If we have nothing to say, what will the world be like?

Melyna 2022-03-17 09:01:06

Henry Fonda performed the protagonist’s helplessness very well. The panning lens in the prison was very wonderful. It’s too pediatric to put me in the celestial dynasty today. The police caught them and gave them a fat beating, and then they were sentenced to She Xianglin. It must be more exciting than this.

Isabel 2022-03-16 09:01:06

The next 30 minutes is so difficult to handle... Xi Pang used N scenes to tune, but the rhythm is weird... This kind of story is halfway through, and you can guess that the real murderer can be unbuttoned, and it must be [suddenly] ]: Interrupt the process of exploring and searching for a large part in the middle-it is not easy to shoot. The hero's behavior after unbuckling can't be the same as Shawshank's salvation. It is impossible to laugh wildly like Shawshank's salvation. Xi Pang solved this problem: it was a clever deal to transfer the attention of the male protagonist and the audience to the female protagonist, but it also violated the original intention of the previous trend-a lot of first-person shots were used to focus on the male protagonist. The experience of being involved in the case: 1. Going to a space that does not belong to him, such as a police station or prison. 2. Leaving his wife’s family. The plot is gradually brought into the wife's changes, the empathy is interrupted, causing a disconnect, the subject deviates, and the audience will feel strange. This is the problem in the last 30 minutes.