Foreword: Some people ask me "you can do it" below many of my game movie reviews.
My unified reply to this is "Unfortunately, the screenwriters of these films (games) did not invite me, otherwise their scripts would at least look like they were written by humans. If you are interested in cooperation, please contact me on Douyou, as long as you write Get the money."
And the second half of this article is accompanied by detailed revision suggestions for the script, readers can compare it with the original script.
After watching Zhang Tianzhi, I was so angry, just like I was playing Assassin's Creed Revolution.
What I hate the most is good themes and bad works.
It's not a pity to stew a pot of rotten vegetables with rotten materials.
It is a pity to use the best ingredients to make the dishes of the food stalls. Not only a pity, but also a curse.
Why is it a good material?
Zhang Tianzhi has a story and can write a very brilliant story.
In general, the plot of the Ip Man series is quite satisfactory, because of the idiot boss Huang Baiming, Ye Weixin gets in the way.
But there are two very good characters, one is Li Zhao in the first "I'm a translator, I'm not a lackey!", and the second is Zhang Tianzhi in the third.
Zhang Tianzhi is outstanding because this person has no sense of justice.
Looking at Ip Man 3, the most important thing in his life is his son, and the second most important thing is money.
justice? nonexistent.
Beating up the thugs who set fire to the school, and humiliating Ma Jingsheng, in the final analysis, it was all for his son.
This person is simply much more interesting than the good Mr. Ye Wen!
This kind of anti-hero character is relatively rare in Chinese kung fu movies. If it is packaged, it will definitely be a blast.
As a result, Yuan Heping lived up to expectations and missed the game.
Time and time again I tolerated the bad films made by the eighth master. I told myself that the script of "Su Qi'er" was only a little bad, and "Qi Men Dun Jia" was all the fault of Mr. Xu.
But this time I'm tired and I don't want to look anymore.
I'm going to scold.
Let me talk about playing first.
The characteristics of this play are: 1. A lot. 2. Very illogical. 3. Not bright. 4. Wia is too much.
First of all, the number of plays, the best Ye Wen series, one is that Donnie Yen was bigger than Zhang Jin when he filmed the first part, and his body was not as good as before. On the other hand, the eighth master is probably the director, not interested in literary dramas, and unscrupulously filming dramas.
But this is not a good thing. In fact, each of Ye Wen's constant group dramas has two scenes, one for sparring, and one for boss battles, which is very particular.
The first is to fight for the sake of fighting .
Tony Jaa's problem is the worst.
After reading it, I didn't understand, is Tony Jia the bodyguard of the killer's client, Yuan Hua, or a killer, or both?
Why did he hit Zhang Tianzhi while Zhang Tianzhi was escaping? Can you explain it?
Without a word, are you Wu Jing from "Slaying the Wolf 1"? Wu Jing also has a line.
There is a killer with few words in "Slaying the Wolf 1 & 2" (the first Wu Jing and the second Zhang Chi), but we all know after watching that this is a ruthless character. Although he has no lines, his identity and strength are explained. very clear.
As for this time Tony Jia, the positioning is very strange. After reading it, it can only be described as inexplicable.
The lack of logic is also reflected in the lack of foreplay in the play .
Yu Chenghui said that "playing drama is a lyrical means".
Fighting is actually a very ritualistic thing. Create a tense atmosphere first, in a tense manner, and suddenly a spark ignites the gunpowder, that's the fun.
For example, the famous one dozen ten in "Ip Man 1", if Ip Man hadn't seen Master Liao being shot and killed, then he would have had enough to eat.
In "The Grand Master", if Gong Baosen hadn't asked Master Ye, "Does boxing have a north and a south, but does the country have a north and a south?" Those two people breaking the cake would be insane.
When it comes to breaking cakes, there is a similar clip in "Zhang Tianzhi" where Cao Yanjun (Michelle Yeoh) seeks Zhang Tianzhi to apologize, and the two of them start pushing wine glasses without saying a word.
Would you two say a few words first? How can the words "I invite you" and "I don't drink" make a gesture?
The audience hasn't reacted yet.
At least that should be the case. Cao Yanjun asked Zhang Tianzhi to accompany him to drink. Zhang Tianzhi felt inexplicable when he came. Cao Yanjun teased Zhang Tianzhi verbally, but Zhang Tianzhi also turned a deaf ear. In the end, Cao Yanjun asked Zhang Tianzhi to drink, but Zhang Tianzhi refused, and then the two had a test. This is normal play logic.
Speaking of not dazzling, it is probably the "Ip Man" series of pearls and jades.
Zhang Tianzhi basically didn't use Wing Chun kung fu. Although he was as ruthless as he was in the original story, he lacked characteristics.
And the boxing style is too monotonous.
Kung fu movies are made for people who don't know kung fu.
This time, all the boxing techniques used are wide open and close, except for foreigners.
For example, Tony Jia and Zhang Tianzhi, both of them have very hard punches, but their fights appear flat.
The same two people, in "Slaying the Wolf 2", are full of sparks. Tonyja's punches are fierce and fierce. With one elbow, the top of the knee will be crippled. The Bagua Palm used by Zhang Jin is dashing, soft with firmness, especially in the decisive battle to defuse several offensives of Tonija and counterattack is very cleverly designed.
The best design this time is Zhang Tianzhi's battle with Cao Yanjun. On the one hand, Zhao Jinhu was also fighting with Cao Yanjun's bodyguards, and the shots on both sides were switched in place. Because Michelle Yeoh is a woman, although she also fights a boxing style like Hong Quan, it has a unique flavor and is a rare fighting highlight in the movie.
Plus the scene is not well designed.
The scenes of martial arts are very important.
For example, the fight scene in "Ip Man 3" is very good.
One is the elevator play. On the one hand, Ye Wen has to protect his wife, and on the other hand, he has to defeat his opponent in a narrow space. The former is the "game objective" and the latter is the "terrain", which can be distinguished from ordinary play at once.
One is fighting Tyson. Tyson's fight is the office. One is a three-minute time limit, and the other is an office environment.
The point is that the office sandbag is the finishing touch. On the one hand, Tyson shuttled around the sandbag, as if the tank was extremely agile, and at the same time, a punch hit the sandbag in the middle, which almost knocked the sandbag into the air, highlighting its fierceness.
That's the beauty of scene design.
In this scene of "Zhang Tianzhi", the BOSS battle seems boring , and the front is a bit overdone .
The so-called overkill is two excessive fights of Wia , the signature street and the rooftop.
Wia is not too much, it depends on the story environment.
In martial arts films, the audience can understand how to use them as they like.
But when you shoot modern films, such as Mission Impossible, two people flying around with Weiya, it's weird.
For example, on the signboard street, a few people are moving around on the signboard, jumping around, and there is no fear at all!
Your settings are just ordinary people who know martial arts, not acrobats!
How does a person react at a high place? You see "Who Am I", Jackie Chan walks on the edge of the rooftop so be careful.
In "Ip Man 3", the school was set on fire, and Ip Man jumped up the stone railing steps, and his steps were also cautious.
Why are you Zhang Tianzhi born in a circus?
At least a few people should be designed to sway around, jump over and hold on to the signboard under their feet, etc. It is not suitable to walk on the ground.
On the rooftop, Wu Chi Lin (big mistake) fights Zhang Tianzhi. Also, do you usually get into fights while sitting on the rooftop? Still jumping around in dangerous places, do you still call this a sparring? Shi Yanneng, did you come from the set of "Qi Men Dunjia"?
When it comes to boss battles, it's boring.
The first is that the scene is boring, crackling, smashing tables, glass, and the "Ip Man 3" has already been done for the small body and the big man.
The second is that the reversal is boring. When Zhang Tianzhi uses Wing Chun, the small universe suddenly erupts and reverses the defeat. Reminds me of "Jingwu Fengyun Chen Zhen".
The reversal is too deliberate and too unreasonable.
Also compared to "Ip Man 3", Ip Man found that Franky's fists were too powerful, so he decided to attack the road, so he tripped over Franky to gain a slight advantage, although he was still cracked by Franky due to his weak defense. So he used his elbow to disintegrate Franky's ferocious fist attack, and interfered with the opponent's index finger, and finally held it for three minutes.
"Fighting Heroes" Fujita Gang's defense is too fierce, but Chen Zhen found that as long as he was attacked multiple times at the same place, he could be injured, so he frantically attacked his forehead, breaking his "robot" qigong.
In the face of a powerful enemy, use intelligence to discover its weaknesses and defeat them, this kind of reversal is justified.
As for the explosion of the small universe and the reminiscence of the revolving lanterns, those are all inferior routines.
Let's talk about drama.
Literary play, one word, stupid.
It's not that the plot is stupid, it's that the filming is stupid.
The shot goes black immediately, and the next scene is everywhere, without any transition.
As soon as I recalled, I immediately started to play the clip of "Ip Man 3".
Director Yuan Heping, can we not edit like a middle school micro-movie?
The same content, let Weixin Ye film, the expressive power can be much stronger.
I take "Ip Man 3" as an example. One part of literary drama is good, and another part is bad.
The bad thing is that in the hospital, Brother Dan was crying. Because the level of Brother Dan's crying scene was really limited, it was too embarrassing to shoot him in the face of Dan, and it was really not touching.
The good one is the wooden dummy. Zhang Yongcheng said that he wanted to see Ye Wen hit the wooden pile again, but he didn't take a picture of Brother Dan's face during the whole process. But he played very slowly at first, with a sudden pause in the middle. Then start again, playing faster and faster.
A pause in the middle is a stroke of genius. Because of Ye Wen's grief in his heart, he suddenly burst into tears. Then endure the grief and continue piling.
This is a good literary drama, unfortunately there is not one in "Zhang Tianzhi".
In fact, the screenwriter still designed some such highlights for Zhang Tianzhi, but Yuan Heping really doesn't know how to shoot.
Screenwriter's Gains and Losses
While everyone says mediocrity, I personally think the writers have some laudable ideas.
One is that the overall structure is not bad, there are light and dark lines.
The second is Zhang Tianzhi or Zhang Tianzhi in the first half.
Third, there are bright spots in individual supporting roles.
Say it first. Everyone could see that it was Zhang Tianzhi who wanted to live, but it was Zhang Tianzhi who wanted to give up Wing Chun and couldn't let it go.
This idea is very good, but Yuan Heping, you are too blunt... Can we not start editing "Ip Man 3" every time we reminisce about Wing Chun?
Such a clip has no aura, it's just stupid.
In the play, it seems that Zhang Tianzhi doubles his combat power when he uses Wing Chun, but there is actually a problem with his performance. In fact, it is because Zhang Tianzhi used to be too obsessed with "authentic Wing Chun", and now he is stubborn about "completely abandoning Wing Chun", which is because his heart is crooked and affects his performance.
If he and Zhao Jinhu learned from each other, he recalled the experience of failure at the beginning, was distracted for a while, and was defeated by Zhao Jinhu, it may be better.
Wing Chun was a hurdle in his heart that he couldn't get past, and it couldn't be described as a built-in plug-in.
Second, Zhang Tianzhi's character setting.
The reason why I say that Zhang Tianzhi in the first half is Zhang Tianzhi is because Zhang Tianzhi is playing Ye Wen in the second half.
It's none of my business for bad guys to hunt down beautiful women, but if you dare to break my son's toys, you're dead!
This is Zhang Tianzhi!
Zhang Tianzhi with a sense of justice is not Zhang Tianzhi.
When did the characters start to fall apart?
When he was a waiter in a bar, he broke foreigners' watches for his dignity.
Zhang Tianzhi cares about dignity? joke.
"Ip Man 3", originally wanted to rent a house, but after the owner found out that he was pulling the car, he sneered and didn't say a word.
Boxing in the black market, and being mocked by Ma Jingsheng, he just silently offered "I want all of these."
As long as I can make money, what can't I do?
It is Zhang Tianzhi who should bow his head low, and be domineering when he should be proud.
Such a person, you let him scold foreigners, crack down on drugs, and grasp the wrong direction. This is what Ye Wen did.
He can fight drugs and beat up foreigners, but he can't do it for justice.
He is out of revenge.
His shop was set on fire, his son was severely traumatized, and he needed revenge.
Too tactful in the movie.
How about burning the smokehouse? If you didn't let the surnamed Cao go away, how could your son be so angry?
In the end, it turned out to be a bargain with Sister Jun. It's a pity, unfortunately, I think the real Zhang Tianzhi will definitely make the life of the surnamed Cao worse than death.
If I were a screenwriter, I would definitely take the theme of the whole drama into a black hole, and give it back.
If you dare to provoke me, I will kill you.
You fuck my son, and I'm not only going to ruin your business, I'm going to ruin you.
You kill my brother, and I'll kill you too.
In the end, the screenwriter still liked things like "patriotism" too much, but ignored the dark temperament in Zhang Tianzhi's bones, which is his charm.
And Zhang Tianzhi also has a feature in "Ip Man 3", be careful.
Master Shi Tian, first pulled the door up to prevent anyone from being discovered.
To clean up Ma Jingsheng and his gangsters, look for Ma Jingsheng politely first, and then beat him up.
Such Zhang Tianzhi would never just foolishly fight BOSS and wait for the patriotic feelings of the Hong Kong police to explode.
(It is said that the police in this movie are unusually punctual)
He may find a way to let the foreign devil police find out that the big boss is useless, so he will eat the black and give up the boss. Only then will he complete his final revenge.
The ending of the movie, I'm afraid it's ridiculous, can't be summed up.
Because you dared to beat foreigners on the street in those days, and handcuffed the foreign police back to the police station?
This behavior is as if Master Ye beat up the Japanese soldiers in the street!
Let's go back to "Ip Man 1". Ip Man defeated ten Japanese soldiers. On the way back, he still had to avoid Japanese trucks. Obviously, Master Ye can beat the Japanese in the ring, but off the stage, he is a small civilian in the invaded country.
It can't be nonsense to joke!
Even in Fatty Wang's "Chasing the Dragon", when the lame man goes to kill the foreign devils, that's a job done secretly. If he is going to kill the foreign policeman silently, he can't do it in broad daylight, right?
And do you expect the patriotism of those Hong Kong police officers to explode? Is it possible, the patriotic blood has been worn away as a policeman for so many years.
Even if they really dared to do so, the few foreign policemen would probably be unscathed.
Third, when it comes to actors, I want Tibatista the most.
It's a pity that Batista's performance as an actor from the sports world is regrettable.
Compared to Tyson, who is terrible at acting, and Dwayne Johnson, who specializes in comedy, Batista can play some complex roles.
For example, the big boss this time is very eye-catching (if it can be handled better).
On the one hand, he treats children gently and politely. In everyone's eyes, he is a good cook and a philanthropist.
On the other hand, he is a ruthless drug dealer.
This BOSS background is very innovative in the Ip Man series. There is only General Miura in the first part, and there is no villain written on his face. The boxing champion of the second part is a fool. The third Tyson has basically no literary background.
Battista should have been given more scenes for him to play, not just a punch.
I am always thinking. When he killed Zhao Jinhu, he first loosened Zhao Jinhu's handcuffs, and then when the two shared dinner, Zhao Jinhu suddenly attacked, and Batista was able to defuse the attack with ease, and then accompanied by the melodious music at this time, he punched Zhao Jinhu to death .
Like Dorian Kato in "Blade 2", will it be more brutal and elegant?
Moreover, his identity was revealed too early, and he should have waited until Zhao Jinhu was caught and found out at the dinner table, which was even more shocking.
If the role is increased and the BOSS battle is made better, this character will definitely leave a mark in the history of kung fu films.
Pity.
Secondly, I feel very strange about Ma Jingsheng 's role.
Is this the same person as Ye Wen 3?
At the beginning, Zhang Tianzhi's house was set on fire, "We must have a plan to deal with this kind of person." You are too polite!
Zhang Tianzhi hit your nose crooked last time! Don't you scold him "Zhang Tianzhi, let you be right with Lao Tzu last time, let the family get rich and rich!" Are you worthy of your status as a bastard?
You sound like you don't know Zhang Tianzhi at all!
Moreover, it was obvious that a sentence or two could explain how he got along after being expelled by French, but he didn't, and he was completely separated from Ye Wen 3.
This is the correct way to connect with the real story, instead of frantically editing the pictures of "Ip Man 3".
Finally, let's talk about music.
Music: Almost non-existent.
First of all, the film production team was very stingy and did not write a theme song for Zhang Tianzhi.
It's too much to directly cover Master Ye's theme song! Does this make Zhang Tianzhi live in the shadow of Ye Wen all his life?
Secondly, a very fatal point, the soundtrack is too thin.
The Ip Man series of fighting scenes makes people excited, and Kenji Kawai's soundtrack is indispensable. If you don't believe me, you can go back and listen to the soundtracks of several classic fight scenes in the Ip Man series. The music alone can make people reminisce about every piece of Master Ye's work. action.
When it came to Zhang Tianzhi, the fight scene was almost the sound of fists and feet, and the atmosphere was a lot worse.
My comments on the overall revision of the script
The first third does not change.
Changes in the Batista line: The restaurant part is reserved for Zhang Tianzhi's son's cake, and the restaurant closes at night at the beginning. Delete the first meeting between Mawei and Ma Jingsheng. The first time he exposed his identity as a drug dealer was when he was trapping Zhao Jinhu to eat steak. (Increase the shock of character reversal)
The duel with Zhao Jinhu should be changed to loosen his handcuffs first and invite him to eat steak. Then start playing music on the gramophone. Zhao Jinhu only attacked at this time, and was then killed by Batista. (contrasting its brutality with elegant music)
After killing Zhao Jinhu, you must let him serve Zhang Tianzhi and his son for a meal. It is best if he comes up and continues cooking as soon as he kills someone in the back kitchen (highlighting the essence of beasts in clothing)
Changes in Zhao Jinhu: Strengthen the role of funny. The glass and first wine at the beginning must be tasted and spit out.
Character setting: I used to be a martial artist, but I put down martial arts and opened a tavern for my family, but I couldn't let it go, and I always wanted to show off with others.
(To compare with Zhang Tianzhi, to highlight Zhang Tianzhi's inner ending must be to let go of martial arts)
When his wife died, he had to highlight that he was sad and unhappy. Don't fight when he came up, showing that "although I quit martial arts to avoid trouble, trouble found me after all" (implies Zhang Tianzhi: Once a martial artist, he has been a martial artist all his life. Can't quit the arena)
At the same time, it is necessary to highlight that he has a good relationship with Zhang Tianzhi's son (increase Zhang Tianzhi's motive for revenge for Zhao Jinhu)
Zhang Tianzhi changes:
The matter of being defeated by Ye Wen must be known by the gossip. Make his son very embarrassed.
On the one hand, he wants to put down Wing Chun and rethink martial arts, and on the other hand, he wants to establish a face for his son and highlight the inner contradictions of the characters.
When insulted by a foreigner in a bar, be sure to pick up your watch very humbly. Then he was praised by Zhao Jinhu for this, saying that many people couldn't breathe when they first arrived, and I didn't expect you to be so tolerant.
Then the two began to chat on the rooftop.
The ending of the martial arts competition was changed to Zhang Tianzhi's defeat. Because Zhang Tianzhi thought of the experience of losing to Ye Wen in the process of defense, a moment of shame flooded his heart, and he was distracted and defeated.
Tonyja's identity change:
Identity is a freewheeling killer who likes a challenge.
At the beginning, Yuan Hua pointed a gun at Zhang Tianzhi, he should not move, Yuan Hua said: You are not my bodyguard, come on! Tony Jia said: You can't compare to others, and it's not that they are plotting against you, so it's none of my business!
In the middle, Zhang Tianzhi escaped from the fire. Tony Jia first killed Zhang Tianzhi neatly, and then started hitting Zhang Tianzhi, saying: I want to try your boxing!
When the two were fighting fiercely, a flying knife flew towards Toni Jia and was knocked away by Zhang Tianzhi. Toni Jia said: I will pay you back for this favor.
Then look at the second half.
Major changes in the second half:
Since the two of them came out of the Changle Hall, they couldn't hold their breath. After all, the surnamed Cao only had one broken arm.
So the two discussed to kill the surnamed Cao.
So they took this guy out one time and caught him.
Zhang Tianzhi first branded him (the marks of his son being smashed in the fire)
Then Zhao Jinhu put drugs in his mouth and killed him.
Two men hid his body.
But unfortunately, Zhao Jinhu was found and framed by Batista because he was fighting drugs in the newspaper the next day.
Zhang Tianzhi's son asked Zhang Tianzhi: When will Uncle Zhao come to play, Zhang Tianzhi didn't know how to answer.
Zhang Tianzhi is determined to avenge Zhao Jinhu.
At this time, Sister Jun also discovered that her younger brother was missing and searched everywhere.
In order to comfort his son, Zhang Tianzhi took his son to eat Western food, which happened to be served by Batista, who had just killed a man. Zhang Tianzhi, relying on his intuition as a thug for many years, found that Batista had a bloody smell and was not an animal. The black bat bracelet on his hand was gone. Zhang Tianzhi found out that he is the big boss.
Zhang Tianzhi decided to provoke a conflict between Sister Jun and Batista.
On the one hand, he blamed Batista for the killing of the surname Cao, implying that because the surname Cao was discovered and the rules were broken, the drug trafficker decided to do him. Zhang Tianzhi pretended to come to mourn, but revealed that Batista had nothing to do with the matter.
On the other hand, because Batista's business is a piece of fat, someone hired Tonyja to assassinate Batista. Tonyja failed, but left the mark of Changle Gang (Zhang Tianzhi, please)
Batista was furious and said he wanted to level the Changle Gang.
Sister Jun said that her younger brother died, and that she had to fight for the Changle Gang to avenge her younger brother.
The police began to seize the business of Changle Gang on a large scale. The Changle Gang took the opportunity to set fire to Batista's western restaurant.
After fighting each other, both sides were damaged. The foreign police said that Batista, you are like this, we can't cover you, and you should get your shit done as soon as possible.
At this time, someone in Changle helped Batista to connect with Batista, saying that we are not willing to do this, as long as you do it, we are willing to truce. (Actually, it was instructed by Mrs. Jun)
Batista decided to talk to Sister Jun .
So he set up a banquet again at the place where Zhao Jinhu was killed, and mobilized his troops to ambush.
Who knew that Sister Jun didn't come, but Zhang Tianzhi and Tony Jia.
Tonyja cleans up the troopers.
The two start a boss battle.
Zhang Tianzhi lost at first.
But inadvertently resorted to Wing Chun's kung fu.
In the end, Zhang Tianzhi used Ye Luzi and Wing Chun (not just Wing Chun) and Batista to fight half a catty (not a big win)
Both were bruised.
This time the police came.
The police said: Batista, you are under arrest.
Batista felt bewildered and was shot with a random shot.
It turns out that Sister Jun bribed the Hong Kong police + threats (not foreigners) and arrested Batista. At most, this policeman just quit his job, but it is still very cool to get a lot of money (refer to the relevant plot of Lai Hao)
Batista was dying and said: Zhang Tianzhi, since you have arranged it, why did you come to beg for a fight?
Zhang Tianzhi: Because I just want to beat you up.
Zhang Tianzhi didn't look back.
Batista fell.
Then Zhang Tianzhi met Tony Jia. It turned out that Tony Jia was robbed by Zhang Tianzhi for this transaction. Although he could get the money, he was a little unconvinced.
Tonyja: I've finished paying your favor.
Zhang Tianzhi: Would you like a drink?
Tonyja: You're so cunning, I'd rather just be your fist friend.
Zhang Tianzhi: Then we will fight again next time.
end:
Sister Jun beheaded and killed Batista, and the foreign police had no way.
Sister Jun negotiated the drug business with the foreign police, saying that the Changle Gang would continue to take over the drug business.
Sister Jun was writing in the study again, and Zhang Tianzhi visited.
Sister Jun: I spent three years trying to clean up the Changle Gang, but in the end, I went back with one foot.
Zhang Tianzhi: Once you step into this arena, you will never be able to get out.
Sister Jun: My father died because of this thing (drugs) back then. I never thought that I would have to continue doing this dirty business in the end.
Zhang Tianzhi: In this era when foreigners are in power, you don't do it, and some people do it. If someone has to do the job, I hope it's you.
Sister Jun: You helped me so much, what do you want?
Zhang Tianzhi: Drugs are not allowed to enter the bar street.
Sister Jun: I promise you.
Zhang Tianzhi didn't tell Sister Jun the truth, but obviously, pretending to be confused is good for both of them.
(Zhang Tianzhi's home)
On Zhang Tianzhi's birthday, Liu Yan gave Zhang Tianzhi a new wooden stake, which was regarded as an apology for him.
Zhang Tianzhi had mixed feelings when he saw the wooden pile.
Wing Chun was his inner demon. As soon as he recalled Wing Chun, he thought of the experience of being defeated by Ip Man.
He wanted to give up at one point, but he couldn't help but punch.
He hit the stake with a set of punches, a mixed set of punches.
Son: Dad, this is different from what you usually teach me.
Zhang Tianzhi: Ah Feng, my father always taught you "authentic Wing Chun" in the past, but my father used to be staggered, but today my father is playing Wing Chun.
This is my own boxing, whether it is Wing Chun or not, what does it matter?
As a human being, I can bow my head for money and bow for my son.
But boxing, I like to fight how I want to fight.
Because I am Zhang Tianzhi.
(Finish)
Summarize:
Yuan Heping, I beg you to stop making movies.
Zhang Jin finally made it out to be the leading actor, and it is estimated that he will have to go back to play a supporting role again.
Even if Zhang Jin is a lucky actor, he is unfortunate. Fortunately, he may have caught the life-saving straw today when the kung fu film is dying, and can go from the stand-in to the male number one. Unfortunately, the plots of Chinese movies are generally terrible, especially today when the plots of kung fu movies are terrible. Even if you get the male lead, you will not be able to get good resources, and it is very likely that you will continue to play the villain and supporting roles.
There are many excellent martial arts actors in our country, but not so many directors and screenwriters worthy of them.
PS:
"What are the requirements for the plot of a kung fu movie?" "Turn left when watching a drama movie"
Ridiculous.
According to this theory, we should unconditionally support all bad special effects films, because they contain countless efforts of special effects producers. Who pays attention to the plot when watching special effects films?
The essence of kung fu films is a commercial film, a feature film. Like kung fu and special effects , the essence is to attract the audience to watch it. It is like a gorgeous shell and cannot improve the connotation of the film.
What is the best kung fu movie of the last century, I think it's debatable, but "Fighting Heroes" and "Once Upon a Time" will definitely be mentioned. But we remember far more than just the kung fu scenes inside.
"No matter how good our kung fu is, we can't match the foreign guns." I am afraid that this line is better than the most exciting martial arts in Huang Feihong.
Nowadays, kung fu is not as attractive as special effects, and ordinary audiences will prefer Hollywood special effects blockbusters. If a kung fu movie can't make a good story, there will be no ordinary audience to watch it. We kung fu movie lovers are willing to join us, and ordinary audiences are not.
Please bear in mind all kung fu film directors.
View more about Master Z: The Ip Man Legacy reviews
