with this stump intermittently for two years, and now if I put on the cattle, this stump will defeat us. Sometimes I can only sweat and sell hard on my own, but nothing else. come on!

They pushed the stump. Marianne and Joey watched them do it. Shein and Starlight tried their best to pull the stump, and it finally loosened. The camera moves forward.

In the panorama, Shein and Starlight keep up their efforts, and Marianne is in the background. The stump suddenly fell down.

〔Into〕

Exterior view, Starlight’s yard, morning.

Panorama, Starlight Farm.

〔Into〕

Interior view, Starlight's house.

In the middle shot, Joey is asleep in bed.

〔Into〕

Exterior scene, Starlight’s yard.

Panoramic view, an elk nibbling the sprouts in the vegetable garden.

Interior view, inside the house.

Close shot, Joey is sleeping.

Exterior view, yard.

In the panoramic view, the elk walked out of the vegetable garden.

Interior view, inside the house.

In the middle shot, Joey is sleeping. The shadow of the antlers flitted across his face.

Exterior view, yard.

In the panoramic view, the elk is drinking in the bucket under the window.

Interior view, inside the house.

In the middle shot, Joey woke up.

Exterior view, yard.

In the panoramic view, Molu looked up after drinking the water.

Interior view, inside the house.

Close-up, Joey is sleepy, looking outside.

Insert the lens: the shadow of the window antlers.

Close-up, Joey sat up.

Exterior view, yard.

In the panoramic view, the elk ran away from the house.

Interior view, inside the house.

In the middle shot, Joey turned his back to the camera and sat up and looked out the window.

Exterior view, yard.

Medium panorama, elk.

Interior view, inside the house.

In the middle shot, Joey took the gun and walked to the door.

Exterior view, yard.

In the panoramic view, the elk walked back towards the house.

Close-up, Joey stood in the doorway and looked out.

Panorama, several horses in the corral.

Close-up, Joey went down the steps.

In the panoramic view, the elk gnaws on the vegetable seedlings in the vegetable field.

Panorama, Joey walked forward. In the background, the elk made a snoring sound.

Close shot, Joey looked back.

Panoramic view, stag.

Panorama, Joey in the foreground. The elk raised its head in the background. Joey ran out of the screen.

Close shot, elk.

Panorama, Joey ran into the corral and closed the door.

In the panoramic view, the elk ran to the vicinity of the chicken shed.

Location, corral.

In the middle shot, Joey stands in the corral with his back to the camera.

Joey: Bang! boom!

Close-up, Joey.

Panorama, the elk ran to the back of the house.

Close-up, Joey turned and walked away.

Panorama, Joey walked listlessly to the stable. Pan the camera.

Joey: I really hope they put some bullets in this gun for me.

In the close-up shot, Shayin is lying in the stable, covering his face with a hat. Joey came in from the foreground and peered through the door.

Shein: Good morning, Joey.

Joey turned and saw him.

Joey: How do you know this is me?

Xie Yin: Yes, I thought to myself that the cow probably wouldn't open the latch.

In the close-up shot, Joey walked to the foreground with a smile.

In the close-up shot, Shayin removed the hat covering his face.

Xie Yin: What are you doing when you get up so early?

Panorama, Shein and Joey. Joey walked to Shein and sat on the bench.

Joey: You have to stay for breakfast, you know?

Xie Yin: Really? Okay, thank you.

Joey: Then where are you going?

Shein: What do you think, Joey?

Joey: I...I hope you can stay. Can you teach me to shoot?

Xie Yin: Do you want to learn how to shoot, eh?

Joey: Dad also wants you to stay. I heard him tell mom.

Shein: Oh?

Joey: He said he didn't want you to fight for him, but to help him.

Close shot, Xie Yin was stunned.

Mid-close shot, Joey.

Joey: I bet you won’t leave because it’s too dangerous, will you?

Exterior view, yard and corral.

With a panoramic view, Marianne walked out of the house.

Marianne: Joey, Joey! Be right back!

Panorama, Shein and Joey. Shein sat up, and Joey ran to the door in a hurry. Pan the camera.

Joey: I hope you can stay, Mr. Shein. Here comes mom!

Close shot, Xie Yin thoughtfully.

Panorama, Marian and Joey. Joey closed the door and walked towards the background.

Marianne: Close the door, Joey. What are you doing outside in your pajamas? Come in and put on your clothes.

〔Into〕

Interior view, Starlight Farmhouse.

In the middle shot, Starlight walked into the bedroom and sat on the bed. Shein and Joey are in the kitchen in the background.

Starlight: Xie, do you want to pull the wire from Grafton on the horse?

In the middle shot, Marianne is making the bed. Joey ran in and jumped on the big bed, and Marianne hit him lightly. Xie Yin is in the background.

Xie Yin: Just do what you said.

Marianne: Joey, get out of the bed and get out!

Joey stood up and walked out.

Starlight: He left the wire in the shop for me. You buy yourself authentic work clothes there by the way.

In the middle shot, Starlight wears boots in the foreground. Xie Yin stood in the background. Joey ran in and climbed onto his bed.

Shein: What shall I bring you, Joey?

Joey: Soda!

In the middle and close shots, Marian is in the foreground and Shein is in the background.

Marianne: You don't need anything, Joey! You should be sensible.

Close-up shot, profile of Xie Yin. Starlight walked into the screen and walked out. Joey followed him, walked into the doorway and stopped.

Panorama, Shein and Joey.

Starlight: You must be more careful. I don't want to cause you trouble because of me.

Joey: Wouldn't you bring your six-shot gun, Mr. Shein?

Xie Yin: I never heard of hunting in this town, Joey.

Starlight: (Painted porch) Come on, boy.

Joey went out.

Exterior scene, Starlight’s yard.

Panoramic, Xie drove the carriage into the screen, panning the camera, and Mary Ann, who was drying her clothes, entered the screen. Shein drove the car forward, and Joey ran after him. Marianne is in the background.

In a large panoramic view, the camera passes over Starlight beside the timber pile. Marianne chased Joey, and Shein drove the car back into the scene.

Marianne: Joey, you come back to me!

〔Into〕

Exterior scene, Starlight’s yard.

In the middle panorama, Starlight is splitting wood in the foreground, and Joey is sitting on the other end of the wood and aiming with a gun. Marianne took the clothes out of the clothes basket in the background.

Joey: Bang! boom!

Starlight: What are you fighting?

Joey: People from Rickel, bang! boom!

Starlight: How much did you fight?

Joey: There is only one left.

Starlight: Ah, that doesn't work either.

Joey: Dad!

Starlight: Huh?

Joey: Do you think Shein will teach me to shoot?

Starlight: I will teach you myself when I have time, Joey.

Joey: Is your marksmanship as good as Xie, Dad?

Starlight: Then how do I know? I have never seen him shoot a gun, but I don't think I may have him shoot well.

Marianne hangs clothes in the background. Ernie Wright came from a distance in a carriage.

Joey: He didn't bring a gun today. Why, Dad?

Starlight: He is going to the shop! Buying things is not going to grab things!

Joey: But why, dad? To be honest, why didn't he bring a gun?

Starlight: I don't carry a gun myself!

Joey: He is very proud of his gun.

Marianne: Someone is here, Joe.

Starlight: I know, it's Ernie Wright.

Joey: Can you smoke him all at once, dad? Can you draw thanks?

Wright drove over. The dog ran into the screen and barked at him. Marianne greeted him.

Starlight: Why are you asking endlessly?

Joey: Can you?

Joey stood up and sat down.

Starlight: Ah, maybe. But it doesn't need to be, Joey, Shein is with us.

Wright stops the horse (camera moves forward). Starlight greeted him in the background. Joey followed, and Marianne stopped.

Wright: Hello, Joe.

Starlight: How are you, O'Neill?

Wright: Not good.

Starlight: What's wrong?

Medium and close shots, Wright, Starlight and Joey.

Wright: I'm going to wrap up and leave. It's useless for you to say, Joe Starlight.

Starlight: What the hell is going on?

Wright: My wheat is over. The Rickel brothers have started. They cut my barbed wire and drove the bull in. Now only McGun is left.

Starlight: When did this happen?

Wright: Last night. I'm leaving, I have to throw it all away. Tell you, I have had enough. Don't try to convince me anymore.

Middle shot, Wright, Starlight and Marianne.

Starlight: Ernie, but you can't just leave like this...

Wright: You don't have to work hard, that's it. I have listened to you enough.

Starlight: Well, you go, no one will stop you.

Medium panorama, everyone. Starlight stepped into the foreground and threw down his axe vigorously. Marianne walked to Wright.

Marianne: Oh, Ernie. You can leave your house, your land, and-oh, you...

Wright: I'm exhausted and can't stand it anymore. I've had enough of being bullied by those people, and I'm called a stupid pig by them. Who knows what the next step will look like?

Medium panorama, everyone. Starlight put his hand on Joey's head and walked towards Wright and Marian in the background. The camera moves forward.

Starlight: Don't give up. Let me tell you, in this way, let's have a gathering here tonight, and let's think of a way.

Wright: I don't know what to do myself.

Starlight: I'll send a letter to everyone. If you can see Shipstead or Torre, please tell me about it, okay?

Wright: Okay, I will tell them. But if we have a meeting, we better not sit there and talk empty talk. drive!

Wright made a gesture and yanked the reins.

〔Into〕

Location, crossroads.

With a panoramic view, Shein drove the car to the door of the Grafton store and hotel.

〔Into〕

Location, Grafton Store.

Panoramic, Shein jumped from the car to the platform in front of the store. Walked forward into the store.

〔Into〕

Interior view, Grafton store.

In the panorama, Louis sits at the counter. Grafton greeted the girls who came to buy things in the background. Xiein came in from the foreground.

Middle panorama, Grafton and the girls. Xie Yin walked into the foreground and looked around, Grafton walked behind him.

Interior view, Grafton store, daytime.

Close shot, Louis sat at the counter and looked at Shein.

In the close-up shot, Shein is in the foreground and Grafton is in the background. Mrs. Louis and the girls were behind them. Xie pointed to the wire.

Grafton: What would you like to have?

Shein: I'm giving the wire to Joe Staretra.

Grafton: Oh, yes. I have left Starlight for a long time. Are you new here?

Shein walked towards the counter, and Grafton followed him.

Xie Yin: Yes, I work for Starlight. Do you have the ready-made pants that I wear?

Grafton: For farm work?

Xie Yin: Yes.

Grafton: Oh, all the farmers are dressed up by me.

Interior view, hotel.

Panorama, a group of people sitting in the background. Atki, the wine seller, took out two wine bottles from the wine cabinet and walked to the door. The camera includes Chris, Sterling and Wells playing cards in the foreground.

Interior view, shop.

Middle shot, Grafton and Shein holding the clothes.

Grafton: You can go back here and try.

Xie Yin: Thank you. (Go out)

In the middle shot, Atki walked in, and the camera followed him and walked to Louis.

Interior view, hotel.

In the middle shot, Chris, Sterling and Wells are sitting at the table.

Chris: Will! (Atki's name)

Interior view, shop.

In the middle shot, Atki hands the wine bottle to Louis. In the background are the girls.

Interior view, hotel.

Medium shot, Chris, Schilin and Wells. Chris stood up and walked towards the group of people in the background.

Chris: Hi, Will!

In the middle shot, Morgan and two men are playing cards on a table. Chris walked over. Sterling and Wells are in the background.

Morgan: Would you like something to drink, don't you, Chris?

Interior view, shop.

In the close-up shot, Susie is trying on a hat. Chris came in behind her. She took off her hat.

Mid-close shot, Atki and Louis.

Chris: (Voiceover) Hi Will! Who cares about the counter here?

Atki: Come in!

In the close-up shot, Susie tried another hat and Chris stood behind her and looked at her. Susie turned her back to the camera, her image reflected in the mirror. She turned to look at Chris, then quickly turned back to look in the mirror and took off her hat.

Panorama, Grafton, Mrs. Louis and the girls. Xie came out in work clothes.

Grafton: How is it?

Xie Yin: Very good. how much is it?

In the middle of the panorama, Chris looked out of the painting, and then walked towards the hotel.

Grafton: Let me do the math. Pants, one dollar; two shirts, hexagonal; belt... young man, you should pay me two yuan!

In the middle shot, Grafton and Shein walked towards the counter, passing by Mrs. Louis and the girls, and the camera was enclosed in the foreground by Louis sitting on the edge of the counter. Gravung Tau is writing the price. Xie Yin reluctantly reached out for the money.

Louis: What's wrong with you, boy? He doesn't look pretty.

Xie Yin: I haven't bought clothes from the store for a long time.

Louis: The money is not spent these years.

Interior view, hotel.

In the panoramic view, Chris is in front of the wine counter and Atki is behind the counter. The prospect is Morgan et al. Chris walked across the screen with the wine.

Chris: Oh, new hillbilly, huh? I said I smelled the stench of pigs.

Interior view, shop.

Mid-close shot, Louis, Grafton and Shein, Shein pays.

Grafton: What else do you need?

Xie Yin: Do you have soda?

Grafton: (looks at Louis) Of course there is. Hope more people drink soda here. There, sell it over the counter.

Xie Yin: Thank you.

Xie walked forward and the camera pulled back.

Interior view, hotel.

In the middle shot, Chris, Sterling and Wells are playing cards. Shein walked in. The camera followed him to the counter and enclosed Morgan and others in the background. There was a man at the other end of the counter, and Atki was behind the counter.

Middle shot, crossing Atkey to shoot Shein in front of the counter. In the background are Chris and others. Chris turned around.

Chris: Will! Don't let the place where we drink is stinky!

Xie turned to look at him.

Panoramic, the camera passes over Chris to take pictures of Shein, Atki and a man.

Xie Yin: The shopkeeper...

Atki: Yes, what's your order?

Xie Yin: Do you have soda?

Everyone laughed.

Chris: Hey, did you blast him away or did you want me to blast him away?

Panorama, Shein, Atki and a man; Morgan and others in the background.

Morgan: Let me deal with him, Chris.

Medium panorama, Chris, Sterling and Wells. Chris got up and walked to the counter.

In the close-up shot, Shein leaned on the counter, and Chris entered the screen. Shein slowly turned his head to look at Chris.

Chris: Hey, what soda do you want? Would you like lemon, bayberry or wisteria juice, hillbilly?

Xie Yin: Are you talking to me?

Chris: I haven't seen anyone standing here.

Xie Yin straightened up.

Middle shot, half spring partition, Grafton looks in from above.

Middle shot, Chris and Shein. Chris poured a glass of wine on the front of Shein's shirt. Grafton walked in from the background.

Panoramic, the camera passes over Morgan and others at the Grafton table.

Close shot, Chris and Shein.

Chris: Here you are, here is something-it makes you a bit human.

Morgan: The smell here smells better, Grafton? Chris just sprinkled some perfume on a hillbilly. (Everyone laughs)

Grafton: Don't hang on to the fire.

Chris: I was just asking about sodas, pigs, rags, and so on. I said, who are you picking up the messy work for? Or just squat in the pastoral area?

Shein: I work for Joe Starlight. Do you think it has anything to do with you?

Chris: What if I feel this has something to do with me?

In the close-up shot, Louis looks in from the top of the sliding door.

Panorama, Kejiansi, Shein and a man. Morgan and others are in the background. Atki came in with the bottle and put it on the counter.

Atki: This is your soda, sir. (Everyone laughs)

Chris: Now you and your soda get out of here, don't even want to come in again.

Close shot, the camera passes over Chris to shoot Shein. Shein picked up the soda, threw the money on the counter, and picked up one of his things. He glared at Chris, holding the soda bottle as if he was going to hit Chris with the bottle, and then walked out of the screen.

In the close-up shot, Louis watched this scene.

Panoramic, the camera crosses Morgan and others to take pictures of Chris and Xie face. Xie walked out of the swing door.

Chris: You don't want to come back either.

In the panorama, Morgan and others are at the table, and Rufu comes in through the door in the background.

Morgan: Did you see it, Rufu?

Rufu: What's the matter, little brother?

Morgan: Chris just blasted away a hillbilly.

Rufu: (Going to the foreground) That's right, Chris. These people who occupy the land have to be untenable.

In the close-up shot, Louis looked in from the top of the sliding door, and he shrank his head and avoided.

〔Into〕

Interior view, Starlight's house, rainy night.

In the middle panorama, Starlight walked to the crowd at the table holding the coffee pot and poured coffee into Howells' cup. Yank is playing the harmonica.

Starlight: Is it warm and gentle like this?

Howells: Thank you.

Wright: You know I don't want to come out at night now.

Man: (Voiceover) Yes, let's have a meeting early.

Interior view, Joey's bedroom.

In the close-up shot, Joey fell asleep and Marianne was sitting next to him with a book in her hand.

Joey: Will Shein attend the meeting tonight, mom?

Marianne: Joey, say "Mr. Shein". Yes, I think he will participate.

Interior view, living room.

In the panoramic view, everyone is sitting at the table. Starlight took a seat in the background.

Starlight: I think we all understand why we are here today. Probably Rickel's thugs have all come to deal with us. I will tell you now that I personally do not plan to leave here either now or in the future. Let's start with you, Akhill, how are you?

The camera is pulled back to capture Shipstead and a man sitting in the foreground.

Shipstead: Uh, Joe, it's like this...

Close shot, Wright and Howells.

Wright: Hey, I've already made up my mind what to say. Why don't you start from me?

Medium panorama, Starlight et al. Shein walked in, silhouetted, hung up his rain cap, Starlight stood up.

Starlight: O'Neill, all of us can make it. Let's talk about it...you probably don't even know Xie Yin. Shein, this is Yanke Potts.

Yanke: Hello, Shain.

Interior view, bedroom.

Close-up shots of Joey and Marian.

Interior view, living room.

Middle panorama, Starlight, Shein and everyone. Starlight introduced them one by one.

Starlight: This is Fred Louis.

Louis: Yeah, I saw you in town.

Starlight: This is Ernie Wright.

Wright: Hello, Shain.

Starlight: This is Ed Howells.

Howells: Hello.

Starlight: And Johnson.

Johnson: Hello, Shain.

Starlight: Are you still seeing others coming here?

Xie Yin: (sit down) No, I haven't seen it.

Starlight: We are waiting for Torre.

Louis: Joe, how far does Rickel push us?

Middle shot, Starlight and Johnson. Starlight sat down.

Starlight: Let's not say discouraged words, this is right in Rickel's arms. He thought he could blow us away like a rooster.

In the panoramic view, Xie Yin and others were at the table, the door opened, and Torre walked in.

Starlight: (Voiceover) Ah, Torre has arrived.

In the close-up shot, Yanke is sitting in a rocking chair.

Yanke: Hello, Southern Army!

Torre: Hello, Yank!

Medium panorama, Shein, Louis, Yanke and Torre. Yanke played "Marriage to Georgia" with a harmonica (Note 1). Torre showed an unhappy look.

Close shot, Starlight looked at it with relish.

Middle shot, Torre and everyone. The crowd whistled. Torre angrily turned and stared at everyone.

Mid-close shot Yanke plays the harmonica.

Middle shot, Torre and everyone. He yelled to Yanke outside the painting.

Torre: Enough, Yanke!

In the close-up shot, Yanke stopped blowing and laughed.

Middle shot, Torre and everyone. The crowd whistled, Torre said to the crowd.

Torre: Enough for you!

Middle shot, Starlight and Johnson.

Starlight: OK, OK, calm down, Stonewall, calm down. Shake hands with Xie Yin, Xie Yin works here.

Panoramic, the camera moves across a group of people at the table, taking pictures of Shein and Torre. Shein stood up and stretched out his hand.

At the middle shot, Torre and Shein shook hands. In the background are Starlight and others.

Torre: Shain? Ah, yes, I heard of you at Grafton.

Starlight: Come, sit down.

Torre: (walks to the back view and sits beside Starlight) Hold the meeting, Joe.

Starlight: Yes, Stonewall, except for O'Neill, maybe—I think we are all going to stick to it.

Torre: What you said is quite interesting. Me, no one would ever want to force me out of my own territory, this is what counts!

Starlight: I think you all know that I want to stay here.

Medium and close shot, Shipstead.

Shipstead: I will stay too.

Panoramic view, Louis, Shein and everyone at the table.

Louis: I will deal with you first, at least until the fire starts.

Medium and close shots, Torre, Starlight and Johnson.

Torre: There are only seven of us, if we really fight!

Johnson: (turns his head to Xie's side) And him, that's enough for eight.

In the panorama, Shein, Louis and others.

Louis: Don't count on him.

Medium and close shots, Torre, Starlight and Johnson.

Torre: This was confirmed by his own actions.

Interior view, bedroom.

In the middle shot, Joey lay on the bed and listened attentively, while Marianne sat beside him.

Interior view, living room.

Medium and close shots, Starlight, Torre and Johnson.

Starlight: Watch out, what are you talking about.

Middle shot, Louis, Shein and others.

Louis: Did Shein tell you what happened between him and the Chris Calloway under Rickel?

Interior view, bedroom.

Close shot, Marianne is eavesdropping.

Middle shot, Marianne and Joey.

Joey: They were talking about Xie.

Interior view, living room.

Medium and close shots, Starlight, Torre and Johnson.

Medium and close shots, Louis, Shein and others.

Starlight: What's the matter, Shain?

Xie Yin: Let him talk about it.

Torre: Louis saw it with his own eyes.

Louis: At the Grafton Hotel, he even made Chris give a public insult.

Interior view, bedroom.

Close shot, Joey.

Close-up shot of Joey and Marianne with a book.

Starlight: (Voiceover) Fred, I tell Xie not to get into trouble. If he complies, then he will do it right.

Marianne: Let's finish this story, Joey.

Joey: He won't! Xie Yin will not be bullied by that person!

Interior view, living room.

In the middle shot, the camera passes Starlight with his back to the camera, and photographs Louis, Shein and others.

Louis: Afterwards, the guy Chris went around bragging about how he blasted a hillbilly away.

Xie Yin got up and took off the rain cap from the coat hook.

Starlight: Xie Yin, you can't get off.

Panoramic view in the middle, the camera passes over Louis and shoots Shein. Xie opened the door and went out.

Xie Yin: I think if I am not present, you can speak more easily.

Interior view, bedroom.

Middle shot, Joey and Marian. She got up and walked out of the picture. Joey got up from the bed, and Marianne came over and patted him on the head. Joey went back to bed, and Marianne covered him with the quilt.

Marianne: It's too late to finish this story now.

Joey: He won't, will he?

Marianne: Joey, I want you to sleep. Nothing, everything will be fine.

Joey: Shein won't go, will he?

Marianne: No, he won't go. Go back to bed now and just stay with me.

In the close-up shot of the double, Marianne went to the window and opened the window and saw Shein standing outside in the rain.

Marianne: Shein...

Exterior view, yard.

In the middle shot, Marian and Joey, passing Shein, who is facing away from the camera.

Joey: Xie...I know you are not afraid.

Interior view, bedroom.

In the middle shot, the camera moves past Marian and Joey to shoot Shein.

Shain: Joey, this is hard to say.

Exterior view, yard.

In the middle shot, Shein goes past the back of the camera to take pictures of Marianne and Joey.

Marianne: I think we can understand... Shein. You better not stand there in the rain. You will be frozen out!

Interior view, bedroom.

In the middle shot, the camera moves past Marian and Joey to shoot Shein. Shein walked out of the screen and Marian closed the window.

Interior view, living room.

Medium and close shots, Starlight, Torre and Johnson.

Starlight: On Saturday, we will go shopping in towns in groups.

Medium and close shots, Howells and Wright.

Howells: Yes, I think this is a good idea. Groups will be more powerful.

Medium and close shots, Torre, Starlight and Johnson.

Torre: I can't use a bodyguard. I take my gun and go to town whenever I love.

Close shot, Yanke played the tune of "Dixie" (Note 2).

Mid-close shot, Starlight and Torre, Starlight stood up.

Close shot, Yanke changed another tune.

Medium and close shot, Starlight and Torre. Torrey threw his hat on the table angrily, and everyone laughed.

Inside strip, bedroom.

In the middle shot, the camera passes over Joey sitting on the bed to take Marianne.

Marianne: Joey...

Joey: What's the matter?

Marianne: Don't get too close to Shein.

Joey: Why?

In the middle shot, the camera passes over Joey to shoot Marianne. She got up and put down the book, and walked to the oil lamp.

Marianne: I don't want you to be like this.

Joey: Is there anything wrong with him?

Marianne: No.

Joey: So why, mom?

Marianne: He will go away someday, Joey. If you get too close to him, you will be disappointed by that time.

She blew out the oil lamp.

〔fade out〕

〔fade in〕

Exterior scene, Starlight’s yard, during the day.

Big panorama, Starlight and Shein are sitting in the carriage. In the background is the carriage of Shipstead and Howells. Johnson stood by the pump in the foreground.

Starlight: Alright, Marianne, you are pretty enough. Come on, you have delayed everyone.

Marianne: (Voiceover) Here comes it!

In the middle shot, the Shipstead's carriage is in the foreground, and the Howells' carriage is in the background. Later, there was a couple sitting in another carriage.

Mrs. Shipstead: I hope she hurry up so that we can all start. I don't like it so slow.

Shipstead: Yeah.

Interior view, Phi House, daytime.

In the close-up shot, Joey is playing with a gun on Shein's bed. He put it back on the blanket, got up and ran out.

Xie Yin: (Voiceover) Joey, come on, get in the car, kid.

Location, corral and yard.

In the panoramic view, Joey ran across the corral to the gate and climbed up the gate. In the background are Starlight and Shein.

Exterior view, yard.

In the middle shot, Starlight and Shein are sitting in the carriage, and Joey climbs into the carriage in the background.

Starlight: If you get married, you have to get used to waiting for your wife.

Joey: Hurry up, mom!

With a panoramic view, Marianne came out of the house, closed the door, and put on her coat. Johnson stood by the water pump, took off her hat, and she paused.

In the middle shot, Starlight and Shein are in the carriage, and Joey is behind.

Starlight: She's here.

Johnson: Hello, Mrs. Starlight.

Marianne: Hello, Mr. Johnson.

Starlight: Sometimes it's worth waiting. Xie Yin, you have to be cautious and find a woman who is worth waiting for.

Panorama, Marian and Johnson, she hurried out of the picture.

Johnson: This water is awesome!

Middle shot, Starlight and Shein, Joey in the background. Shein jumped out of the car.

In the middle of the panorama, the camera passed Shein, and Marian hurried over. In the background is Johnson.

Marianne: Do you think I can dress up after you set the car for a while?

Starlight: (Voiceover) Hey, stop your horse first. We want to see how beautiful you are. Ah, that's amazing! Okay, come up!

Marianne walked to the carriage and began to climb up.

Middle panorama, Starlight, Shein, Marian and Joey. The two men helped Marianne climb to the seat beside Joey. Shein climbed up to Starlight and drove the car out. The scene includes Howells and Shipstead's home in the background. Johnson rode into the picture, and everyone set off together. Clouds were overcast in the distance, thunder rumbling.

〔Into〕

Location, plain.

Big panorama, Starlight is driving, Shein, Marian, and Joey are in the car. The other people's cars are in the back.

〔Into〕

Location, the courtyard of Louis's house.

Panoramic, Starlight drove the car into the screen. Pan the camera and shoot the foreground and Louis' children, who are standing next to the pigs.

Panorama, Louis in the carriage.

Louis: Come on, girl!

Panorama, Mrs. Torre, Mrs. Louis and Susie walked forward from the back of the room.

Panoramic, the Starlights and Shein drove the car over. Behind is Shipstead and Howells' car, and Louis and Wright sitting in the car.

Starlight: Hello, O'Neill.

Louis: Hello, Joe.

Starlight: Are you all ready, Fred?

Louis: Everything is ready!

Wright: Good morning, Joe. (Everyone greets)

Mrs. Louis: (Voiceover) Hello, Marianne.

Starlight: Where is Stonewall? I thought he was going with us.

In the middle shot, Mrs. Torre with two girls.

In the panoramic view, the camera passes over Mrs. Torre, Mrs. Louis and Susie, and takes pictures of the people sitting in the carriage. Mrs. Torre walked to the carriage in the background, Susie kissed Mrs. Louis, and walked over.

Mrs. Torre: He's thirsty, so let's go first. He said he was in a hurry and couldn't wait.

Mrs. Louis: I really want to go with you, but I have to stay at home to take care of the children and this new litter of piglets.

Joey: Goodbye! (Everyone bid farewell)

Panorama, everyone on the carriage, Starlight's carriage drove out first. The camera passed over Mrs. Louise, who was waving goodbye to everyone and drawing.

Mrs. Louis: (Voiceover) Goodbye, Marianne!

In the middle and close shots, Mrs. Louis and the little girls waved goodbye to those outside the screen.

Panorama, Louis drove the car, Mrs. Torre and Susie in the back seat. The camera shows the carriage in front of the mountain. The mother and daughter of Mrs. Louis entered the screen, and they waved to the people in the carriage as the carriage crossed the creek.

〔Into〕

Location, field.

Panoramic, Louis drove the car across the creek. The camera shows the carriage ahead along the stream.

〔Into〕

Location, field.

In the middle panorama, three Rickel’s men are riding on the horses, looking away from the camera at the convoy in the background.

〔Into〕

Exterior view, Grafton shop and hotel.

Panoramic, Rickel’s men drove up and dismounted in front of the Grafton store.

〔Into〕

Exterior view, Grafton shop and hotel.

Panoramic view, Starlight's family and Shein drove a car. The camera panned with them to the Grafton store. Joey pointed at a few cows. Behind them was the Shipsteads and Johnson's carriage.

Close shot, Chris looked at the immigrants from the hotel's partition.

In the middle panorama, the Starlights and Shein are in the carriage. Torre rode over and approached the carriage.

Starlight: Stonewall, why do you come alone first? Let's say it's all right.

Panoramic view, people in front of the Grafton store.

Torre: I have a little thing to do by myself. Can't we have a drink?

Close shot, Chris looked at the crowd from the top of the hotel partition.

Mrs. Torre: (Voiceover) Get down to me right away-you are like a fool.

In the panoramic view, Marian, Joey, and the Shipsteaders enter the store. Shein stood by and waited. The hotel door in the foreground opened, and it was revealed that Chris was watching the immigrants. Shein saw him.

In the panorama, Shein looked at Chris outside the painting. Starlight, Torres, Susie, and Johnson walked past him into the store, and Shein followed in.

Interior view, hotel.

Panoramic, the camera passes over Rufu writing at the table. Chris walked over from the door and sat down beside Peter in the background. Morgan is by the counter.

Kenneth: This group of people is here. They brought all their women to protect them. (Everyone laughs)

Interior view, shop.

In the panorama, Susie, Shein, Joey, Louis and others entered the shop. Susie walked out of the picture.

Marianne: (Voiceover) Is the jar I want here?

Grafton: (Voiceover) Hello, Starlight. I heard that you are coming, what would you like to order?

In the panoramic view, Marianne is looking at the jar.

Marianne: Oh my god, my god, what else are they thinking?

Panoramic view in the middle, with Shein and Joey in the background. Louis enters the screen.

Louis: Susie, did you bring the order your mother asked for?

In the close-up shot, Susie was trying her hat, she took off her hat and looked back.

Susie: Bring it, Dad.

In the middle shot, Starlight is looking at the catalog, and Marianne is in the back shot. Shein and Joey enter the screen.

Insert the lens: the picture page of the men's hat in the catalog. Turn to the page of women's underwear.

Louis: (Voiceover) I forgot the kerosene barrel on the carriage. Go out and get it.

Shipstead: (Voiceover) My wife wants us to get together on the Fourth of July.

Panoramic, the camera passes over Starlight to capture Grafton, Shipstead and the crowd.

Mrs. Shipstead: Yeah, let's all celebrate, right, Marianne? (To Starlight) I was talking to your wife.

In the middle of the panorama, the camera passes over Starlight, and Marianne picks up the box of jars. In the back view, Xie Yin looked across the partitions and looked at the hotel. Starlight picked up the catalog.

Starlight: That's great. This is what we are thinking about. Have a good party.

Panorama, Grafton and immigrants. Starlight walked to the background.

Shipstead: July 4th is also Joe Starlight's wedding anniversary.

Torre: We should celebrate this too.

Howells: Let's have a big party.

In the middle panorama, Shein is by the door of the hotel, and Joey is in the foreground. Grafton enters the screen.

Panorama, everyone.

Shipstead: You have gunpowder. We want to use it as a firework. I want to trade these chickens...

Mrs. Torre: Some jelly I kept, and some fruit, right?

Shipstead: Good. Yes, that's it, let's discuss it later.

In the close-up shot, Joey took out a soda bottle from his pocket and walked to the background. The scene includes Griffton and Shein. Joey passed the soda bottle to Grafton.

Joey: Mr. Grafton, what can I exchange for this empty bottle?

Grafton: Same as usual.

Joey: Thank you.

Three middle shots. Grafton gave Joey a mint stick and gave him the bottle.

Grafton: Go there and give the bottle to Will.

Panorama, Marian and others, Grafton enters the foreground.

Marianne: I want some white flour, Mr. Grafton. And four pounds of coffee.

In the middle shot, Shein is in the foreground, and Joey is walking towards the hotel in the back shot. He paused, and Shein walked up to him and took the bottle.

In the middle shot, the camera passes over Louis and takes a picture of Mrs. Torre. Starlight sat on the floor looking at the catalog.

Shain: Joey, let me send it in for you.

Mrs. Torre: You will come too that day, Xie Yin.

Xie Yin: Thank you.

In the panorama, Shein and Joey. Xie Yin entered the scene.

Close shot, Chris.

Chris: I said, idiot, you'd better stay inside with women and children, where insurance is all right.

Close shot, Shayin, Morgan in the background.

Xie Yin: Don't push too much, Calloway.

Medium shot, Chris. Everyone is in the background. Chris got up and walked to Shein, panning the camera.

Chris: Did you hear that? I let you go away. Do you think you can come here to drink with men?

Xie Yin: The shopkeeper, pour the wine. Two glasses of whiskey.

Atki's hand took away the soda bottle.

In the close-up shot, Joey looks out while holding the shutter.

Mid-close shot, Xie Yin. Chris was behind him. Atki entered the screen and poured two glasses of wine, Shain picked up the glass.

Xie Yin: You bought me a glass of wine when I was here last time. This time I reciprocate you a glass.

Chris: Don't you want to drink here.

Close-up, Rufu looks out of the painting.

Close shot, Shein poured wine on the front of Chris' shirt.

Xie Yin: You guessed it right.

Close-up, Joey opened the sliding door a little and looked out.

In the close-up shot, Shein splashed the second glass of wine on Chris' face.

Chris: This is a newcomer, they call him "soda".

Peter: Don't count me in it.

In the middle shot, Chris and Peter are in the foreground, and Shein, Atki and Morgan are in the background.

Chris: What's wrong with you, Peter?

Peter: Even if I'm a bit superstitious, it's okay.

Peter went out. Morgan sat down.

Close shot, Shein and Atki. Chris is in the background.

Chris: Your ears are probably a bit stiff, hillbilly. I remember I told you that if you want to save your life, don't come here. Get out now!

In the close-up shot, Joey peeked through the shutter.

Close shot, Shein looks out of the painting, and Morgan is in the back hotel.

Interior view, hotel.

In the middle shot, Xie Yin walked in and stopped. The camera shot into Rufu at the table in the foreground. Morgan is near the stairs. Chris and Peter are in the background.

Close shot, Chris looks at Shein outside the painting.

Panoramic, the camera passes over Chris and Peter, and photographs Shein, Morgan, and Atkey. Morgan turned and watched Shein walk towards the counter.

Mid-close shot, Xie Yin. Atki is in the background. Shein put the empty cup on the counter.

Chris: Look, we have this! (Everyone laughs)

Close shot, Shein and Atki. Chris and Peter are in the background.

Close-up, Chris.

In the close-up shot, Shein hit Chris with an arm swing.

Close-up, Joey watched.

In the middle shot, Chris was beaten and staggered back.

Interior view, shop.

Panorama, the immigrants are all in the shop. Chris was beaten across the hotel and fell to the counter.

In the middle shot, the Starlights and the others looked out of the painting.

In the middle shot, Mrs. Torre passed out. The camera pans down as she falls. In the background are Grafton and Louis.

Close-up, Chris wiped his face with his hands.

Panoramic, the camera passes over Chris, taking pictures of Grafton, Louis and others. Chris stood up and walked into the hotel.

Grafton walked out of the picture from the background.

Interior view, hotel.

In the middle shot, as soon as Chris came in, two people stopped him.

Close shot, Xie Yin.

Chris: Let me kill him!

In the close-up shot, Morgan is in the foreground, Rufu is in the background, and Joey is beside the door behind them.

Rufu: Let him go!

Chris: Let me kill him!

In the panorama, Chris broke free of the people who blocked him. The camera followed and shot him pounced on Shein's side. The picture includes Morgan and Grafton. Chris swooped at Shein, Shein flashed over, and Chris bumped into the counter.

Morgan: (Voiceover) Fuck him, Chris!

In the close-up shot, Xie Yin ducked away.

Medium shot, Chris. A man in the background.

Man: Split him! Get rid of this hillbilly!

Medium shot, Joey.

Panorama, Chris and Shein started fighting. Grafton and Morgan in the background.

Man: Cut him in half!

Morgan: Give him a great punch, Chris!

Interior view, shop.

In the close-up shot, Louis is watching by the door. He looked terrified and walked out of the picture.

Panoramic view, Starlights, Torre, Johnson and others are standing at the door. Louis enters the foreground.

The man (voice-over) let him eat a fist! Break his spine!

Louis: This is really bad! That's terrible!

Torre: I'll go in and do it!

Johnson: No, you can't go in, Stonewall. You just stay here and don't move.

Louis: This one does not do our business. If we get in, we will all be blasted out of this place.

Interior view, hotel.

Panorama, Shein and Chris are fighting with each other. Morgan, Grafton and Atkey in the background. Shein punched Chris.

Close shot, Chris staggers back.

Man: (Voiceover) Go ahead and kill him, Chris!

Interior view, shop

In the close-up shot, the Starlights, Wright, Louis, Torre and others are standing at the door.

Wright: The problem lies in this horrible place. Within a hundred miles, there is not even a police station.

Interior view, hotel.

Panoramic view, looking down through the handrails of the stair railings, Shane and Chris are fighting.

Close-up shot of the double, leaning towards Chris. Grafton is in the background.

Close-up shot of two people, partial to Xie Yin.

Close-up, Chris.

Close-up, Joey.

Close shot, Shain and Chris scuffle, leaning towards Shain.

Everyone: (Voiceover) Chase him, Chris!

Push him down, Chris!

Beat his head to blossom!

Close-up, Chris.

In the panorama, Shein and Chris are fighting, and Rufu and Grafton are in the background. Chris jumped at Shein.

Close-up, Shain.

Medium panorama, Shein and Chris. Rufu and Grafton are in the background. Shein slammed Chris on the counter.

Medium and close shots, Chris. Grafton in the background.

Mid-close shot, Xie Yin.

Everyone: (Voiceover) Beat him! Make a right hand punch, Chris! Throw him into the pigpen, Chris!

Interior view, shop.

Panorama, the Shipsteads, Howells and Mrs. Torre in the background.

Interior view, hotel.

Close shot, Chris rushed towards Shein outside the painting.

With a double panorama, Chris hits Shein.

Close-up, Xie Yin got another punch.

Panoramic view of two people, shooting the scene of two people fighting from the stair railing.

Panoramic view in double. Shein beat Chris across the table.

Close-up, Joey chewing candy in his mouth watching the fight outside the picture.

In the close-up shot, Chris stood up.

Man: (Voiceover) Smelly pig!

In the panorama, Grafton and the crowd with their backs to the camera.

Pan

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Extended Reading
  • Rickey 2022-04-21 09:02:54

    People can't live against their own nature I tried and failed I hope you can live your own way

  • Isac 2022-04-24 07:01:17

    suffused with an intense symbolic meaning: the opposition of "wilderness and civilisation". "there's no living with killing" a tribute to the prime time of western cowboys?

Shane quotes

  • Marian Starrett: Guns aren't going to be my boy's life!

    Joey: Why do you always have to spoil everything?

    Shane: A gun is a tool, Marian; no better or no worse than any other tool: an axe, a shovel or anything. A gun is as good or as bad as the man using it. Remember that.

    Marian Starrett: We'd all be much better off if there wasn't a single gun left in this valley - including yours.

  • [after Shane enters the bar and orders asks for a soda pop, Chris tries to bully him]

    Chris Calloway: Well, what'll it be? Lemon, strawberry or lilac, sodbuster?

    Shane: You speakin' to me?

    Chris Calloway: I don't see nobody else standin' there.

    [throws his drink on Shane]

    Chris Calloway: Here, have some of this. Smell like a man.

    Morgan Ryker: Don't it smell better in here, Grafton? Chris just fumigated a sodbuster.

    Sam Grafton: Just take it easy.

    Chris Calloway: I was just askin' about sody pop... pigs and taters and one thing and another.

    [to Shane]

    Chris Calloway: Say, which one of them tater-pickers are you workin' for? Or are you just squattin' on the range?

    Shane: Joe Starrett, if it's any of your business.

    Chris Calloway: Supposin' I make it my business?