In the giant episode, the experience of the giant is like the experience of art. Early art was only in the hands of a few people (such as ancient primitive art, many of which were inseparable from the sacrifices of primitive society), mysterious and shocking. It is respected and worshipped (at least it is not dare to touch it deeply, an example is the ferocious bronze ornaments), and it is not to be profaned from a distance. Later, the audience of art expanded, and a group of people began to climb on the body of the giant (such as the figure genre paintings of the Song Dynasty). Later, when art was accepted and experienced by the public (such as the general public educated in aesthetics in modern times), the divinity of art gradually disappeared, and some people began to despise some people and graffiti, and mixed things (such as Duchamp's urinal). In the later period, art Yu tended to become secular, and finally merged with the general public (such as film and television art, etc.), just like the giant disappeared in the film but completely integrated into the life of the people in the town. Huge bones and penises, like art today, are only a relatively large and curious thing in the eyes of the public, and they can't return to the era of awe before.
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