Recommended reason: The gloomy Gothic fan is still there, but it has not forgotten the lyrical, relaxed and upsurge. With so many Harry Potter, this one is a rare one, the most calmly shot.
Title: "Harry Potter and the Deathly Hallows (Part 1)"
Director: David Yates
Starring: Daniel Radcliffe, Emma Watson, Rupert Grint, Helena •Bonham Carter, Ralph Fiennes, Bill Nye
Release date: November 2010
Reading Home: The
Singer of the Stone Garden every time I read "The Legend of Condor Heroes" to "Young Heroes" , Seeing Yang Guo, Yelvqi, Guo Fu and others encounter Li Mochou in the deserted suburbs, I always feel my heart rushes, and there is pride in my chest.
At that time, they were no more than seventeen years old. They were already carrying the hatred of the country and the family, had important things to do, and had such a turbulent life.
Such a story, in the East, is of course a quagmire and a martial arts, while in the British Isles, it is Hogwarts and magic.
There is no essential difference, nothing more than a different way of telling the same youth.
As we know, the dark part of the Harry Potter story is more turbulent than the one, unabashedly expressing Aunt Rowling's Gothic ambitions as a housewife.
The base of "Har 7 Part 1" was even more gloomy. As soon as it opened, Voldemort's party had already gained the upper hand: in order to cover Harry, the owl Hedwig and Mad-eyed Moody died one after another, and the twin George lost his ear.
Afterwards, the Death Eaters became arrogant, and Voldemort officially controlled the Ministry of Magic and successfully restored it.
Harry, Hermione, and Ron had to start exile, tossing around one place, looking for and destroying the Horcrux.
The director seems to have decided to save most of the key plots in the original book for the second half, such as Dumbledore’s family secrets and Professor Snape’s secret love history.
The story is not finished, and the tone is so gloomy, but these two and a half hours are not difficult, it should be because the film has a strong sense of rhythm.
The thrilling jokes are interspersed with idle jokes, the gothic style is embellished with a bright light, and the interval between desperation and fierce fighting does not forget the appropriate lyricism. Looking at so many Harry Potter films, it is rare that this one is the most calmly filmed. .
For example, the dance that Harry and Hermione danced in the tent was not in the original work. It was made by the director. It was often criticized, but I liked it very much.
At that time Ron ran away frustrated and separated from Harry and Hermione. Hermione missed him, frowning all day long.
One night, Harry heard a song on the radio and pulled Hermione to dance.
That dance has no ambiguity at all, it's just two people walking and turning in circles. It's not pretty, but it touches me because the friendship between Harry and Hermione is so refreshing, it's really not ambiguous. It's in Voldemort's. Under the huge shadow, he just wanted to make her happy.
Very clever, without a word of dialogue, it convinced me that Harry and the others did have something that Voldemort would never reach—a nose, a complete soul, and the friendship of crossing over.
The death of Dobby at the end of the movie is a small climax. Most of the ladies are running in tears here. It is hard to make exceptions.
And what really made the whole movie a big plus was the animation that inserted the origins of the Deathly Hallows.
It's not long, and the tone is simple, but there are erratic and weird shadow dramas, even if you pull it out to look at it, it is still a wonderful product.
And as expected, the longer and rougher Harry's actor, Daniel, became; Ron became more and more manly.
But the most amazing thing is of course Emma Watson, even if Hermione’s identity is aside, she is still fascinating outside of the wizarding world. Such sharp features, silver hooks and iron marks, are a very sharp beauty.
Sometimes looking at her various street shots and still photos on the Internet, I would think that if she hadn’t joined the crew ten years ago, Emma might still be a beautiful girl, but she’s kind of domineering The field will definitely not be there.
Destiny is not a kind of black magic.
Surprisingly, Harry Potter has been with me for ten years.
For ten years, Harry went through his irritable adolescence and fought desperately with the increasingly bloody dark magic. I, from 18 to 28, never escaped my Muggle career.
I think I gradually understand why Yishu calls those beautiful and arrogant young people asuras.
Because they are ignorant and fearless, they kill the Buddha when they meet the Buddha, and they are not disadvantaged. It is really like having magic.
But time is a life and death. What has passed over these years is not only the Harry Potter series, which is only half left, but also our magical youth.
2010-11-20
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