I have to say that putting the zombie crisis in the feudal dynasty is really a wonderful move. Without the bonus of hot weapons, coupled with the penetration of feudal thoughts, this zombie outbreak is more authentic.
The play is almost impeccable from the script to the photography to the acting skills of the actors. The gorgeous costumes and the many close-ups of the palace architecture made me, a person born in the Chinese civilization, amazed. It is conceivable that when the drama became a hit, countless people who did not understand the ancient culture of East Asia saw the black yarn patching clothes, and the golden tile eaves would think: Oh, that is the symbol of South Korea.
The exposure and criticism of the feudal system in the play are deep in the bones. The common people can't eat enough or even eat up the living creatures in the forest, while the nobles living in the same city have wine and meat, and are extremely extravagant. After the disaster, hundreds of people lost their relatives, their homes were destroyed but they still abide by the class rules, claiming to be untouchables. On the other hand, in recent years, domestic costume dramas, apart from palace battles, are traversing. They have portrayed the money rights of the feudal upper class in every possible way, and have no concern for the suffering of the people. If domestic film and television dramas still worship money and power, sell love and idols, and even bomb airplanes with thunder, how can Chinese culture be exported to the world?
View more about Kingdom reviews