FIFF14丨DAY7 "Goose Flying to the South": The geese flying south will not take away all my resentment towards the war

Bonnie 2022-01-18 08:01:23

The 14th #法罗岛电影节# The 7th screening day of the main competition unit will bring you "Goose Nan Fei", and the following will bring you the painful and helpless evaluation of the frontline wartime ladies!

Prometheus:

Explosive photography, long shots, montages.

Mimi:

Mikhail Karatozov, using the lens as a poem.

Full of Zhao+:

The close-ups of Veronica traveling through the crowd several times are great.

We Min Hee:

It's too beautiful. It refers to both the picture and the story. There are flaws, but the flaws do not cover up.

Zhao Xiaoqi:

A gorgeous poem for love. Picturesque photography, real wallpaper movies. The story is so touching.

Bat Bats:

"Love is a harmless mental illness." The real genius strikes, after watching it, there is no word for a long time, and the whole body is shocked.

Matsuno empty pine:

Compared to the montage that is often praised, I really like the scenes of the heroine and the train running, chasing, fleeing, and dying.

Fruit trees:

In the films of the former Soviet Union, war seems to be always associated with romance and poetry. Even if there is cruel death in the meantime, it seems to be a help to make love more charming.

Poem to Adelin:

The beginning of Mikhail’s poems has open-source modernity, and even a more meaningful essay does not reflect more people’s stories than the idiosyncratic rhetoric of the creative method.

coco:

The story is very poetic and beautiful, and the love under the war reflects the impermanent life. The geese flew to the south and the geese flew to the south, as if ironically attacking the speechless sadness. In the age of war, the Soviet nation, who coexisted with misery and forbearance, chose to live like this. The love was broken and destroyed, profound and moving.

Her Majesty:

Proletarian films: Every character must have the sweat of participating in socialist construction, must have the red faces of the working people, and must have an optimistic mind that can withstand great sadness and joy. Soviet films are like Soviet poetry, using the most avant-garde techniques of that era to tell the most proletarian stories. The wide-angle shots, sports shots, and montages are all worth checking out.

SONGMJ23:

Very important post-war works, the contrast between romance and cruelty, joy and sadness, hope and despair is ubiquitous, and the meaning of these sharp texts seems to be drawn to a poetic balance. There may only be a few technical climaxes in the film that can detect this orientation, but the reverberation of each climax secretly changes the narrative rhythm, and even the time span is cleverly concealed, leaving only a thought by the heroine. The eternal time and space composed of geese, wild geese and the sky provides a destination for every soul who has experienced war.

O. Yin:

In the Mid-Autumn Festival of August, the geese flew south, roaring and sorrowing. There is a day of return for the wild goose, and the dead souls will not return. Veronika walked through the crowd to see her fiance for the last time, like a lone boat wrapped in a storm, losing control of the course of life forever. The film is nothing but tragic grievances under war, and the script itself and its connotation are quite insignificant. However, the director's magical mirroring is enough to make the title of the film history, the subjective superimposition of the fallen soldier, the love and compromise under the baptism of the storm, the retrograde of the individual in the crowd, wonderful and wonderful.

No one at midnight:

The exuberant passion and vitality in the image completely lift the artistic dimension of a love movie of a man-and-women-style war romance. The use of material superposition is perfect. The piano sound, broken glass, gust of rain when the heroine falls to the hero’s cousin, the hero’s battlefield suddenly rushes into the wedding dress, blessings and the reality of the death forest, bombing debris together Indiscriminately, a person chased the deformed figure of the locomotive, the sound of the rails rubbing against the wind, the verbal abuse that was smashed into it, and the illusion of hope that could not be embraced. And after all the heartfelt spirits, she can come to the epic end, which is when she walks through the crowded celebration with a bouquet in her hand, and goes retrograde to the funeral alone.

Pincent:

It is also understood as a classic "installation movie", because of the design of the environment space, the interaction between people and the camera and the space is very good: such as the opening poetry, romantic but accompanied by the atmosphere of the war prelude to the large depth of field empty street , The corridors where lovers are pacing, the stairs (whether Malik has any reference), the smoky military factories, the misty train tracks, and the environment of the two large-scale mass activities that are very important for the beginning and the end of the war, as well as men The indoor space of the second rape scene also played a very important role. The group portrait depiction and scene scheduling combined with various exquisite long shots are quite powerful, such as the two follow-up shots of the female protagonist who shuttles in a dense crowd, and those who are finally drawn to the sky, and the subjective shots of the comrades being shot. ...The sense of dazzling skills is not weaker than that of "I Am Cuba". At the same time, the film often uses close-ups to care for individuals, depicting how war destroys ordinary people's lives. The light and shadow design is consistent with the characters' hearts. At the end, the woman who had been retrograde in the group had to join the group torrent, thinking of the moment, is it really an individual to pass candles?

#FIFF14#DAY7's main competition score will be released for everyone later, please wait and see.

View more about The Cranes Are Flying reviews

Extended Reading
  • Joey 2022-04-24 07:01:22

    The beauty is beautiful, the geese are arranged in human characters, how to translate, 9 is fighting, let him fight, the enlisted are the best people, 21, coffee red wine, people have become fond of enjoying, 24 tables Statue of Lenin, 25 grandma drawing a cross, 28 Katyusha, Slavic woman march, 39 Damn war, or go to play, music fame is really useful, 54 live a quiet life in Siberia, 16 enjoy the rear.

  • Paula 2022-03-27 09:01:18

    [Yan Nanfei] is a very wonderful combination. On the one hand, the plot trend is obviously the traditional Soviet-Russian line, which is very big, good macro, good moral structure and pseudo-religious salvation, and even the core motive "Big Goose" must rise from personal love to the final level of love for all mankind; On the one hand, the technology is so amazing and highly subjective, and the use of light, composition and scheduling is extremely elegant. In the two scenes of Farewell and Triumph, the camera shuttles through the crowd to find the heroine. This is an impossible task, but the effect is so beautiful; the seduction, suicide, and sacrifice scenes are fascinating. Looking back at this film today, I can still get a strong feeling of beauty, probably because the very "propaganda" in it still remains on the human level. So presumably we have to thank Khrushchev?

The Cranes Are Flying quotes

  • [first lines]

    Boris: Wait, squirrel! Here. Put it on.

  • Fyodor Ivanovich: Stop it this minute! You're a still a soldier in the Red Army! Are you trying to get discharged? Are you afraid we'll heal your hands and send you back to the front?

    A patient in the infirmary: No, Doctor, he's not like that. He got a letter.

    Fyodor Ivanovich: I know. That's just an excuse. Big deal! So your bride ran off. You should be glad! She isn't worth a penny if she would trade a handsome guy like you, a real hero, for some rat sitting out the war at home! It's she who's forfeit her happiness, not you! And that's what she deserves. She's got a petty soul. People like her can't understand how much suffering we've gone through. You stood up to death itself. You looked death in the face. You approached it with your chest stuck out. And she couldn't even pass the little test of time. Woman like her deserve only your contempt. There can be no forgiveness for them!