I have a relatively shallow understanding of Yi Sun-sin. In my vague consciousness, he supported the Joseon Dynasty and led a very powerful navy army. The classic battles include the battle of Mingliang and Xianshan Island. Among them, the battle of Mingliang defeated 330 Japanese ships with 13 ships. I know his strategy. He invented the tortoise ship, so I always thought that the battle of Mingliang was 13 tortoise ships that defeated the Japanese 330 warships. What's more, he invented the tortoise ship, which gave priority to technology and strategy to win. This is my previous understanding, which is relatively shallow. But when I watched the movie, I realized that the turtle ship was destroyed and it was able to win. It was a strategic victory. It led people to transform their own fears into courage. Then they used the enemy's fears to adjust their tactics in line with geographical advantages to win more with less. Classic battle. In modern warfare, technology is prioritized, but Eastern strategic thinking is that humans are prioritized. I read "Three-Body". When people on earth are determined to fight aliens, they know that they can’t do it, and believe that human power is better than technology. the power of. Yi Sun-sin is probably the firm supporter of this view.
From the plot, I don’t know if my knowledge of history is shallow, which just makes me less demanding, so I like it very much and praise it very much.
The most touching thing is the costume, the warship. The level of care is unspeakable and impressive. The details of Yi Sun-sin's official uniform and the animal prints on his shoulders surprised me a lot. Then, the Japanese soldiers who appeared on the stage, their costumes, knives, masks, and orders, were restored to the degree of one by one. It’s almost the same as the ones I’ve seen in the museum. The sides, sleeves, and collars of the costumes stand upright where they should stand. The sleek places are gentle and elegant, and the aristocratic sense of exquisite clothing makes the Japanese army’s aggressiveness and pride. The sense of performance is lifelike, and these details can best express the overall view.
Before the war, there were some flaws in the description of the characters. For example, the period when Yi Sun-sin was assassinated at night, as if seeing the ghost in another life. In order to set off his loss, vicissitudes, and hesitation, his hair was comparable to the death row prisoners on the execution ground. This kind of chaos is indeed very serious. He can express his inner heart when he is alone, and even more show his strength when he is outside, but this is slightly inconsistent with his own calmness, restraint, and self-discipline. In that way.
The beginning of Yi Sun-sin's cut off the deserter's first level, and the end of the head of One Piece echoed from the beginning to the end, one suffocated and the other heroic, but these two shots were too deliberate, the heroism was too strong, and it could be said that they were too narcissistic. There are also generals who pierced Yang with a hundred steps. He drew his bow twice and shot twice. The damned grandfathers were too tempted and handsome. They were exactly the same as the time when the earth was about to be destroyed, so it was too sensational.
During the war, I have watched many war-themed movies, and I used one film to show war. Although the scenes of "Ningliang Sea War" are smooth, the story is not ups and downs, but the plot is compact, grasp the location, how to grasp it, from seeing the opportunity to grasping the opportunity , This section is well grasped. Even though we all know the outcome of the war, we can't help but sigh, and then breathe a sigh of relief when we see the development. Koreans are really sensational. When the dumb girl pulled off her skirt and howled to warn the warship, her tears couldn't help but it was too burning, like a Japanese anime.
After watching this movie, I felt inferior and ashamed.
The refugees who fled during the war are considered to be our village. In fact, in this battle, in terms of the heroic degree of history, before us, we can almost learn from the Trisolarans, and proudly said to them: "You are bugs. "Think about the battle that Huo Qubing went deep into the desert. Think of Yu Qianli's first stop in the battle to turn the tide. Xiang Yu's smashing the boat and Han Xin's last fight, but if the Koreans say that the smashing of the boat was invented by them, the last fight was also theirs, at least from the perspective of the movie. , I was speechless.
Directors who make movies for the sake of life deserve to be forgiven. This is a profession. But many big directors who have been forced by their material conditions to live, can they still sleep at night if they watch such a movie? I must be ashamed of insomnia. If it is said that the story is written because of the strength of the screenwriter, and the screenwriter of historical themes lacks strength, then what about the costume. I think of the Confucius version of Confucius I watched for a few minutes. Oh my god, I thought it was Mozi. Isn’t it Mozi who bears hardships and stands hard work? It’s just that he is not a gang leader like Mozi. Confucius always pays attention to ritual and music. Chinese rituals and music are cumbersome and long. The nobles of Downton Abbey are like beggars, at most they are treated as our fellows. Our costumes, which movie carefully verified the costumes of the emperor and the harem concubines? In fact, the expressiveness of a movie often comes from the details. I think the best part of this movie is the clothing.
The plot is very sensational, almost narcissistic, the main theme is very strong, but the attention to the costumes, coupled with the restoration of the battleship and the cooperation of the soldiers during the war, are outstanding. Therefore, a good movie has its special advantages.
They are also fighting against Japanese pirates, and they are also national heroes. The mandarin duck array is more wise, but what does Qi Jiguang look like on the screen, hey.
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