casting: Fan Shaohuang, Oshima Yukari, He Jiaju.
The real warrior dared to face the blood. When the plane at the beginning of the movie struck Lao Ma’s face, I thought that the source of blood in this film was blunt weapons. There are no shortage of cold weapon enthusiasts in our country. Terrible. What's more, from 1992 to the first half of 2001, there was an Anhui gangster named Lei Guomin, who used hammers and specially trained super-cooled weapons to fight, and derived such a conclusion from the effects of using various murder weapons. Experience, a knife is not as good as a gun, a gun is not as good as an axe, and an axe is not as good as a hammer. Using a knife to commit a crime cannot lead to death. The victim is easy to scream and bleeds more; although a gun is used to commit a crime, although it can cause death, but the noise is too loud, the public security organ 110 responds quickly, and it is easy to solve the case. I think " Zhang Jun’s lesson lies in this; the axe works well, but it is too heavy and difficult to swing; the hammer is the best, light and flexible, and it can subdue the opponent with one move, and it does not spray much blood. I bought a hammer before the case of Suzhou, Anhui Province, and experimented with percussions on my head. I felt that the effect was very good, and I finally decided to use this tool. Crippled.
After thinking about these digressions, the film has entered the climax. It turns out that Liwang’s fist is the ultimate weapon. It punches through the abdomen and splashes with flesh and blood. This kind of violence has appeared so early, it can be seen that Hong Kong movies are indeed complete and mature, and they are not lost in cult. Hong Kong filmmakers are very lucky to make movies freely.
Li Wang is not for cult, but cult, because the audience does not seem to condemn Li Wang. I think this is better than a pure cult film. I believe that when the Hong Kong film predecessors learn from other mountains, they have fully considered the quality of the jade of our people. The cult is more restrained, and the bloody scenes are less used, and the ostentation of guns and ammunition is biased, and there is a Hong Kong-style movie character: violent aesthetics. This is indeed the way cult should take. Masters such as Wu Yusen and Lin Lingdong are very contented with self-achievement.
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