Secondly, the combination of the virtual and the real. There are several times in the film of the belt boy, and a large number of characters' plots are quickly narrated in a flash. What does it mean that such a virtual character is mixed in? What's the point of this virtual image? Just to emphasize that time goes back in time? But you don't need him at all? Including the recurring toy watch is also not understood.
After reading the first-ranked film review, I really understand a lot, but some points are still inexplicable.
After escaping from the belly of the whale, I used fast-changing shots, basically telling what happened in the future. But why is the male main standing in front of the window "watching" this scene? Since it really happened, is it necessary for the male protagonist to witness everything in a way similar to a meeting?
Another is that some details in the whale's stomach are also a bit baffling. For example, when the female protagonist saw the dog's brand, she remembered raising dogs together when she was a child. I hugged my sister, and suddenly pulled the old man out to speak, not knowing why.
Then I talked about what happened after escaping from the belly of the whale, both in terms of plot and expression, which were a bit too absurd. In terms of expression, the reverse order and positive narrative are still used. First, the news of the old man's death was published in the newspaper, and then it showed the old man's life. From a few shots, the old man seemed to be living quite happily, so I don't understand why the newspaper has to come to such a person. "die alone"? What is the meaning and logic of it? In addition, there is a scene where the old man received flowers, and the po master explained that the old man was gay and received a confession, but this scene feels a little inexplicable? It doesn't seem to fit so well with "die alone". Later, when the flashback began, there was a scene of an old man being kissed in a coffin, but at this time the old man was supposed to be alive. Obviously the director has completely started to mess up the sequence.
Another one, from the analysis of the subsequent plot and the po master, the male and female protagonists are not together. I don't mean to say that I particularly like the happy ending, but the development of the plot still follows the logic, doesn't it? Judging from the previous plot and experience, I don't think it's normal for them not to be together? I don't know what the author thought about arranging such a thing. Could it be intentional to make us look chaotic?
In addition, I feel that there are many plots that are too detailed and have little meaning to the plot. It seems to increase the difficulty to increase the difficulty, such as those just mentioned, such as the male protagonist singing on the street, such as the female protagonist and sister after a while after escaping Long and short hairstyles, different boyfriends, and stories about the heroine's boyfriend and the underworld. Even the male protagonist's face when he grows up, if you don't look carefully, you can't really see who it is, and it seems that he is deliberately making it more difficult to understand. (I stared at my face after reading the review of the po master, and I found that there was indeed a bit of a resemblance) Because the original film was
chaotic and I was not good at expressing myself, so I wrote it like this.
Deliberately for the absurdity of Muir, I don't know what the meaning is
PS: I watched it again just now, and found that the last scene only clearly showed that the male protagonist escaped, and the other three did not even explain it. Of course, from the results, there is really no need to explain, four All of them are alive, but the director's narrative method of giving the result directly and ignoring the process is really uncomfortable.
In addition, the real connotation of this film should lie in the change in the fate of the male and female protagonists after the bald man did not catch up with the female protagonist, but obviously the director was busy showing off his skills, and he had no time to take care of this, so he only discussed the change in the fate of the two brothers, and focused on the discussion. glasses man.
Actually, I feel that the whole movie is not about discussing the butterfly effect of historical adaptation. This has nothing to do with the main plot. It is completely added by the director to show off his skills.
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