Fils, Le

Meaghan 2022-09-05 00:02:41

The camera is so self-conscious that at first, people can't find the direction of the story, only constant shaking, like a Japanese AV, the camera sticks directly to the face, and breathes with the breath, the subjective seems to have never existed, Only Oliver's whirling, impetuous, and stagnant feelings were as cramped as a corridor and as empty as a room. At this time, Margery said, I am pregnant, and naturally there are some casual conversations. The two are so close and so far away, and they don't know what happened in the end. They only see Oliver rushing down and questioning, with a look on his face. Bewildered, bewildered, and Francis.

I finally knew what was going on, but I was surprised at Oliver's calmness. I was surprised that Oliver was also lying on Francis' bed calmly. The time was stripped away, and there seemed to be no hatred. The turbulent inertia turned all the subtle emotions into slow emotional expressions. slightly sluggish. Calmness becomes the greater tension of the plot, waiting for the moment when it must explode. That kind of outburst, during Oliver's questioning of Francis in the car, was suppressed by Francis' exhaustion. The answer was yes or no, and it suddenly seemed a little cruel.

Oliver asked, "Do you regret it?"

"Obvious."

"Why is it obvious?"

"I was jailed for five years, and that's something to regret."

An irrepressible regret. Finally, Oliver said, "You killed my son."

At the end of the film, Oliver quietly loaded the wood into the car, squinting to see Francis standing there, hesitantly giving encouragement, Francis also quietly came over , picked up the wood and walked past Oliver's side, and put it in the car. All the surging emotions in his heart were released slowly and calmly, Oliver looked at Francis, the greatest emotion in the ordinary world turned into eternity at that moment.

View more about Le fils reviews

Extended Reading

Le fils quotes

  • Olivier: The boy that you killed was my son.