Lock (2008.07)

Abbie 2022-09-16 21:09:00

Osama shivered helplessly in despair as Mullan pulled out the awkward, ugly lock with childlike excitement. Everyone in the audience seemed a little at a loss: the funny old man and the girl who was astonished, the sky was a light gold with a cold air, and people were tangled and slightly chilled ----- "Lolita" after all is warm. The wink is like silk, the image is ambiguous, and people can justly complain about the just-mature goblin-----the life-threatening style just rushed forward, disturbing everyone's pretended calm breathing, no one can escape. Osama is another story entirely. The dark eyes are clear enough to drip water, and the dripping on the heart is a deep scar.

"Osama" has the usual forbearance and cleanliness of Middle Eastern movies. The swing creaked and swayed, the straw rope beat the ground rhythmically, and in the finely raised dust, helplessness and despair were stripped away calmly and naked. The blue Burga of a thousand people swayed in the hot and yellow, with no expression, no figure, but I was terrified by the picture that should be sad and resentful. Stupid and arrogant people, trying to obscure the beauty of women with monotonous ugly cloth, wrapping the vivid soul. When I saw the enchanting women gathered together and danced in harmony and the veils were taken off, I smiled softly, and when I saw them cooperate smartly and swiftly when Taliban arrived, the only time I laughed lightly. The beauty and wisdom of women, perhaps this is what the male power that is ruling the world fears.

Manu also said earnestly when he established the classics: "It is the nature of women to induce men to fall...because the power of desire is so powerful that it can rule even the most worthy people." It is this fear of letting the patriarchy rule. They became violent and extreme. Even if he is as generous and tolerant as a Buddha, he only accepts men at the beginning. In Buddhism, women have always been regarded as shackles and traps for monks to achieve enlightenment and liberation. Think about the ninety-eighty-one difficulties of Journey to the West, how many are caused by women. From the ancient East to the hot and dry Middle East, for women, the three major religions have an unexpected tacit understanding. Chinese Confucianism and Taoism are also expected to lack responsibility. Once the government is not diligent and the family is not prosperous, all the responsibility will be placed on the woman. But according to this ridiculous logic, all the thieves and robbers will become Dou E, and the owners of the stolen things are the ones who should be spurned and brought to justice-----who told you to have these Things, but they didn't carefully cover them up, and they even let others look at them, tempting people to work hard and work hard to steal them.

However, the fact is that women in a patriarchal society are always just Adam's rib—a man's appendage. For the vast majority of women, the most important roles in their lives are their wives and mothers, and the opportunities and scope for them to make choices are pitiful, and birth and marriage are the only opportunities to change their fate. However, the helpless origin seems to be destiny, there is no room for choice, but there seems to be a bit of freedom in marriage. However, is it really so? The story of Cinderella is always talked about by people. But people's enthusiasm is precisely because of the rarity of the beauty of such fairy tales in reality: the locks of the family's door are locked again and again, and the seemingly beautiful dance is actually just an instinctive struggle with shackles --- --- For women, the social circle is originally related to the family background, so the choice of marriage depends largely on the family background.

Matilde in Maupassant's "The Necklace" is often dragged out as a model of female vanity. However, why are they also yearning for a more refined and better life, men are motivated, and women become vanity? Mathilde craved chic candlesticks and elegant English china. However, "there is no dowry property, no inheritance to be obtained", these destined external conditions that she cannot choose and change, but she is destined to marry only a small employee, and she will be scribbled all her life. There is not even a chance to "struggle" and "fight for". The gap between reality and ideal can only be passed away in endless daydreams.

Lao She's crescent moon is very similar to Osama, the cool shallow moon, "hanging without support in the gray-blue sky. Some people see that their conscience is disturbed, so they plausibly complain that Mr. Lao She has not found a way out for Crescent Moon, but they do not know that Crescent Moon actually walks very carefully all the way - entered a school, worked as a female worker, and worked as a waiter - but the struggling soul finally Still quietly, after all, he can't escape the trap of fate, and can only gradually decay and mold in the damp and dark alley.

Jumping rope, what a common thing. But in Osama, it is so far away and out of reach. The world says that women love to dream. As everyone knows, that is because for women, the only choice is the blunt expression of copper locks and the pale color of burga. The richness and color of life can only be seen in the endless dream.

He has lived a violent life all his life, and the Qiqiao, who seems to be sleeping but not sleeping, is lying on the smoke shop, stroking the golden shackle that is 30 years old when he wears it, and he spends his whole life. She slashed several people with that heavy horn, and even gave half their lives to those who didn't die. For the locked souls, some choose to be silent and endure, and some choose to hurt and take revenge. The former is taken for granted, while the latter is just used by wise men as an excuse to restrain women. As everyone knows, while locking others, himself as a prison guard is also bound. There are obviously other better solutions for things. As long as we let go of Mo Ming’s sense of superiority or fear, why should we turn the whole world into a huge prison?

Let's end with that beautiful ending: "The moon 30 years ago has long since sunk, and the people 30 years ago have died, but the story of 30 years ago is not over - it cannot be over."

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