Is it true that the mood is different, and the feeling of watching movies is different. I gave it to Samsung for the first time, and I had to give it 5 stars for review, although I don’t like a scene of the love parade where the hero saves the beauty (I love the girl’s ignorant and fearless intrusion and unreserved trust in Europe).
When pacing in the alleys of the ancient town of Seville, I was full of pictures of Chasing Liberty in my mind. On this depressed night, I took out this early light comedy by Gudizi to watch. It was sweet and moved. Half of them are intoxicated, and feel that such a simple beauty is too long gone, and half also know that it is a fairy tale, and it may happen, but you need to be lucky and lucky.
It is not very appropriate to say that the film is "sent to love". This is like a word to describe Italian opera. A tragic and romantic story seems to be worthy of "sent to love". However, the chasing of the film itself is like a shadow of love. Only when you are passionate can you follow it. A good story always requires such stubborn persistence.
The same workers have different lives, and the Agent Calder played by Gudizi is too comfortable compared to Peter Quinn. But the two also have the same thing: both insist on their mission, and both make detours because of following their own hearts. Calder is also very young, just like Kui Bao, who was recruited into the CIA early, but his past is simple, but with a hint of noise? What does the mother who divorced his father think about the young child leaving her to take up this extremely dangerous job in the United States?
But these days of sweet European travel, do not need to consider these.
Who doesn't love such wanton running? Know that you can follow your love (freedom), and know that you can be guarded by your love. The alleys of Prague, the night and morning in Vienna, and the countryside of Austria are nostalgic, fresh and impeccable, filled with sunshine or full of tranquility. It can run, chase, and swim, it can fall but it will not fall to the ground, and it may be lost but it will be found back. Strangers provide the warmest bed, and the man’s passionate invitation is also gentlemanly temperate.
At first, Gudizi was criticized for not calling, but this kind of performance was actually not in line with the embarrassment given to him by the status of Calder's agent-romance is not a viable option. We can't talk, we can't be presumptuous, because we are bound by duties, so we can't be sure about love. And we are like the alien creatures in "Arrival", we can see the beginning and the end (a variation of "Roman Holiday"?), so there is no free will, there is no so-called random behavior. But this kind of journey is still obsessively watching, still following, and still deeply affectionate.
I wanted to say that Europe in this 2004 film is pure, but such a definition was immediately recalled by the eurocentric in my mind-this is a very white Europe, and love parade is almost all white youth, Anna Forster saw and came into contact with almost all whites (except for black bodyguards). A very white America, a very white Europe. This makes this film match up with the old fairy tale movies like "Sissi". That is a place where people can fall in love easily. The love there, how easy it was at that time, how easy it is to love, say love. People accept love, praise love, provide shade for love, and hold a grand carnival for love.
There are only some noises, thinking about the G8 summit of providing humanitarian assistance to developing countries in the charming Prague-in that kind of Europe, the other (third) world is just a trivial branch that provides convenience to the main line.
And now, that kind of Europe (Whose Europe?) has gone with the wind.
I often think of the scene where Maurice beckons to Clive in "Morris". With such blond hair, robe, and Cambridge, at that moment, I am also deeply attached to it. I just don't know if this beckoning is calling me over or waving goodbye.
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Ah, no matter what, I still have to follow it without hesitation.
Calder smiled slyly: Yeah, why not?
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