same dreams, birthplaces, and stories about rats. It cannot be said that "Romantic Mouse" is much better than "Ratuitouille". After all, in terms of animation technology and objectivity, Lacking the latter’s humor and gradual sense of surprise, the pictures are not refined, and the plot processing is a bit procrastinated, and even somewhat illogical. The romantic mouse is more like a fairy tale-like legend, and the voice-over is even more effective. The role of narrating the story in a whisper, so it makes people feel that they are reading a dynamic fairy tale.
The key clue of the story lies in the sunlight.
Perhaps a RAT and a MOUSE represent the two attributes of a mouse judged according to human standards, just like in Wells’ Time Machine, the future world is timid but kind, living in the sun and living on the ground. Eloy, while living together in the underground, living in the dark, the cruel Moraux who feeds on the former and all meat.
But as I said just now, that's just human standards, or it's just the usual method of fairy tales. Different from this, the film features a brave MOUSE and a kind RAT as the main character. They are all alternatives to the conventional world. This is also reflected in the beautiful princess and the rigorous and rational king, which is changed from the fairy tale. The princess’s gentleness and kindness. Although the princess in the movie is full of hope, she also becomes anxious and selfish under the suppression of the darkness, especially for the maid Miguel. Power turned into a disaster for a country, with dark clouds all over the sky, with neither sunshine nor rain, but accumulated darkness and gloom, which could not be vented to the point of welcoming the sunshine after the rain. This kind of spiritual imprisonment is darker than any physical imprisonment.
As a result of repeated misunderstandings, the heart of each character is gradually swallowed by darkness, whether it is a RAT that takes darkness as a normal nature, or a MOUSE that regards bravery as a fatal rebellion, or is angry because of not being forgiven. With the hateful sailor, the sky and the heart were dark, only Depero was still driven by hope and persisted in fighting with the power of a needle and the faith of the knight.
The spark of fire, and finally with the fragrance of the broth, the prairie prairie is shining into a piece of sunlight, dispelling the darkness, and at the same time we have a deeper understanding of human nature. The success of this film lies in the fact that no matter what the protagonist is Or the psychological changes of the supporting actors are cleverly integrated, combined with the philosophical words of voice-over, to outline a fable that can benefit a lot from various angles, not just an empty Snow White description, nor heroism. Prominence, but a big discussion about birth and beliefs.
We won’t be disgusted by Miguel’s ugliness and narcissism. Instead, we will feel pity for being bought into the court and ridiculed at the same price as a healthy pig; we won’t be scorned by DePerro’s parents. I feel angry because of the restraint of nature, just as most people in our lives choose to ignore emotions because of certain inertial regulations. This is impossible to judge by right or wrong, but we can only mourn our misfortune. Everyone is a product of the times. , Is also a hostage of the times.
Although a little helpless, the film tells us that we still need to desire anyway, because we have a light in our hearts, or it is very weak, so weak that the darkness may be extinguished, and sometimes we forget that this has always existed in our hearts. Daoguang.
That light is honor, hope and faith, and it is also love.
Only after experiencing this struggle between light and darkness can you truly determine your own nature, not just your birthplace, or the so-called big squirrel or the little mouse, the so-called princess and the maid.
Because of human nature, it is never custom.
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