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The grafting of multiple movie genres is really not a success
Zella 2022-01-17 08:03:52
This Hungarian director’s film is not the first time I have watched it. I feel that he has always been on the line of art films, coupled with a strong experimental style, such as "Joan of Arc" which is a mixture of opera and thriller. The same is true for this new film that won an award in a focus unit in Cannes last year. It uses the model of a commercial film to tell a fable. The literary accent and the rhythm of the commercial film are intertwined. It is humorous and weird. The grafting of multiple film types is really not a success. Finally, pay tribute. Suspense master Hitchcock's dog group scene can be regarded as a more shocking scene. The two cues of dogs and humans are not handled well enough. Obviously, the shots of dogs are much better. The live-action actors are disappointing. I don't know if it is a script problem or something else. The dull acting skills and unprepared emotional transitions make The story became unconvincing. With animals as the protagonist and similar themes, Hollywood's "Rise of the Apes" is much better.
Extended Reading
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Carrie 2022-04-21 09:03:07
Dogs are so good at acting. How did this movie come out, so many dogs are so real, it's not all special effects. Another concern+
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Nico 2022-04-22 07:01:48
C. "Rise of the Planet of the Apes" directed by Mudluzzo, a genre-oriented Cannes film (winning the Un Certain Regard Award), uses animals as the protagonists to reproduce the subversive template. Chasing a single on the street thought it was not as good as Keaton, but then the close-up editing could completely surpass Rise of the Planet of the Apes. The whole film was shot with hand-held photography, and there was almost no long lens that Hungary (Bella Tal, etc.) continued, but it was better to shoot genre films with that kind of fragmentation. Muldluzzo's script is unpolished, but it has an expression entirely his own: the relationship between dogs and people in the film can be on either side of inequality—overdistinguishing between people and dogs (and purebreds and mongrels), both of which species or even groups. The "abrupt" transformation of the characters can actually be reversed, but it leads to more "abrupt" to serve the plot. The subjective shot of the dog, the front and back fights, let the audience substitute. Lily rebelled against her music teacher (no heart but didn't understand love), and reconciled with her father in a dance hall anti-drug show. In fact, most people in this society are no different from dogs. A clip of the final concert performance and escape from the riot.
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Lili: Tannhäusser spoke of love, you cannot understand because you are heartless.
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Dániel: It's difficult to lose someone you love. But things do not turn always as you want.