Needless to say, the well-made is not a hindrance to watching movies except for the full Chinese and the localization of foreigners. For the setting of Samurai Luolang's blonde hair and blue eyes, I feel a bit too hard, and it is a bit redundant to portray a few supporting roles in the whole stranger. For me, this is a midnight movie that is suspected of being a "show off".
The translation of "The Tan without Emperor Blade" is straight to the subject, and for a region without the concept of "king", force is everything. This concept is mentioned in many places in the film, and even the origin of the protagonist's namelessness comes from this. But I am a little sorry, even though the author repeatedly mentioned the importance of the theme to the story, the fast-paced plot, and the cool fighting scenes are a little overwhelming. On the whole, the theme seems to be no longer important and there is no need to discuss it.
The plot did not make me feel the sense of urgency and the crisis of being affected by the war. Wuming's interaction with Aidaro and even some brothers and younger brothers have the taste of outings, and the themes that they want to show are even more difficult to talk about.
I wanted to show a lot, but the result was a mess.
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