Usually, the blood sold too much or the director's imagination is too crazy will make the horror film have a strong funny effect, because the audience reminds themselves "this is The process of film, this is not true, and the red liquid is just ketchup” negates the process of “screen reality”. The only result of stressing the blood is that the audience strengthens the “unbelief” position. So, even if it’s the "Squad Corpse" A movie with blood and rotten meat like "Boundary" looks like a farce, frightening and frightening children-plastic cracking, mucus flowing, and tons of ketchup, no matter how many people tremble about it, they are more rational. The viewers who see these things tend to smile at the corners of their mouths, lamenting that horror movies of any era will have technical flaws, and wondering: Is there any movie in this world that can make you cover your eyes and dare not watch?
So far I am really scared. It was Dr. Hannibal who killed with a scalpel ("The Silent Lambs 2"). He felt that Hannibal stabbed FBI agent Will Graham with a knife in "The Silent Lambs" than in "People Play Ghosts." The shovel used by the actor to chop off his girlfriend's head is much scarier. The position and force of the knife is as precise as a doctor's operation. I can't imagine the pain the body will suffer! "New York Gang", Bill Butcher He teaches his younger generation how to stab the liver in Amsterdam. His method of killing is simpler, more practical and authentic than the various tricks taught to the disciples by the martial arts elders in Chinese kung fu movies. Therefore, these short sets of shots are more than tens of minutes in length to describe so and so. The plot of practicing martial arts hard for ten years and then going down the mountain to avenge is even more shocking-only those who understand the structure of the animal's body commit murders that are the most frightening.
The warriors in "The Lord of the Rings" killed hundreds of enemies. Not only were we not afraid, but also pleasing to the eyes, because it was the monsters who died. People are afraid of killing. If the movie tells the murder story to the extent that you can’t help but believe it, the real sense of horror will come! I personally think that the horror exhibitions in the series of "Devil Chasing Soul", "Midnight Murder 2", and "Silent Lamb" have the highest achievements. These movies I am so interested in dissecting the human body, forensic doctors have to write to the electrical examination department.
The difference between the Hong Kong film "The King of Power" (1991) and the above three films is also at the level of special effects. The plastic models of body fragments are more obvious. However, I wishfully thought that it was not the Hong Kong filmmakers who could not do the special effects, but this one. The film adapted from the Japanese manga deliberately emphasizes the manga sense of the original, so that the film is not so cruel that the audience can't adapt. After all, compared with the previous kung fu-themed movies, "Li Wang" is too special! It is so special that it is unprecedented and unique. Although the level of special effects is low, "King of Force" is still bloody. Because blue is the only director and world-class horror movie director share a common love, physical destruction alone is enough to make your way to a nightmare in the bed, watching "Li Wang," the spirit will only understand the creeps!
First look "Li Wang "It's LD. For the first time, I don't feel grateful for the high-quality audio-visual media. The horror language is sharp because of its clarity. It draws a black blood wound in the viewer's heart, leaving a shadow and pain that will never disappear. As long as you think of "The King of Power", you will see a cold death tone, broken stomach, bloody and bloody pictures, cruel, ugly, weird... I thought that only Hong Kong crime director Deng Yancheng was bloodthirsty and crazy. Lan Nai is even more absolute. Not only does you want you to be scared, but you also have to nausea and vomit! In the film, the blood flow, the stumped limbs and the broken arms are a piece of cake. He punches through the torso and the eyeballs are stunned out of the eye sockets. , Pulling out the intestines as a noose, breaking the tendons, tying a knot with a dental helper, shaking the brain in the broken skull, and the limbs being minced by a meat grinder. This is the author's extraordinary talent. In the film, the fascist flesh Torture can be seen everywhere.
The only thing that makes people feel warm in this bloody and violent world is the famous vase Ye Yunyi in the early 1990s. Her existence plays the same role as the perfect female nude in "Human Meat Barbecued Pork Bun": when your pupils are dilated and enchanted, Suddenly an evil force destroys it, the loss of beauty, and emotional fluctuations. After this super stimulation, it is difficult for the audience to think about it! In the play, Li Wang’s beautiful memory is very short, and the cruel director makes Li Wang’s girlfriend die. A terrible, indifferent bird’s-eye view of the scene where the audience witnessed the beautiful life falling from the top of the building to the street. From then on, for revenge, no matter how bloody and cruel, the use of force is reasonable and pleasant! In
order to avenge his girlfriend, Li Wang vowed to eradicate the poison. Demon, perform a martial arts drama in the prison, which is the same as all prison-themed movies, which contains the motif of fighting for freedom, because the power of the king is derived from "the unity of nature and man, and man is the universe." "The theory of Chinese Qigong, the author logically exaggerated the energy of Chinese Kungfu to the extreme: the protagonist is powerful and indestructible, and his flesh and blood resists reinforced concrete. Although it is unbelievable, the sense of liberation gained after breaking through the oppression is Unprecedented. At the end of the movie, the miracle of Liwang breaking the prison wall with a punch and the shouting of "Everyone can go home!" lifted the spirits of countless imprisoned audiences in reality! How many people play the role of "Liwang" in their fantasy In the "Legend of the King of Power", there are a thousand Hamlets for the same thousand audiences.
Therefore, "The King of Power" is not simply a perverted movie that pleases perverted audiences by showing off blood and violence. The pictures are horrible, but at least I personally refuse to close my eyes because I know the author’s true intentions and the rationality and rigor of the film. Need to use the soul to discover. If you don't want to avoid the bloody reality, if you have never given up the mental resistance, then please open your eyes and watch "The King of Power".
At the beginning of the movie, the sky is clear and the chill is pressing, and the prison car loads Li Wang and his party into the prison of a certain future society. In prison, Liwang resisted the dark forces and the oppression of the prison, and tried to overcome the heroes and was omnipotent. However, on many occasions he succumbed to the prison system and did not exchange his fists for the last freedom. He was honestly detained by the prison guards and chained. , This is so intriguing! After the fight was directed at the warden, the audience realized that what needs to be broken is the despotism. When there is tyranny, there will be tyranny. Only when tyranny is crushed can life be free. Therefore, the anger of King Li in the final battle has nothing to do with personal grievances. It has risen to the height of liberating all living beings. Seeing King Li’s fist and power, the audience is repeatedly Of cheers.
The most touching prison story should take place in Lin Lingdong's "Prison Situation", but in the first episode of this drama, the struggle of various forces only stays at the level of black and white, how it looks like a movie of rivers and lakes. It wasn't until the second episode of "The Fugitive" that the theme went deeper, and the ruler was cited as the object of resistance. In the play, after Chow Yun-fat and Chen Songyong rebel against prison, the prisoners' bet is not whether they can escape, but how many days before they can be captured. In their opinion, it is impossible to escape, and it will be sooner or later to be captured! The so-called prison riots It was also the struggle of the beast in the cage. In the end, the prisoners continued their prison life day after day. The island mood of no escape and no future is reflected in the stormy waves surrounding the land and the flag of the British Hong Kong government flying high in the barbed wire. Although it is depressing to read, it shows the rebellious will rarely seen in Hong Kong movies. An important sign of maturity of a genre of movies.
The bloody battle of "The King of Power" has raised the theme of the prison film for freedom to a new level. At the end, King Li gave a devastating blow to the dictator, pressing the warden into a meat grinder and ground it into meat sauce! The modern violent aesthetics of Hong Kong movies began with Zhou Yunfa’s nosebleeds in "The True Colors of Heroes" and ended with the crushing of "The Kings" Human flesh. The resistance of King Li evokes a beast-like desire in people's hearts, don't be imprisoned, don't be oppressed!
The most recent movie with a strong sense of resistance is of course Martin Scorsese's "New York Gangs". I thought that this big-production gangster movie would end with Amsterdam's revenge for killing its father in the public. It's so beautiful. It’s also worthy of the arrogant and sensational gang fight in the beginning--but in the end the director submerged the plot of revenge that should have been the highlight in the grand background of the turmoil in New York. In the panoramic painting of the army slaughtering the mob, the violence of the country is compared with the anger of the people, and hatred. Family feud is already trivial. At this time, the real damn villain was not Bill the Butcher but a well-dressed politician. The story starts from the murder of the people by the people, and ends with the murder of the people by the army, and finally accuses the state of behavior! The critical moment draws the audience’s attention to the state manipulators and their ulterior acts behind the scenes, exposing the hypocrisy and brutality of the state’s behavior The essence, the transition from a typical commercial narrative to a bold political criticism, the bizarre mutation of the type and the profound excavation of the theme, are unexpected.
What's ridiculous is that when Wang Jing constructed the so-called "Black and White Forest", the so-called "Black and White Forest", he misappropriated the "New York Gang" story of "the son avenging his father". Of course, Hong Kong directors have always been good at stealing. It’s just right. It’s just a comparison of the heavy epics written by Hollywood filmmakers. This time Wang Jing’s stealing looks extremely unskilled. The story seems to be similar to "Infernal Affairs", but in fact it is indiscriminately fabricated, contrived, and full of flaws. It cannot be justified. It is absurd, not to mention any extension of thought-"Black and White Forest" is a retrospective of Hong Kong movies, known as the strongest summer file, but this way, the group's end is irreversible.
It must be admitted that the brilliance of Hong Kong films has become history. Only by looking back can we find self-esteem. However, most of the recent DVD productions in Hong Kong’s three regions are new movies. Many old movies have unsatisfactory picture quality. There are often scratches and smudges on the film. The picture quality evaluations obtained are often "average". "Poor" is only "super VCD" at best, the old classics with outstanding performance are especially hard to find, and overall it gives people a "third world" feeling. Fortunately, HKL (British Second District) and HKV (French Second District DVD) digitally restored the classic works in Hong Kong movies and then re-released them to the benefit of disc fans. After the classic works of Wu Yusen, Tsui Hark, Jackie Chan, Stephen Chow, Liu Zhenwei and others were released after restoration and release, many disc friends rushed to regain their old dreams. It started unexpectedly.
HONG KONG LEGENDS (abbreviation: HKL) is the name of a series of Hong Kong films released in the second district of the United Kingdom jointly by the Italian media trust MEDDUSA and Hong Kong Media Asia. I have watched "The True Colors of Heroes", "The Love of the Rivers and Lakes", and "The Heroes" in the first district. I feel that the image clarity and color expressiveness are quite different from those of the European and American movie DVDs in the first district. "The world" originally lacked confidence, but HKL's digital image restoration technology made me overjoyed. From the "Plan A", "City Hunter" and "Huang Feihong" I have obtained, it is absolutely exhilarating! The best, the picture quality is comparable to the LD of the year, and the correct screen ratio brings a surprise to disc fans who hate 4:3. At present, HKL is committed to the restoration of classic films, and the launch of "The King of Power" proves that the film occupies an important position in the creation of Hong Kong films. The producer also assembled multiple horror images in the movie in the DVD dynamic menu. It is conceivable what kind of impression this movie will leave on foreign audiences.
The director of "The King of Power" Lan Naicai was born in Hong Kong in 1950. He studied under the Japanese photographer Nishimoto Masao (also known as Helan Mountain) and worked as a photographer in the works of Hu Jinquan and Li Hanxiang. He is good at shooting science fiction scenes with special photographic techniques combining sound, light, and electricity. He has a unique director style. His main works include "The Original Zhen Xia and Wesley", "The Ghost Catch", "Never Night", " "The Peacock Prince", "Liao Zhai Yan Tan", "Asura", "One Eyebrow Taoist" and so on.
Finally, let me talk about Fan Shaohuang, the starring role of "The King of Power". When the young man in "Law Enforcement Pioneer" grew into a devil muscle man, people did not dare to recognize it. After the filming of "The King of Power", no more artillery works came out. It's really a pity! In fact, he Can become Hong Kong's Stallone--hehe, the actor who plays Haige in "The King of Power" can also be said to be Hong Kong Arnold--the Hong Kong film industry does not lack good actors, but the screenwriters and directors are depraved.
"The King of Force" Oudi is rated as "the best action movie in history!!!" Why do you say that? There are two reasons. "One is" "The protagonist’s clothes and hairstyle are in line with his personality. The protagonist’s heart is full of infinite sense of justice. The old horse committed suicide because he was not approved on parole in prison. After seeing this scene, Wang Li was in the rain. I hate God for being so unfair, so I had no choice but to throw a fist to relieve the anger in my heart; what's more, when Li Wang was taken to see the deputy warden Monocle, when Monoeye was holding a photo of Li Wang's girlfriend Yingying, he used this When Li Wang came to lure Li Wang to express his purpose in prison, when Li Wang’s left hand was inserted on the table by the one-eyed snake hand, Li Wang saw the photo of his girlfriend Yingying being rubbed in his hand by the one-eyed snake, and he felt pain in his heart. Having said that, King Li just squinted his eyes and recalled the appearance of his girlfriend Yingying. Then he opened his eyes and pressed the table. Li Wang was full of anger, intending to throw away the one-eyed snake with a fist, but it was a pity that Li Wang No. I don’t know what caused Li Wang to dare not solve the one-eyed snake with a punch. Maybe the time has not yet arrived? Li Wang still chose to yield. The screenwriter’s purpose may be to make the plot have More ups and downs make people look more and more vigorous, think about it: if the deputy warden’s monocular snakes are all dead, only the warden of Liwang PK is left. The Wang’s strength is so exaggerated that it’s a fall from the sky! One punch punched the fat man’s belly through, and I really admire it! But the visual effects brought by the exaggeration left a good impression on people. The movie should be like that, the more you can fight and the more you fight, the better! In this movie, Liwang's movements are also ever-changing, and different opponents use different martial arts. When Liwang is fighting with Xicang, he almost gets acupointed. It was fatal, but King Li recalled the words of Uncle Good Ghost: You have to treat yourself as the messenger of hell, and King Li has solved the point because of this sentence; the other is that when the ending is a decisive battle with the prison chief, Rooke just defeated the defeat; I don’t know where Liwang came from when he hit the wall. It’s incredible to be able to penetrate such a thick wall with one punch!"
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