I've seen 5,000, recommend 100—the best one in a hundred

Luigi 2022-01-07 15:54:11

Choosing a film is actually choosing a director.

My personal favorite 25 directors:

Europe: Luis Bunuel; Añez Varda; Jan Swinmeyer; Pete Paine; Michael Hanek; Krzysztof Kieslowski; Robert Bree Pine; André Tarkovsky; Jean-Luc Godard; Bella Tal; Lars von Trier; Jacques Van Domel; Michelangelo Franma Tinno; Asia: Hu Jinquan; Hong Sangsoo; Abbas Kiarostami; Tsai Mingliang; Imamura Shohei; Terayama Shuji; Li Hanxiang; Matsumoto Toshio; America: Stanley Kubrick; Jim Jamush; Quentin Tarantino; Gaspar Nou;

The 100 favorite movies are as follows:

1. "2001 A Space Odyssey" Director: Stanley Kubrick's imagination of the universe, that's it. In the last half an hour, the beauty was crazy. This film made me feel in awe of the movie. In a lifetime, no movie can surpass this one.

2. "Heaven and Earth Xuanhuang" Director: Ron Frick The world has great beauty without speaking, and there is great sadness in life without knowing it. Every shot is beautiful to the extreme, surpassing all words and words!

3. "Dust and Snow" Director: Gregorian Colbert is connected by water and sky, and elephants swim. The girl dances, the monk sails; the yellow sand is full, and the cheetah patrols. The sea is vast and the whales sing. This is not a movie, it is a dream. It was so beautiful that it was too late to cry, and it was suffocated.

4. "Dream of Red Mansions" Director: Xie Tieli/Zhao Yuan and the 87 TV version of Red Mansions are bright for a while, each has short and strong points. Not as good as the TV version: 1. The music is slightly inferior; 2. The Liu Xiaoqing version Wang Xifeng uses too much force; 3. The ending uses Gao Su. Gao E not only has limited literary talents, but also has less understanding of life than Cao Gong's in case. Except for the above three points, all the others have passed.

5. "The Antichrist" Director: Lars von Trier will not survive if he is not crazy. Only the great heaven can deviate from the scriptures and apostasy. It is a true warrior who shocks the world. The most classic opening in film history was born.

6. "The Hole" Director: Cai Mingliang Adam and Eve in the Garden of Eden need an apple, men and women need a hole when the plague spreads; in the 21st century, you can still hear Gulen's beautiful singing, thank Cai Mingliang.

7. "A Pond without Water" Director: Wakamatsu Takayoshi's short commentary version of Bai Juyi: Flowers are not flowers, fog is not fog, midnight comes, and dawn goes. How long has it been like a spring dream? Going like a cloud, there is nowhere to look for it; Xu Zhimo's version of the short commentary: Quietly you are gone, just as you quietly come; You wave your sleeves and leave a table of food.

8. "Flowers as a Matchmaker" Director: Fang Ying, Wu Zuguang, talented and talented than Zijian, and the new Fengxia is beautiful and beautiful. Seeing my eyes are dazzling like dreams, and hearing my ears is full of fragrance like drunk like immortals.

9. "24 Frames" Director: Under the lens of Master Abbas Kiarostami, everything is spiritual and beautiful. I love the lion who was bored in the rain and had sex in frame 9 and was scared by thunder to premature ejaculation; in frame 7 a pair of birds busy showing affection kept moving so that the single bird on the right had nowhere to stand; frame 16 was blocked by a fence Can't find a way out for a lonely helpless duck; frame 4 a deer that is retrograde in the snow waiting for a mate; frame 13 a bird that stands by the corpse of a companion for a long time; frame 22 the beach faces the bird and the flag is empty Barking and bluffing dogs; 10 frames of shepherd dogs that are alert and responsible in the snow; 11 frames of wolves calling their companions to come down to eat; frames 5, 18, and 23, deer killed under the muzzle, and under the cat’s mouth Birds, and trees in the mouth of the chainsaw. Every frame is derived from nature, and every frame is unparalleled art.

10. "The Rain in the Empty Mountain" Director: Hu Jinquan sees no guests in the empty mountain, but hears the sound of the rain. There is Zen in the East, and Hu Jinquan is the favorite.

11. "The Phantom of Freedom" Director: Luis Buñuel has a structure that resembles "A History of Scholars", and the satire is even worse. Buñuel can be called Wu Jingzi's confidant of a foreign junior.

12. "Elysium" Director: Yang Shiyunmeier Shiyunmeier's film is unique. It has never been seen before, and will never be repeated afterwards. Even imitation is impossible.

13. "The Beach of Agnès" Director: Agnès Varda is crying and loves you, Varda, eighty years old, the more you live, the more transparent you are; the natural good feeling for images, the eternal innocence, Unconstrained imagination, in my eyes, you are close to God.

14. "Four Times" Director: Michelangelo Franmartino's destiny: to work every day, shedding sheep, cutting wood and burning charcoal, and die alone; the destiny of sheep: turning into milk, turning into meat, turning into shit; The fate of the tree: felled, sawed, and burned into charcoal; the fate of charcoal: turned into heat, turned into ash, and turned into light smoke.

15. "Escape into Nothingness" Director: Gaspar Nou's aerial perspective, floating around. Subjective lens, dangling. Life is nothingness, death is nothingness. Between death and life, there is nothing and nothing.

16. "The Tree of Life" Director: Terrence Malik Life is priceless, life is impermanent, the true meaning of life, and love is boundless. This is a movie that can only be described as great, with long love for children, and a prehistoric universe.

17. "The Man without a Surname" Director: Jacques Van Dommel Time forever diverges, leading to countless futures and pasts; it is about choice, memory, time, accident, parallel universe, butterfly effect..., compare Any film of the same subject matter must be complicated, and the narrative method completely breaks the conventions. What is particularly rare is that the filming has a sense of beauty.

18. "Princess Shirin" Director: Abbas Kiarostami thinks this way, unprecedented. This way of shooting is unprecedented. Finally understand why Godard would say: The movie ends with Abbas.

19. "The Pastoral Festival of the Dead" Director: Shuji Terayama Wandering Circus, the beautiful young woman next door. The strange young man dreamed of death in the countryside; a clock on the wall and a hole in the ground. A hundred years of loneliness, goodbye to Hakata.

20. "Rose's Funeral" Director: Toshio Matsumoto is constantly denying himself to find himself. I am the sword that hurts others, and I am the one who hurts the sword; the Eastern version of the Greek tragedy, killing a father and marrying a mother becomes a mother killing and sleeping father , It breaks through the bottom line and touches people's hearts more; the director has made bold attempts in artistic techniques: jumps, collages, fast forwards, flashbacks, static pictures, imitation documentaries... The beauty of perversion, the desperate love of the same sex.

21. "Fun Game" Director: Michael Haneke Haneke's exposure of the evil of human nature is unmatched. Watching this movie is an extreme experience. There are very few people who can get rid of this kind of violent trap. Buddha is one and Jesus is one. Perhaps Gandhi should be added.

22. "YHY" Director: Lou Ye. This is the best work produced by the sixth generation of directors from mainland China. In my eyes, it is even the best work produced by a director from mainland China. It is banned, it is its inevitable fate, you know.

23. "Roadside Picnic" Director: Bi Gan time and space are interlaced, the clock is reversed. Like dew, like electricity, like dreamy lingering. A roadside picnic is not the best movie I have ever seen, but it is the best movie I have ever seen in a cinema, a magical movie.

24. "Mystery Train" Director: Jim Jamusch Jamusch photographed the normal state of life: boring! A boring life, but there is good music. "Mystery Train" may not be his best one, but I can't help it. I have a soft spot for the three-stage structure.

25. "The Power of Gangwon Province" Director: Hong Sangsu Hong Sangsu is a master of structure. I found that people who play with structures love irony. This is true for Hong Sang-soo, and so is Buñuel. The difference is that Buñuel’s irony points to the universal hypocrisy of human nature, while Hong Sang-soo is more interested in the hypocrisy of male intellectuals. If a woman wants to see clearly what a man is, she must go to Hong Sang-su and learn from it.

26. "Stalker" Director: Andrei Tarkovsky Tarkovsky's eyes are always upward. The Stalker is a purely metaphysical film. From the beginning to the end, we are led by a mysterious force, from the initial suspicion, to the doubting, to the unwilling to listen to it, to the belief that it is there, to the final disappointment. In fact, the cup pushed by the mind at the end is the answer to everything.

27. "Sounds Through Time" Director: Franco Piavioli's cicadas are noisy in the forest, and the moon rises to shock the mountains and birds. Following the lens, we see children, see purity, see teenagers, see laughter, see youth, see beauty, see lovers, see sweetness, see middle-aged, see hesitation, see old age, see To serenity. When you stop, stare, and listen, you will be moved by every vivid face, every sound that travels through time, forget the camp, life is worth experiencing.

28. "Mind Game" Director: Yuasa Masaaki is crazy about taking drugs, forgetting about it, dazzled, and surprised by the scenes.

29. "I'm Married to a Weird Shu" Director: Bill Primeton is what he thinks, and he thinks about it all in sex; even if he is imaginative, it is nothing more than a cunt.

30. "White Ribbon" Director: Michael Haneke acts evil in the name of good, the flower of authoritarianism is the fruit of violence, Haneke's knife is accurate and ruthless, and the roots of national and personal crimes are digging into the bones. , Just like Lu Xun.

31. "Angel of Annihilation" Director: Luis Bunuel couldn't get out of the house inexplicably after the banquet. This idea was a magical idea. As a result, a group of well-dressed "nobles" were exposed, and the irony effect was exquisite. Buñuel, with great help.

32. "Horse of Turin" Director: Bella Tal watched you set up a carriage, watched you drive the carriage, watched you unload the carriage; watched you put on your clothes, watched you undressed, watched you washed your clothes; watched you boil potatoes, Watch you eat potatoes, watch you finish eating; watch you fetch water, watch you boil water, watch your water is gone; watch your strong wind blow, watch your strong wind blow, watch your strong wind blow...

33. "Mulholland Road" Director: David Lynch I believe that Lynch is definitely not playing mystery or pretending to be advanced, he should be a real schizophrenic. Some people say that movies are about making dreams, so Lynch's dreams are the most bizarre.

34. "Legend of the Mountain" Director: Hu Jinquan first watched the 112-minute version and felt that it was so awesome. After that, I have been looking forward to seeing the 191-minute full version. When I really saw the full version, I felt that it was not so awesome. It can be seen that the white space is important.

35. "Gary" Director: Gus Van Sant The clouds are like a spring, the wind is blowing, the sun is rising, and the earth ovulates. Beautiful to despair!

36. "The Ten Commandments" Director: Krzysztof Kijeslovsky has watched "The Ten Commandments" one after another. I want to say, where is a director making a movie, this is clearly a philosopher (This label is not appropriate.) When filming his questions, the content includes religion, philosophy, ethics, morality, law, emotions, etc. We are often brought into a dilemma by the director, leaving behind endless think.

37. "Yellow Submarine" Director: George Duning's music, picture, color, shape, and imagination are all impeccable. The combination of Beatles songs with pop art and animation is unprecedented.

38. "Love" Director: Director: Gaspar Nuo had sex at the beginning, but he will be born if he has sex. From heaven to earth, only nature is respect. Everything is great, only nature is great!

39. "Death Prisoner Escape" Director: Robert Bresson's splendor can be attributed to plainness, another kind of purity. Bresson is a source, and my personal favorites Hanek and Dumont can all be traced back to this.

40. "I am Cuba" Director: Mikhail Karatozov deserves the longest shot in the world! It's not too beautiful to shoot this awesome shot.

41. "The Sun and the Moon Are No Light" Director: Chris Mark uses images to reconstruct memory. It is neither true history nor fictional story, but poetry. Poems were written by the world, but discovered by poets. The poet can best capture the moving beauty of the details of this world.

42. "Long Live Love" Director: Cai Mingliang and Jia Mu are somewhat similar. Cai Mingliang's films are marginal and alienated. Everything outside of people is watered down, leaving only a lonely, sad face.

43. "Landscape in the Mist" Director: Theo Angelopoulos The landscape in the mist is poetic and beautiful! The most poetic long shot I have ever seen is from Angelopoulos, but what this poetic long shot shows us is the cruelty of growth.

44. "Tiexi District" Director: Wang Bing The first factory: the dilapidated factory is about to close down, the dilapidated factory is closing down, the dilapidated factory has closed down, where will the disgraced workers go? A breath of apocalypse hits his face. Wang Bing used his lens to record the historical moment when this building is about to fall, and it is also destined to be firmly remembered by history.

The second part of Yanfen Street: The camera turns from the factory to the street, getting closer to us. I like this movie more than the first one, because the young people who have nothing to do, the ordinary people who have nothing to do with their families, are so vivid and real. No deliberate, no fabrication, no pretense, and no sensationalism. In China, there is actually no need for screenwriters. The bizarre reality is filmed as a movie, so there is the current situation: China's best movies are all documentaries.

The third railway: When Lao Du was arrested for picking up coal on the side of the railway, Xiao Du cried when he showed Wang Bing the previous photos, and I couldn’t hold back my tears. It takes a hard heart to deal with these. Sad indifferent? As the train passed by the wreckage of one factory after another, the back of an era faded away, we followed the camera to cast the last glance, and everything ceased to exist. Thank you Wang Bing!

45. "Blue Jelly Sea" Director: Sheila Geffen, a jellyfish dancing in the endless sea. Being surrounded by water, still thirsty, is the loneliness that the fish school cannot understand.

46. ​​"Patterson" Director: Jim Jamush is still the old taste of Jamush, making two people who love each other, loving and lonely. Life is like a running account, only poetry can refer to water as oil; love is like a chameleon, and a little loneliness can add the finishing touch. People who have poems in their hearts have poems everywhere. A-ha!

47. "A Beautiful City" Director: Paul Sorrentino is beautiful and empty, flashy and decadent, crazy and lonely, poetic and sad. Drinking and singing, recklessly and joyously. The cup was messy, tears flew into a downpour. As its name suggests, the beautiful city is so desperately beautiful. Only death, only death can stop your grief.

48. "A Half-Dream and Half-Awake Life" Director: Richard Linklater was filmed in real life, presented in animation, with a very unique form; a philosophical film, with a deep interpretation of dreams.

49. "Satan Tango" Director: Bella Tul Satan steps on tango dance steps, a day longer than a hundred years of loneliness; seven hours of long shots, endless rain, wet despair makes people breathless; or That sentence: The real master speaks by the camera, not by the story.

50. "Beyond the Mountain" Director: Christiaan Mungi. For people of faith, desire is a poison and religion is the antidote; for people without faith, religion is a poison and desire is the antidote.

51. "Li Wen's Roaming East Lake" Director: Li Luoman is like the water of East Lake, scattered like waves washing the sand. The shape is like Tai Chi, four or two strokes of a thousand catties. The West Lake is more than the West Lake, and the East Lake is the same as Dong Shi. The fish monster ate the skin of the feet, and the Dragon King was anxious. Don't mention construction, I don't understand, I am afraid of castration, how do you know! Fill the lake to build an airport and sing patriotism to the Cultural Revolution. A pile of magical things, one by one is amazed.

52. "Women's Lake" Director: Yoshida Kishige, a woman like a lake, the tide is surging. The tree wants to be quiet but the wind keeps on, the body wants to cover but the heart is full; the set of shots on the cliff at the end, one action, six angles, make people admire the case. The boiling sea water, just like the mood of my boiling pot. The lens, composition, angle of view, light, and scheduling are all perfected and impeccable.

53. "Gift" Director: Michelangelo Fran Martino For an old man who is about to die, an accidental erotic image, and the warm body of a young prostitute are the best gifts before bidding farewell to this world; ending It's the calm and thrilling, in the calm, beyond the shock, the dust returns to the dust, the soil returns to the earth.

54. "Shirley: A Vision of Reality" Director: Gustav De Chi sitting alone with frowning eyebrows, lean on a railing and the sea breeze blows. People are beautiful and paintings are beautiful, but painting is no longer a matter of people.

55. "A Day in a Floating Life" Director: Kevin Macdonald's Ukiyo-e Painting of All Living Beings, one day in ordinary times; One sand and one world, one day in life. I recommend this movie with 100% sincerity. It is not a movie, it is life itself. The most real touch always comes from the most ordinary life. This is a masterpiece of God, far better than a man-made story.

56. "Result" Director: Zhang Ming, on the empty beach, two strangers, find someone who will never show up. Then one left, one stayed, another person, and continued to look for the person who never appeared, all the details were repeated, everything seemed to have not changed, everything changed again. Zhang Ming played very advanced, the structure is comparable to Hong Shangxiu.

57. "Fortune-telling" Director: Xu Tong and Zhao Benshan have tossed for a lifetime, unable to keep up with a toe. A performance at the highest level is a performance without performance, naturally. Tang Xiaoyan's self-consciousness can only be true through a hundred journeys. God does not starve blind house sparrows, everyone has his own way.

58. "Young and Vigorous" Director: Paul Sorrentino grew up in mud, but love is not stained. Death is relief, and old age is punishment.

59. "Small Things" Director: Zhu Wenzhong to the outside world, east to west, ancient to modern, tea to wine, duck to dog, sheep to cow, earthquake to Olympics, butterfly to Zhuang Zhou. .

60. "Assassin Nie Yinniang" Director: Hou Xiaoxian heard the needle fall, and Yu Jinglei. Qingluan dance mirror, the road to Jane; watching the sunrise, at sunset. The country is picturesque, and the beauty is speechless.

61. "Love" Director: Michael Haneke always sees an old man who is going to be old wood, and feels more terrible besides his compassion. Old age means slow actions, slow reactions, and memory decline; old age means skin like gully, tooth baldness, and hateful face; old age means sickness, prolonged life, and medicine; old age means surly personality and thinking The old, and the new things can’t blend...the sadness is greater than the old, but I will have an old day after all; the filming of this film shows the deep fear in my heart.

62. "The Imprint of the Soul" Director: Mawson Markemalbaff's faith comes from the heart, the truth is not fake. Travel through thousands of mountains and rivers, without coming out of your own garden.

63. "Narayama Festival Test" Director: Imamura Shohei Imamura's eyes are always downward, in his own words: I will write maggots until they die. Among all the strange powers and chaos he has filmed, Narayama Festival Test is the most pitiful one, the suffering of life, the evil of human nature, and the cruelty of the world. When facing these, no one should turn their heads.

64. "Dagre Street Style" Director: Añez Varda Varda, a magical old lady who can find poetry in the most everyday and ordinary scenes.

65. "The Secret of the Organism" Director: Duchamp Makaviev's artistic techniques are varied and diverse. The collage is good, and the editing is especially special. Deconstructing the secrets of politics and sex, starting with a documentary and ending with surrealism, the head of the person who spoke suddenly at the end of the film hit me all at once. It is indeed a genius who has been criticized and abused.

66. "120 Days of Sodom" Director: Pierre Paul Pasolini This film is too dirty, it is almost holy. Especially for eating shit, he is well-known in the world, I believe everyone is like a thunderbolt. Pasolini was a master director, but died because of this movie. It can be seen that reality is as cruel as the movie.

67. "Amen" Director: Kim Ki-dek is awesome when playing in the form of giving up the content. This is Kim Kidd’s best work, and it is destined to have the lowest score.

68. "The Best Time" Director: Hou Xiaoxian's best fruit was picked first. The best time is the easiest to waste.

69. "Happiness" Director: Agnès Varda 1. This is the French version of "Red Rose and White Rose". I love everyone here, so I especially hope that the three of them can live happily. Because in my concept, love is never selfish, not possessive, love is sharing, love is to make each other happy; 2. If there is no coffee, just give me a kiss. French people are really romantic to the bone; 3. Movies The color tone is beautiful, and the transition with the change of color tone feels very special.

70. "Buffalo 66" Director: Vincent Gallo has the style of Jamusch. Gallo's talents show up in this film, no wonder so many people have expectations of him. After watching this film, I naturally understand why everyone is dissatisfied with "Brown Rabbit". It is not that the brown rabbit is too bad, but this one is too good; the heroine meets my aesthetics: white, big eyes, fleshy, small The size, blond hair, eyeshadow, and stockings are almost gone.

71. "Keo at Five to Seven O'clock" Director: Añez Varda Many people say Varda is a "female version of Godard", I think it is much more delicate than Godard. Erda has arrived, Dar Wei Dar.

72. "The Desire of the Gods" Director: Shohei Imamura The best directors in Japan are Ozu and Imamura. The two are like two sides of a coin, one righteous and one evil! Ozu's movies are extremely positive, and the human nature is a mess. Imamura's movies are extremely evil, with all kinds of weird powers.

73. "Goodbye Box Boat" Director: Terayama Shuji has a clock on the wall and a hole in the ground. A history of madness for the living, and a pastoral festival for the dead. A hundred years of loneliness, goodbye Hakata.

74. "Green Light" Director: Eric Rohmer is the most magical green light!

75. "Moonrise Kingdom" Director: If Wes Anderson can travel back to his youth, I will also find a girl who has no guesses and elope to the kingdom where the moon rises.

76. "Lanling King" Director: Hu Xuehua's fascinating Bacchus tradition and primitive totem culture. Yang Liping's dance, Zhu Zheqin's music, two wonderful flowers in the field of contemporary art, complement each other. The photography is very beautiful, the overall style: desolate, Xiuyuan.

77. "Lust Caution" Director: Bin Naren, the water droplets will dry up if they don't return to the sea; the water droplets return to the sea to get relief.

78. "Northland Rouge" Director: Li Hanxiang first has a good lens, zoom and wide-angle; secondly, a good structure, a series of three stories; the first period of the Republic of China drama, traditional narrative, the history of blood and tears of poor prostitutes; the second half of record, telling The sexual life of the emperor of the Qing Dynasty and the unofficial history of Emperor Tongzhi visiting the kiln; the third part of Huangmei Tune, a fascinating relationship between Emperor Zhengde of the Ming Dynasty and the famous prostitute and Buddha; the final performance is good, Yu Feng is pitiful, and Hu Jinsao is charming , He Lili is beautiful and colorful. This film can be called the leader of Li Hanxiang's movie.

79. "Japanese Insects" Director: Imamura Shohei is humble like an ant, and tenacious as a grass.

80. "Erotic Desert" Director: Bruno Dumont has all the necessary elements: nudity, sex, roads, scenery, as well as indispensable accidents and brilliant endings.

81. "Love in Film Times" Director: Zhang Lu Film, Times and Love, colorless, silent and unmanned. Bold and innovative in form and structure, it contrasts with Hong Shangxiu. Hong Shangxiu's playing is high-level, without a trace; Zhang Lu's playing is thorough, leaving no room for it. It is clever and clumsy, and bends and straight, both are good and each has its own advantages.

82. "Gleaners" Director: Agnès Varda who is forced to pick up waste is worthy of pity, and those who take the initiative to pick up waste are respected. And the cutest is Varda herself, this old lady like an old urchin.

83. "Valley of Flowers" Director: Bin Naren turned over a mountain col and I saw flowers blooming in the valley. A flower is a part of spring. When spring comes, the snow will melt!

84. "The King of Oedipus" Director: Pierre Paul Pasolini travels between ancient and modern times, Pasolini meets Bunuel; killing his father and marrying his mother, Oedipus meets Freud.

85. "The Tragedy of the Telephone Operator" Director: Duchamp Markaviev's two-line flashbacks, interspersed with talks about sex and crime, the shots of political movements, and the diversity of Duchamp's artistic techniques, seemingly It is the male version of Varda.

86. "Millennium Actress" Director: Jin Min met once and pursued it for a thousand years. Traveling through different time and space, only love eternal life. Love is long-suffering, love never ceases.

87. "The Complete New Testament" Director: Jacques van Dommel only knows the date of his death, everything is different. It can be seen how powerful the power of death is. Perhaps love can cure loneliness, and death can cure everything. At the end, the male god was exiled to Uzbekistan, and the female god made the sky full of flowers. The distance echoes the theme of "Faust": the great woman guides humanity to ascend.

88. "The Spring Festival is short, let the girl go forward" Director: Yuasa Masaaki Pontocho wins Li Bai in a fight with wine, the ancient book market seeks books and meets the book god. The school festival sings down koi, and visits the heart in the cold wind. The spring nights rise in a short day, and life is like a bereavement.

89. "Picasso's Secret" Director: Henry-George Cruzo A painting is like a child, and the painter is like a mother. Then the process of looking at the painting is equivalent to the process of watching the mother give birth. This process may not be beautiful. But full of magic. Especially for a genius like Picasso, no one can guess what his next stroke will be. For example, the flower becomes a fish, the fish becomes a chicken, and the chicken becomes a human face. If we only look at the finished product, we will never know. This is how it came. This is the magic of art and the magic of creation.

90. "You Yu" Director: Guo Weilun's weird movie, composed of two poems, one is quiet, the other is Yu, which is called Yu Yu. 1. "Secluded": There are lone ghosts in the deserted village, and there is no cloud in the blue sky. Withered trees and rags, a solitary grave in Baishi. Poor mountains and evil waters, bad habits nurture the people. Marry a child bride, tomb robber ghost marriage. 2. "Yi": Spring blooms with blue and white branches, fate to the graves of girls. The three people in the bridal chamber follow the sheep to the dust. Yin and Yang are separated, and a bottle of Nether Wine. Ghosts die for innocence, and everyone wants to be lost.

91. "You Are Alive" Director: Roy Anderson Those people who are slow, sad, emotional and neurotic are us-us in the subconscious, so the movie looks real and absurd, realistic and surreal. Very cold and humorous, very Jiamuxu.

92. "Spring Dream" Director: Zhang Lu's dream of an orphan, a dream of epilepsy, a dream of a defector, a dream of an illegitimate daughter. Dreaming of Tianchi water, dreaming of Taibai poems, dreaming of ex-girlfriends, dreaming of nonsense. Use movies to shoot dreams and watch movies in dreams. Like a dream but not a dream, like a dream like waking up. Walk around and talk, it's amazing.

93. "Jacques Demi of Nantes" Director: Agnès Vardajac’s love and persistence for movies, Varda’s remembrance and remembrance of her husband, are moving; true love and emotion permeate every detail, this It is the best way to miss and the most sincere work. The great Varda, the happy Jacques.

94. "Travel" Director: Fernando Solanas is more absurd, more real; more magical, more realistic; more ubiquitous, more ubiquitous.

95. "Song of Opportunity" Director: Krzysztof Kieslowski For this movie that started "Lola Run" and "Butterfly Effect", what I want to talk about is not its Technique and form. Accidental or inevitable, this is a problem, even a fundamental problem, a problem of world outlook. So, do you believe in accident or inevitable? !

96. "The Exposure of Love" Director: Yuanzi's warm love is the original sin, love is erection, and love is salvation.

97. "Seafood" Director: Zhu Wen. People who love seafood love life, and people with strong sexual desire love life. Is it true? The truth is written on the face. Grab my money and chase it quickly; shoot a headshot, damn it; money is in the air, for two days. After 14 years, I finally saw it, not disappointed, very awesome.

98. "The Legend of the West" Director: Woody Allen Wu's pinnacle of comedy, the pseudo-documentary style is fake and chaotic, and the mystery can only be appreciated. The movie-watching experience is like reading Borges' novels.

99. "Ying Goose" Director: Zhang Lu tells the story of a story that happened in Seoul, then the mountains, and finally Seoul, in the order of the mountains first, then Seoul, and then the mountains. The story starts in the middle and extends from one end to one end. The structure is wonderful, which is amazing. The content is based on the relationship between men and women, leading to multiple issues such as the relationship between parents and children (the father is real, the mother is virtual), the relationship between history and the present, and even the anxiety of the Koreans in Korea. Watching the movie is like sleepwalking, imaginary and real, in a daze.

100. "Haijie Diary" Director: It was Zhi Yuhe who married the eldest sister, fell in love with the second sister, treated the third sister as a younger sister, and gave birth to a daughter like the fourth sister. I love these four warm and healing sisters, like the four poems I have written with my heart.

I have watched 5,000 movies, and then I will push 100 — I have seen 5,000 Chinese films , and I have recommended 100 three — I have seen 5,000 Japanese movies , and I have pushed 100 four — I have seen 5,000 French, Italian, and German movies , five Push 100-I have seen 5000 European films , 6-I have watched 5000 American films , and the last 100-Small Country Movies

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Extended Reading
  • Robyn 2022-01-07 15:54:11

    How shallow are you who regard this film as a landscape and humanistic film? History, religion, society, nature, etc. are very extensive, but they are integrated without any barriers. The second half has a lot of tears. The poor children are fast. Crying, the director's camera angle is not cold at all. On the contrary, the beauty shows a kind of compassion, the only good movie that I hope will never end.

  • Lionel 2022-03-26 09:01:10

    I like that period of accelerating traffic and people, bustling, going around, stop-and-go, ridiculously sad, so hurried, so repetitive, so terrifyingly regular, where did it come from, and where did it go? Endless confusion.