In the rescue section of the last fifteen minutes, the director edited a dance and rescue operation together. The viewing experience was fragmented, and I fast-forwarded the entire section. In fact, the first half of the film is still very good. Whether it is the terrorists, the hostages, the Israeli cabinet, and even the dictator Amin, they all left a deep impression on people. Each character has a bright personality, richness and fullness.
The Minister of Defense believes extremely in force. As a politician, the prime minister thinks about it, and the mechanics on the plane are bold and careful, and each role is full.
Only the relationship between the female dancer and the male special team was very inadequate in the early stage, and the last paragraph was extremely abrupt. The director clearly wanted to sublime the movie, but he was not an anti-dog.
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