2 stars are for the service, and two are for the beauty of the heroine in this film.
Leaving aside the chaotic and fragmented plot, and not talking about the real actors and actresses, the London battlefield is simply an audio-visual love letter to Amber Heard's beauty. Cooperate with costumes to maximize the beauty of her every scene.
First of all, we must praise the costume props design team, the design of the characters and scenes is exquisite and fit. Especially in the heroine, with different light and shadow, every scene makes her beautiful and every design is just right.
When the heroine appears in different scenes, there is a huge contrast between deliberately and the way of interpretation with carefully designed shapes, so even if there are explicit plots, it is not vulgar to think that it enriches the complexity of the character. Although some of the pictures are still and look a bit erotic, I personally think that her expressiveness is more vivid in the movie. She just appeared on the stage wearing a long black dress with a veil to show mystery and nobility, but she used the eyes in the close-up to express the sense of story. A pure girl is equal to a white dress with deliberately accentuated blush, like a girl who is shy at any time; but there are also artificial biting lips and deliberately revealing a bit of flaws to make the other party think. The person who wears the most mundane and colorful clothes has the coldest expression and the worst expression, which is almost rude. When talking to someone, Su Yan was lying in his arms in a white shirt, with tears still hanging on her face. Viewers such as me almost felt that she was in love with this person with a soul. Although she is also blankly spanking other people's ass...
But I think the worst part about this movie is the music. To tell the truth, this kind of literature and art (not) has so many details, so many inner dramas, and even a narration drama. It can actually go from the episode to every BGM song, every second, everything. Disaster. listen. How excessive is it, let me give an example.
(It shouldn't be a spoiler for spoilers... right)
When the heroine was lively and fragrant and made out, a slow four-beat low-pitched large BGM suddenly sounded
Is it reasonable? Is this reasonable? Even the Godzilla NTR scene wouldn't be so bitter and hatred? What emotions are so complicated? I'm so confused that none of the episodes fit the situation at the time. Not a single second of BGM serves the current plot. There are so many conflicting soundtracks. It's a pitiful soundtrack. When the occasional music is played, the volume can be adjusted to the same level. Doesn't the situation fit right now? Either there is a seemingly innocuous current signal obstacle, or it is as noisy as a dance in a square. Not to mention whether the music style conforms to the plot trend, the two have nothing to do with each other.
The sudden collapse of the plot part is the rooftop part. The tone of the entire screen changed suddenly, and I bluntly pressed the PPT that turned the page. The color tone is also a bit too familiar. For example, it is the case of the cold tone of 4 degrees in the "La La Land Poster Moonlight Version Filter Series". The plot is even more blunt enough to suspect that the original/screenwriter has something serious. The plot suddenly collapsed. Probably why does the beautiful woman play with fire, why does she run to the brink of danger and roll around? Beauty is just crazy, not stupid! Or will the same delusions be realized in cyber works as long as there are scholars in ancient and modern China and abroad: super beautiful women must stick to me? No matter which style of Loser I am, although she has repeatedly refused, she will definitely come up again as a last resort. I can only choose her kind? The interaction between such a complex character of the writer and the heroine must have content to be perfected. Combined with the subsequent clips, this paragraph including the lines is really heart-stopping.
Looking at the weak and slack body of the writer in this scene compared to the bright and moving heroine, the director doesn't know if it was intentional...
Although it's not an old-fashioned and boring love story about stepping on multiple boats and overturning, it seems that there is no love at all, but there are many desires and the illusion of self-righteous love. It's a pity that the movie should be better because of the original book. The director's shots are also beautiful, and some of the pictures are as beautiful as a painting. But on the whole, the incoherence/jumpiness between the clips is a logical accident... I don't know how to describe it, it's a bit awkward in the early unformed version of Ninagawa Mika (no offense, I like Ninagawa Mika's works very much) ). Amber Heart's acting skills are also a bit deep, at least it brings different styles of "hypocritical beauties" to life, and the advanced broken version "thought I was tempted but she has no heart" is not a problem, who can stand it woohoo.
I feel that the director doesn't just want to tell the story (or accident) of a woman's relationship with several men; he also wants to fill in all the elements and finish the story after bringing out some small hooks. It's obviously too reluctant to tell the story in two hours. Some small details may have more development like the "little boy" in the fake story and the title "London Fields" (set the era with the background of the original book), and Cara also made a soy sauce of unknown meaning, which may only be known by the original book. Bar. In this film, the director probably put almost all his talents into
At least the different styles of "hypocritical beauties" are brought to life, and the advanced broken version "thought I was tempted but she didn't have one" is not a problem, who can stand it. I feel that the director doesn't just want to tell the story of a woman's relationship with several men (or an accident); he also wants to fill in all the elements after bringing out some small hooks, and he wants to finish the story within two hours.
Huadu
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