Jacques Rivette's ideas are always unique and fantastic.
The best paintings show all kinds of souls, objects, painters, and infected viewers.
Isn't there a song of death, this film conceived the painting of death.
A young painter took his girlfriend to visit the master in his mind. The old painter quit writing ten years ago, either because of exhaustion of thinking, lack of inspiration, or because of the inability to reach the perfect masterpiece in his heart. The dripping vent must be that everything is just right, and no distracting thoughts are allowed.
The young painter, his girlfriend, the master's wife all hope that the master will be successful in his lifetime. Success is not about becoming famous, but about putting a perfect end to what you like. Although life is full of regrets, people always hope to minimize regrets, especially for those recognized masters, who always hope that their lifetime can be perfected. .
All four change as the master begins to write and the young painter's girlfriend acts as a model for the masterpiece. These changes are not the clichés we imagine at all, but seeing how paintings are destroying everyday feelings and seeing the completion of a painting is an adventure for the participants.
The old painter suddenly brushed, and the hand holding the pen trembled. On the canvas was his life, blood, tears and love. At the mercy of the master, every communication with the master has to give way to the master's cold-blooded creation; her man is trapped in demand and devotion, he offers the master his woman, and is always suspicious of their actions; the master's wife is the most One of the contradictions is that she not only hopes that her husband's interrupted artistic career can be brought back to life, but also does not want to see that the painstaking effect has exhausted his efforts, and may show the soul she does not want to see - the recollection of the past.
Everyone in it is constructing their own time and space, and I also know that painting is so dependent on force, the painter needs physical and psychological support, and the object of the painting must also show the painter her full strength and vitality. Radiant force, even when the model poses immobile.
At the end of the film, the painter sealed the painting with bricks. Except for the painter, his wife, and the model, no one has seen her, and of course, he will not be shown to the audience.
Is this painting real? The master said to the model, like you she is real. We vaguely know from the plot that this painting should be a combination of the model, his wife, and himself.
Oil painting is a baby and takes time to understand. A good painting, I am afraid, has nothing to do with reality.
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