Soldier's Song

Josie 2022-04-20 09:02:21

The Soviet Lei Feng is taller, handsomer and purer than ours, not so much constrained by consciousness, and there is love: in the car that is about to part, the wind blows Shura's hair, and the love image in Alyosha's eyes is surging. Xi, how did he know that Shula didn't have a wounded fiancé; and Shula looked up like a clear spring, full of the sweetness of love, how did she know that she had missed it forever when she hesitated to tell the truth to the lover in front of her. He had no choice but to spend the rest of his life thinking of this handsome and kind soldier. Perhaps this is what the main theme film should look like, celebrating the beauty of human nature on the basis of respecting human nature. Maybe it's because I'm not used to good people and good deeds. At the beginning of the film, Alyosha's helpfulness dragged on, but when Shula came out and watched this shy and pure beautiful face slowly fall in love, I couldn't bear to fast-forward any more. Ah, maybe the most beautiful love can only be expressed with the texture of black and white films, whether it is Roman Holiday or a soldier's song, so that the farewell of mother and son in the film is overshadowed by love, but it also reminds me of the mad mother in the sun also rises over and over again. Shouting that Alyosha is from here.

Brendon 2022-04-19 09:02:44

The Soviet films of this period are really outstanding. The film has very little attention to the war scene (except for the opening paragraph), but through the perspective of Alyosha, it has created a group portrait of the Soviet people in the context of the war. The comprehensive description is not unrelated to director Chukhrai's war experience. The part of parting with the girl train was touched, and the near miss with the mother at the end was no less than the tension caused by the "last minute rescue".