Low-cost B-level films are indispensable for critics' attacks on rough scenes, inferior special effects, and clumsy acting. However, director Yoshihiro Nishimura's performance in this work is surprising, regardless of the appearance and style of the heroine and the Tokyo police. With all kinds of enemies, and then full of cartoon-like grotesque plots, how to shoot your own style under the same objective constraints as budget and shooting scenes can only rely on the director's conception and control ability. "Tokyo Cruel Police" got rid of the shortcomings of similar movies that were too simplistic and vague in the plot, adding suspense and novelty to the plot, and many passages gave people a sense of surprise. After the prostitute’s transformation, the lower body evolved into a huge crocodile mouth scissors, and the metaphor of the huge genitals of her peers, which contrasted with each other, representing the sense of evil swallowing and inferiority after repression and expansion. It is more of a post-war savings than the incarnation of evil. The shackles of the soul that has not been released for ten years. The director's imagination and ambition have once again infinitely magnified the characteristics of the Japanese nation. Compared with the mainstream purely beautiful movies or the human analysis of literature and art, the expression methods are different, but the complex in the bones is exactly the same.
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