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Saoby's Doom
Harmon 2022-01-09 08:01:49
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Clarissa 2022-03-15 09:01:05
Parma is really a fan of Xifa. Many elements of Xifa finally come back to life in this movie. The regret that there were not too many erotic scenes due to the Code of Hayes was finally found in Parma's movie. Yes, even if Hitchcock asks the actors to kiss every few seconds to avoid censorship, they still have the elegance of the British in their bones. Female characters are mostly beautiful but not provocative. Parma was born. The United States has been born open since childhood, so the murderous scenes of eroticism have taken over, and they are also extremely vigorous. The split-screen split-focus filter is widely used in this part. It breaks the space limitation and creates a great horror and suspense atmosphere, and the practice of mixing the timeline also makes for the suspensefulness, but it is indeed excessive. The suspicion of use, in the final restaurant scene, the two guests next door are completely unnecessary. Although it reflects the disgust of others towards what they say and sympathy for the minority groups, the use of the whole scene exposes the pseudo-double The focus of the collage traces, the sense of fragmentation is too heavy. The ending echoes with the dreams at the beginning, very exciting.
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Josiane 2022-03-27 09:01:14
Every time I watch Brian DePalmer's film, I can't help but think of the word "master", and he really likes the scheduling of some scenes. The atmosphere of this film is excellent, and it is really scary, not worse than Hitchcock's "Psycho"
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Bobbi: Don't make me be a bad girl again!
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Liz Blake: Thank god, straight fucks are still in style!