"Me? I'm Corinne Durand."
"Durand's your husband's name. What's yours?"
"My maiden name? Corinne Dupont."
"Dupont is your father's name. What's yours?"
" You see, you don't even know who you are."
35'06-36'11
this section of the road hurriedly , the final split-screen shot and Corinne's scream after the car accident: My Hermës handbag!
DE LA RÉVOLUTION FRANÇAISE AUX WEEKENDS UNR From the French Revolution to Charles de Gaulle Weekend
(Charles de Gaulle: Gaullist UNR Party)
47'58:
If they buy knowledge, it's only to resell it.
They want cheap knowledge to sell at a profit.
They want nothing which would stand in the way of their victory.
They don't want to be oppressed, they want to oppress.
They don't want progress, they want to be first.
. They'll Promises the Submit to the anyone the WHO CAN Them They at The Laws the make
the I wondered the What Them the I of the I could say that was advertised. IT WAS..
50'44 - 58'02 the ACTION Musicale
chapter personally like a long shot in the yard It goes round and round, accompanied by Mozart's piano music and long
talks by the pianist, sitting around the garbage truck, eating hard bread, making statements or listening to the philosophical tunes of class society, throughout the movie It is full of long talks, but always uses a long lens to look at the listener or irrelevant scenery, just not to the presenter. In these discussions about civilization and class society, some previous shots are interspersed.
Engels
Morgan
savagery to barbarism to civilization
01:12:55 The Greeks passed from tribe, to confederation, to military democracy. When
Corinne was worried about his father’s inheritance, her husband Roland was thinking about the insignificant hippopotamus and lord’s novels borrowed by Corinne. In the
last part of the dialogue film, some scenes are inexplicably bloody, and I feel a little uncomfortable looking at the
percussion and the long talk.
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