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A fallen woman
Kendra 2022-01-16 08:02:17
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Liana 2022-03-19 09:01:08
Girls who are given poverty and beauty at the same time by God are almost the embryos of tragedy.
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Bradford 2022-03-27 09:01:18
Like a dense fog that has drifted away many times, everything is nothingness. Polanski's first feature film after his return to Europe, adapted from Thomas Hardy's novel "Tess of the D'Urbervilles", except for the tragic color that Old Bo has always had, this is actually very unlike Polanski. Kinski, who is under 20 years old, is so beautiful. The scene of being fed strawberries reminds me of the 62nd version of "Lolita". The encounters of the little people in the big era are almost destined to be victims forever. The courage to urge them to turn into the perpetrators, and finally question the injustice of fate. Who will explain it to us? I thought that the name of an angel was salvation and restart, but it was just the beginning of the next tragic cycle. The rich scene changes of light and shadow colors show the intersection of tangle and joy before revealing the truth, paving the way for the collapse of love beliefs at the last moment of the wedding night, and using the camera to separate the two worlds early. It almost made the epic of little people, but the look and feel were still a little worse (especially the second half). The deletion of the original work is handled with ease, the scenery and soundtrack are so classical, and I still admire Polanski. At the end, the rising sun of Stonehenge is the same as the last shot of "Chinatown".
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Alec d'Urberville: [pins a pink rose on Tess' dress] What's the matter?
Tess: A thorn.
Alec d'Urberville: Aw, cousin, beauty has its price.
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Alec d'Urberville: Ungrateful little minx. Why abandon me as soon as you feel safe?
Tess: The danger came of your foolishness.
Alec d'Urberville: I say, what a temper.