Answer

Sophia 2022-03-18 09:01:02

Personal rating: 4.1 points

A young man who never takes off his sunglasses and always wears his earphones suddenly appears in front of you, and then he starts the car and sprints all the way. Show this sentence to most review project managers, it will die. In a hundred, there will probably be one who is curious and asks Why. Then, all the good stories and melodies are there.

The first Why: Why is it music, why is it a car

On the surface, it is because there is no shortage of good songs, good music, and good bands in the UK; there is no shortage of good cars, traffic accidents, and drivers. Since I have such a card and the face is pretty good, why not play it?

On the surface, it's because movies need to be seen and heard. No matter how good the story of the text is, it cannot enhance the sense of sight and hearing at the same time, and it is still not a good film. And music is of course listening, and of course the car drives the eye. It is always smart to emphasize and consolidate the most important purpose at the beginning.

Of course, this combination of concepts is often the product of screenwriter=director. The interpretation of the finished product is simple to the audience, but it is difficult to instill the concept into the colleagues. Top creators often have the ability to have multiple abilities. Not thinking about it, but sometimes it has to be so.

The second Why: Why robbery, why fast food restaurant

Because robbery is a small probability event, it can stimulate the audience's brain to secrete more dopamine; fast food restaurants are something that can be seen everywhere, which can bring back the audience's emotions and bring more of themselves. This method of pulling back while stimulating is called meeting public expectations.

It is also because the location of the robbery is very random, office + fast food restaurant + home = very fixed. The high randomness and strong maneuverability further highlight the speeding car and make the dynamics larger. High stability and warm attributes further highlight the common auditory associations and emotions in music.

This arrangement is not original or unusual, but the results are very unusual. Because the characters are completely different from the individual car films or music films in the past.

Third Why: Why is it him, why is it her

Because the male protagonist is the linker of all events and clues, the whole story cannot be established without him. And the heroine is the soul of the hero, and without her hero's initiative and growth, it cannot be exported.

Explain with a story: There are only two positions in the top robbery gang that have never wavered. As the brain's planning boss and as the executive sibling driver. The boss is in the past tense, and the young driver is the most important person in the action. Although the driver has a very strong personality, planning and action ability from the beginning, every time he appears and every action is completely in accordance with the "brain" command. If you postpone it here, you should rebel in general. However, the heroine appeared. The hostess is beautiful, lively, and loves to sing. She is the perfect fit for the ideal type of the driver. He changed because of her.

A person with his own ideas, goals, and calculations is often not good as an employee, but as the protagonist of a movie is perfect. So as the male protagonist grew up and fled all the way, the whole story was hearty. And all running because of love, normal humans can strongly understand, so the output is more than passion.

Fourth Why: Why is order, why is chaos

At the beginning of the film, music is played, robbery is carried out, people are picked up, evacuated quickly, and cars are changed together. The driver buys coffee, stepping on the tempo every step, and every mouth sings together. Everything is in order as pure law.

All the criminals valued the driver in their own way, and he just wanted the golden basin to wash his hands. The tone changed for the first time. The "brain" boss ended the promise by finishing the vote, suppressing the first change of tone. Just like the pure law evolved into the law of five degrees of mutuality.

The driver returned to life, fell in love, and became a takeaway. The tone changed again. At the same time, black people who have nothing to do with music appeared; Uncle Beard, who sympathized with the driver, appeared again. The law of the five-degree phase generation can't hold them at all-the big tune of Robbery will go wrong if it is changed to the current tune. What should I do? The "brain" does nothing but does nothing, and uses survival and will as inspiration to evolve the law of five-degree phase growth into a twelve-degree equal law.

It is a pity that people are not musical notes after all, and the "brain" does not have the hand of God after all. In the end, the work runs farther and farther from the pure order of music, and closer and closer to life itself. It may be because of the emergence of love, it may be because of the appearance of outsiders, it may be because of the emergence of a natural criminal who has no love or music at all, or it may be because the same criminals cannot cooperate a second time. . . . . . After all, the story went to a runway that no one could guess.

In the end, the music stopped, and the driver lost the car keys, took off his sunglasses and headphones, and walked into the prison. A new order is established, in which there is effort, maturity, responsibility and love. Regarding his own tone change, it was finally completed.

When our practitioners (including media + commentators) finally started to talk about "Movies should be based on the aftertaste of winning or losing", "The God of the Car" gave the audience a different answer in terms of form and method. In this answer, you are always welcome to ask questions, always welcome to deny, and always welcome to participate. I don't know if such a film is considered a master, and whether it can be included in the annals of film history. But I think the audience will relax and gain a little bit. After all, I have never heard of an audience who only drinks the "aftertaste" alone.

View more about Baby Driver reviews

Extended Reading
  • Ulises 2021-10-20 18:59:45

    It's still a very interesting original movie. The music is perfectly applied to the film, and even the shots are shot at the tempo. The first long lens to buy coffee was very handsome. The audience showed off car skills, drifting, close-ups, music, and Edgar Wright even shot the racing scenes so well. Uncle Ham's handsome and evil look is awesome, and the hero is very cute and very popular.

  • Cristina 2022-04-24 07:01:02

    My name is baby, baby's baby---- I watched the Chinese dubbing

Baby Driver quotes

  • Bats: He's a looney. Just like his tunes.

  • Deborah: [Last Lines] Hey Baby, you know it's funny. Even though I heard it so many times in the court case, I still can't get used to the fact that your real name is Miles. It's a cool name though. I can think of a lot of great Miles songs. But we still have to get through all those Baby songs first. I can't wait until the day when it's just us, music and the road. See you later Baby. All my love, Debora.