The film is indeed very general, the responsibility of the screenwriter. There is also a problem with casting. Sarah and Hugh Grant, obviously one is American and the other is British. The producers are really unscrupulous about the box office. The British wanted to play the American role, and Grant was obviously dissatisfied. The performance of the English gentleman seemed artificial and out of place.
In order to be protected, the Morgans came to the remote town of RAY in Ohio from the bustling metropolis. Like all city people who go to the countryside, they always seem out of place. Some people say that a good actor can play a variety of roles. In fact, this is not the case. A good actor can make people think of him/her when they talk about this role. For example, when speaking of a pirate, it is Captain Jack or Johnny Depp; New York is Kelly and Sarah Jessica Parker. Sarah is definitely not a beauty at first sight, but she has the breath of a New Yorker-a woman can grow old, but she can't give up her pursuit of fashion and materialism. This is the metropolitan spirit. If Sarah has anything wrong, it is that she played Kelly again. Can't you give her a golden plum for this reason?
Besides, the highlight of the whole film is the oath of that marriage,
Let me not to the marriage of true minds admit impediments
Love is not love which alter when it alteration finds or bends with the remover to remove
Oh, no! It is an ever -fixed mark that looks on tempests and it never shaken
If you are sincerely forming a marriage, it will be barrier-free.
If you are shocked by the wind or if the other person’s heart changes, then it is not love and
never, love is the eternal navigation light, staring at the storm but never shaken move.
In fact, love is not romantic at all, true love is serious, so it is hard to reach, it is just a legend.
Attached, the full text of that poem (it feels like it is well turned in the movie, there are so many strong people on eDonkey!)
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved .
I will never admit the union of two hearts
There will be any obstacles; love cannot be regarded as true love,
if it
turns when it sees a change, or leaves when it sees a turn.
Oh, never! Love is an everlasting tower lamp,
it stares at the storm but does not move;
love is a star that guides the lost boat,
you can measure how high it is, but its value is infinite.
Love's not Time stir up, although his
height be taken moments hostility;
love does not change because of changes in the twinkling of an eye,
it Weiranchuli the edge of doom
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