Using God’s Code as the carrier to express loneliness and madness, the wonderful performance of "Sage Mord" on the sound, light and shadow is shocking and not monotonous. The story directly leads to the process of the nurse who had a manslaughter going into madness. It is worth mentioning that the director is for An emphatic person who loves the spiritual world of his job and care worker brings the fraternity and hopeful concept of "saint" into this dark and humid movie. The clever use of bright miraculous colors makes the first half of the film soak in the pure sacredness of God. What is fascinating in the light is that during that long transition (trial), the director used external environmental factors to organize a grand "baptism" that belongs to her only around the protagonist. The dilated pupils floating in the sky talk to God and grow out. Wings and other magical expressions visually highlight the transformation of the protagonist. Hearingly uses different channels to embed religious fanaticism and noise into each frame of the picture. Christ Jesus plays more than one. The existence of this belief is a shortcut to accelerate the protagonist’s decay and step into the abyss (no religious views). Invert the oncoming waves and slowly sloping alleys in the picture. The same chaos and chaos adds some devilish energy and the stench of Satan. We can also experience a similar desolation when the protagonist is most lonely and helpless. She asks for help from the outside world, but she treats the so-called warm human feelings and love. Her own pleasure is regarded as the test of God’s trial. It is conceivable that she, who is used to the indifferent world, has experienced countless sufferings and frustrations. The light of faith on the edge can always confuse the audience, but behind the anti-sightseeing shadow is an endless abyss
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