After watching, I felt very depressed-I eagerly wanted to rush out of the theater to take a deep breath of fresh air. The whole film is concentrated in the dark tank interior. The tank sight is the only window through which the soldier looks at the battlefield. It is also a stare with any life being targeted. Each stare is extremely solemn and pure. The Xiangyang Flower Field is almost the only bright color in the whole film. The sunflower with its head drooping and unable to embrace the sun is not only a symbol and a sign. It is also full of dramatic contrasts.
This is a film that can only be made by people who have experienced the war firsthand-and the most obvious point is precisely the most valuable modification of the Golden Lion Award film.
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