I watched a few episodes and then watched a few drama reviews. Some people said yes, some people sighed.
A good work, fortunately, can make people who come into contact with it empathize. Of course, this requires in-depth thinking.
The first episode of the comedian
Seeing some people say that this idea is not convincing enough, the protagonist is completely slapped. I'm not a screenwriter, I don't dare to speculate, whether the editor is just for novelty or really has the thought to let others understand the connection point between the drama and reality.
What I said next is just my own point of view, and there is no need to argue with me and impose personal ideas on me.
In fact, I think the interesting thing about the first episode is that he was unpopular at first, then he enjoyed the cheers of the audience, and finally realized that he didn’t want to hurt the one he loved. He realized that he had completely deviated from his bottom line. I I think this may be the intention. There is a road where you can succeed but you must step on others under your feet. There is also an unknown road where there is a 99% chance that you will become mediocre. This is a choice, one At first the protagonist met that person, he just gave the protagonist a choice (in fact, I think it is an enlarged version of reality, such as corruption and bribery, you can be an upright official for a lifetime, you can also take risks to embezzle and enjoy your blessing), the protagonist can refuse, but After he enjoyed the glory, he began to be unable to extricate himself. This is human greed. I think it is at least valid at this point. The complete episode also has some expressions of the love of the male protagonist for the female protagonist, so that in the end his comedy. The protagonist is talking about himself. He can't bear to hurt the one he loves. This can be a symbol of his awakening point.
I believe that most people, or most people who have the ability and desire to control their lives, will have experienced the term "temptation". Some things are well grasped, and it will naturally become a step up in life. If you don't grasp it well, that is the open door of hell.
The protagonist in the first episode is like this, two choices: obscurity, popular but at a cost. The person who told him those words was just an introduction. I believe that all people who have experienced temptation did not come into direct contact with temptation at the beginning, but an intermediary. He told you that it is good for you to do this, but you will also realize this. Things can be risky. The male protagonist realized from the beginning that he originally wanted to use his own ability to eliminate violence and Anliang, but this was only an excuse for his self-comfort. He had to step on others if he wanted to become famous, so he felt that stepping on bad people should be fine. But then he couldn't restrain himself, and even the people on the scene regarded it as a comedy. Until the hostess appeared on the scene to stop him. He realized that love is more important than love. And he can't look back anymore. So commit suicide.
So as to whether the Yin and Yang Devildom made him a pit, I personally think that it is about personal choice.
The third episode is obviously about racial discrimination.
I don't recommend that you take the hardship you haven't experienced as a "no big deal" attitude.
I believe that the racial discrimination in that era was far more mean than the show. Everything the mother does in the play is for the future of his son. It is not difficult to understand why she has to prevent her son from conflicting with the police every time. In those times, when white policemen shoot black people, emmmmmm... it goes without saying. But afterwards, she furiously stopped her son, which can be understood as a reaction of her son who fears that his mother will be hurt.
And when the son enters the school at the end of the plot, the mother's words are the complete summary of their experience.
Personal understanding. that's all.
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