Spent a long time watching Grey's Anatomy, and then spent a long time trying not to think. Medical-themed films are easy to show off and make people feel bored. "The White Tower" takes the opposite line of comparison. The Karma Wheel should be uncomfortable, and a religious song will make people cry. In contrast, Americans like to talk about life as long as there is nothing wrong. In fact, this is quite good. Life requires some shallow and active discussions. After reducing life to a kind of American-style black humor, then deliberately lowering it into the distorted and fragmented life trivialities, it seems that only in this way can the fabricated theory be completed. The other end of this principle is that the things made are particularly real, sometimes it is simply too damn real.
There are only three reasons for most contradictions, dissatisfaction with the present self-recognition, dissatisfaction with the present others' self-mapping, which then leads to anxiety about the life in the past and the future. The contradiction in the doctor-patient relationship is the contradiction of the person himself. On the one hand, he feels desperate for his inability to control the outcome of his life, and on the other hand, because he understands the despair of the former, it is difficult to comfort oneself. I don't know what I want; I want to know what I want; sometimes I think I know what I want; sometimes I just know what I don't want. Christina, who has a Korean-style plain face, is a role model for everyone, under her face of natural weakness of morality. The most affectionate than Jin Jian is Christina to Meredith: "I filled in your name for the emergency contact person." The most helpless is Bruke to Christina: "We are a couple, it's not a big deal." Izzie said to Christina the most desperate: " I'm not jealous of her choice, I'm just jealous of her being so firm and pure."
As we guessed, doctors have more disagreement with their lives than ordinary people. This is like judges for fairness and justice, teachers for teaching and learning, and national leaders for the definition of the country itself. The judges in "No Survival" are proud of their pathological way of producing evidence in the end: but in the final analysis, this is an endless loop.
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Many people can't agree with Meredith, it may be because of their dislike of Qiong Yao's role in American dramas. If it's like a prison break, every episode is stimulated every second, then you will be back to the old way of Hollywood action movies. Do you remember how ABC got in when Hollywood was weak? Because people care about the fate of the characters in the inner history: Meredith's first year in Seattle Grace, the second year... There are only 6 women out of 20 people, and among these 20 people, 5 will collapse under pressure. Two will ask to leave. George is going to repeat the internship, Alex grows a beard, Mark's role becomes more serious, and even the actor has expressed dissatisfaction with the third season's script. If the fourth season is still so messy, he will give up. You all know the next thing: the actor who played O'mally confessed that he was gay, Addison became famous and spin off, Burke couldn't solve the internal conflict... Then, then the screenwriter's strike began.
Thinking back about it, Meredith's shaping was successful. She is so good that she is not sensual, so she is different from the compulsive self-demand of typical Asian Americans, and at the same time has the advantages of American women: tolerance and understanding (at least it seems). Absolute? No, Absolute is not popular in life. care? Caring about the lives of others, not the heart. In any case, the script is woven with events instead of monologues. If the audience can see too much of the intentions expressed by the screenwriters, it is undoubtedly a failure-the characters themselves will have their own development, but the audience has to be nervous. Intense plots, strange cases, this is indeed a test of screenwriting ability. When Meredith was about to die, various clues came together to present the important events and representative meanings of the three seasons in the form of four people. Some of the clues ended. For example, the nurse representing Meredith's mother disappeared with her mother's death. Yes, but others don’t. Bonnie, who represents the protagonist’s emotional choice, will definitely appear in the future. The blasting team leader who was blown into chips may represent Meredith’s courage, but this omnipotent courage, as Meredith said, would “fade away”, and the moment the most popular Denny and Izzie touched each other. A little bit of eloquence: All good things will eventually disappear. If you can't move on, you can only stay where you are.
Yes, we have to admit that the human heart is fragile. Because of the fear of being hurt, it is too easy to lose confidence in the things that are cherished. Being strong like Christina, praised by Asian compatriots, is actually a deeper self-harm. If you really don't believe in love at all, how can you live well in the world?
When Cowen was carved, his head was full of Meredith's blond hair and straight mouth. I always think that very layered blond hair looks good, but if you are not careful, your face will become earthy. I can understand that the American spirit lacks the influence of martial arts novels. Neither she nor them knows what it means to "drunk and laugh with you for 30,000 times, without complaining about injury."
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In Levin's manor, a man and a woman met, two Lonely, melancholy person. They have a good relationship with each other, secretly hoping to combine their lives. They just waited for the opportunity to be alone together to confess each other. One day they finally were in the same grove without a third party. They pick mushrooms there. The two of them were excited and didn't say a word, knowing that the time had come, don't let it slip away. They had been silent for a long time, and the woman suddenly started talking about mushrooms. This is completely "against her wishes and unexpected." After that, there was another silence. The man weighed the words to confess, but he did not talk about love. "Out of an unexpected impulse," he also talked to her about mushrooms.
On the way home, they were still talking about mushrooms, there was no way, and their hearts were filled with despair, because they knew that they would never talk about love.
The above example is Kundera's proof of how human actions go beyond the interpretable scope of causality. In fact, this seems to be one of the biggest breakthroughs in human art: science proves that those events are repeatable, and art has an advantage in unrepeatable mystery. Aristotle believes that poetry is more real than history, and this is the reason. In this respect, the screenwriter’s strike will eventually win, because they hold the "reality" of American society in their hands, and this authenticity is always needed.
Meredith dreamed that he opened the freezer and saw the dead one speak. Death is a cool night, but my own struggles are in vain. This is a real idea, and no one has a position to say that it is shallow. For those who think Grey's Anatomy deliberately lengthened the plot, some of them have lost popularity. For those who think that the protagonist’s image has failed, the moral sense may be too strong to induce neutrality. Sometimes we laugh at the poor but not at the prostitution.
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