The description of the film in "Gender Knot"

Jamir 2022-05-06 06:01:04

Since the patriarchal system recognizes that men should have power, most men not only have no power, but are also controlled by other men. Even so, powerless men still feel male superiority, and they also feel the connection with powerful men. For unemployed working-class men, it is still easy for them to identify with the patriarchal masculinity displayed by male leaders and leaders, while women of any class will not identify with the patriarchal masculinity in this way. When the upper-class American President George W. Bush used his “iron fist and hard punch” to deal with Hussein, all American men, regardless of class, were able to identify with the basic patriarchal values ​​shown by Bush. In this way, masculine identification and even the lowest-ranking man provides a cultural foundation, allowing him to have a sense of superiority to noble women (this is why a construction worker can do to professional women who are passing by the construction site and dressed in fashion). Sexual harassment, I take him for granted.)
"The Catastrophe" depicts a working-class man and an upper-class woman living on a deserted island. Although the working class is at a disadvantage, he knows that he has the right to exercise sexual control over any woman he chooses. So he can reverse the privileges of this upper-class woman for the time being. In a patriarchal society, if we reverse this plot and let a lower-class woman conquer the upper-class man, it will not be appreciated by mainstream audiences. The audience is not opposed to the reversal of social class, but the plot threatens the gender order that makes women submissive. Such a woman will not be regarded as a courageous "female", but the male protagonist will be regarded as incapable of control.

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Extended Reading
  • Joaquin 2022-05-06 06:01:04

    From the very beginning, the relationship between the hero and the protagonist has been established in a love story with a stick to the end, so that other characters are not well introduced, and even the identity is unknown (is it a friend or a relative?), let alone characterization. After watching the first 1/3, the change in the identity and status of the two people from the boat to the island can basically be imagined, so the space left for Guy Ritchie is actually very limited. Each friend complained in front of each other's montage editing and the comic effect of suddenly cutting to the perspective when the flare gun hit the lifeboat, showing a trace of him. The love drama in the desert island part always makes people suspect that it is a product of passion or pure Stockholm syndrome, and there is no feeling of pure love. Madonna's performance and physical condition were unexpectedly excellent. At the age of 45, she could not see any trace of Granny Mai.

  • Clinton 2022-05-06 06:01:04

    6/10. Very meticulously depicting the shots of men making tools, building houses, and fishing. There is a sex chase of the male and female protagonists, which raises love to animality. What the heroine falls in love with is the super viability in the primitive society. With modern civilization wrapped in social circles and material garments, love sinks into the sea like a ring dropped in front of a helicopter. The advancement of the narrative relies solely on travel pictures, and the blunt insertion of Mai Jie's solo concert makes the film more like an advertisement.

Swept Away quotes

  • Guiseppe: Run, my little vixen... run, run!

  • Amber: I'm bored.

    Debi: I know it. What are we gonna do?

    Marina: Just have a martini, pop a pill, and fuck my husband. Everyone else does.