1. The story is not complicated, and might even be boring if told in causal order, but here, the point of interception is that something has happened (old man killed by pedophile), and a flight is being prepared.
It is told in great detail, not forgetting the lyricism, the drink paper cups are blown away by the wind, or watching the sea, or naming the toys caught by my mother's name.
In this process, I will go back to flashbacks, why they fled, and what happened.
The pimp, the prostitute, the avenger, the tension of the three parties, you run away from me, the bullets are loaded.
2. About halfway through, Kelly and Jenny had arrived in the town and were staying with their friends. Kelly was going to find a business to earn money for train tickets, and the pimp already knew where they were, and they were on the way. Rushing to that town, I wondered how it ended at this time, they were caught, there was no tactful escape, just like real life, no accident happened.
3. But there is also an accident, that is, the pimp died (and he dug his own grave, thinking it was for Kelly and Jenny).
Why did the pimp die? You can go on thinking about it, maybe it ends better this way. The big argument is that the so-called sin is not the prostitute or the like, but the pimp behind her. Or maybe just that, the story gets an emotional boost.
4. What I like the most is that Kelly finally sends Jenny to her grandmother's house. Her eyes are different. Sure enough, in the next scene, she is alone on the streets of London. ran wild.
I read Lawrence's crime-solving novels before, and many of the characters in it are bound by pimps and prostitutes. The small town girl came to the big city of New York, thinking that she would rise to the top, but she often stood on the street. went. In this movie, the pimp's first appearance is to persuade one of his girls to pick up the guest. What he said is like a lover persuading his girl to do something, it's exactly the same as in the novel.
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