Only Aiyan's war is true

Hellen 2021-10-20 17:24:43

Recommended reason: the sad and beautiful texture of the whole movie, and the nearly five-minute long shot in the film. Title: "Redemption" Director: Joe White Starring: Keira Knightley, James McAvoy Production Time: 2007 Awards: Best Picture at the 65th Golden Globe Awards, 80th Oscar Best Soundtrack Reading Home: The singer in the Stone Garden is gloomy in Dunkirk. There was a campfire, there was a harmonica, officers shot horses at close range, and drunk soldiers sat on a merry-go-round. The soldiers gang fights, indulges in alcohol, gallops horses and screams like Indians, or do nothing, just sit by the side of the car and rub their hands blankly, waiting. Waiting in the end. This deadly long shot in "Redemption" captures the feeling of the end times, as well as the festering, collapse and despair of the end times. And you know, desperate temperament and carnival have always been a bit similar. In fact, it is an authentic literary film. The literary art almost reminds me of Yi Shu's novels. For example, "Lian Huan" is also a pair of sisters with different temperaments in the manor, and occasionally there is a son of an offender. But of course, that is another story. "Redemption" tells that my sister Blaney is 13 years old and has written the first script. She is a writer in her daily life, and her gait reveals the pretentiousness of a literary and artistic young woman. Sister Cecilia and Robbie, the housekeeper’s son, are so cute and affectionate. They finally secretly pass on the song in the library, but Blaney breaks it. But that night, his cousin Laura, who lives here, was raped, so Blaney did not hesitate to identify Robbie, and he was wronged and imprisoned. Soon afterwards, World War II broke out. Probably all wars have a similar effect, that is, leading to more hasty marriages, hasty deaths, and hasty growth. In the same way, the war turned Blaney into an adult. She lost her edge, she lost her thirteen-year-old hot summer, the expression on her face that was determined, arrogant, aggressive, but at the same time eager for something. In short, she is no longer sharp, she becomes dull. Probably out of remorse for the perjury, Blaney gave up the opportunity to enter Cambridge and turned to be a nurse in the army—want to do something really useful. However, it is too late to wait for a young girl to understand that there is actually another world outside of her fantasy world, at least, too late for the love between Cecilia and Robbie. You must know that even if Mrs. Macbeth kept washing her hands, she could not wash her sins clearly, because what she had done was already done. What moved me was that scene—in the early morning, in the gray-blue field of western France, where the dawn was beginning to move, Robbie placed the letter close to his body, lowered his head and pressed the wound on his abdomen. It did not bleed and it did not heal. He frowned, sighed, took a cigarette, and looked into the distance. With the weak harmonica sound that I didn't know, the song of birds, and the light blue morning mist floating in the field, it really looked like a poem. It was here that I knew that Robbie would never go back to Cecilia's side. It all started in that hot summer, restless In the afternoon. They were once so young, burdened with the blazing summer light, and their hearts were so complicated that they didn't know how to express their feelings. I think I understand why the top detective novelists are all produced in the UK, like Conan Doyle, like Agatha Christie, because the British are so exquisite, tolerant and undercurrent of humanity, it is really in itself. It's too much like a case. "Redemption" rarely won at the 80th Oscar, and only got one award for the best soundtrack. However, there is no need to push everyone down, even if it can't match the depression of "Old Nowhere" or the brutality of "The Blood Is Coming", at least we have to admit its poetry. It can be said that it is this kind of poetry that creates obstacles-the continuous flashbacks in the film, the repeated narrative methods, the sudden switching and interspersion of subjective and omnipotent perspectives, it is really easy to irritate the audience. But to be honest, this story is intertwined with misunderstandings, jealousy, memories, regrets, fiction and writing. How else can you state it? Thirteen-year-old Blaney sat in front of the police and said categorically, "Yes, I saw him, I saw him with my own eyes," with nervousness and cruel pleasure. What people see is what people see for themselves. There has never been any truth, only the illusion of being accepted or not being accepted. Therefore, even if Blaney pays for her life-long writing and life-long happiness for this, she cannot change everything that has happened in reality-France, Dunkirk, Robbie wandering blankly in front of a big screen , Watching the kisses of the heroes and heroines in the movie, he sadly covered his face. Cecilia is sealing the letter with a kiss and throwing the love letter into the red mailbox. He died of sepsis, and she died of an air strike. And in the rush and abrupt end of the lovers' lives, there has never been a happy ending, only Aiyan's war is true. 2008-3-9 Suddenly switching and interspersing with the omnipotent perspective, it is easy to irritate the audience. But to be honest, this story is intertwined with misunderstandings, jealousy, memories, regrets, fiction and writing. How else can you state it? Thirteen-year-old Blaney sat in front of the police and said categorically, "Yes, I saw him, I saw him with my own eyes," with nervousness and cruel pleasure. What people see is what people see for themselves. There has never been any truth, only the illusion of being accepted or not being accepted. Therefore, even if Blaney pays for her life-long writing and life-long happiness for this, she cannot change everything that has happened in reality-France, Dunkirk, Robbie wandering blankly in front of a big screen , Watching the kisses of the heroes and heroines in the movie, he sadly covered his face. Cecilia is sealing the letter with a kiss and throwing the love letter into the red mailbox. He died of sepsis, and she died of an air strike. And in the rush and abrupt end of the lovers' lives, there has never been a happy ending, only Aiyan's war is true. 2008-3-9 Suddenly switching and interspersing with the omnipotent perspective, it is easy to irritate the audience. But to be honest, this story is intertwined with misunderstandings, jealousy, memories, regrets, fiction and writing. How else can you state it? Thirteen-year-old Blaney sat in front of the police and said categorically, "Yes, I saw him, I saw him with my own eyes," with nervousness and cruel pleasure. What people see is what people see for themselves. There has never been any truth, only the illusion of being accepted or not being accepted. Therefore, even if Blaney pays for her life-long writing and life-long happiness for this, she cannot change everything that has happened in reality-France, Dunkirk, Robbie wandering blankly in front of a big screen , Watching the kisses of the heroes and heroines in the movie, he sadly covered his face. Cecilia is sealing the letter with a kiss and throwing the love letter into the red mailbox. He died of sepsis, and she died of an air strike. And in the rush and abrupt end of the lovers' lives, there has never been a happy ending, only Aiyan's war is true. 2008-3-9

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Atonement quotes

  • Leon Tallis: Guess who we met on the way in.

    Cecilia Tallis: Robbie.

    Leon Tallis: Told him to join us tonight.

    Cecilia Tallis: Oh, Leon, you didn't!

  • Robbie Turner: [about the letter he sent her] It was a mistake.

    Cecilia Tallis: Briony read it.

    Robbie Turner: I'm so sorry, it was the wrong version.

    Cecilia Tallis: Yes.

    Robbie Turner: It was never meant to be read.

    Cecilia Tallis: No.

    [walks away, Robbie follows her]

    Cecilia Tallis: What was in the version I was meant to read?

    Robbie Turner: Don't know... it was more formal, and less...

    Cecilia Tallis: Anatomical?

    Robbie Turner: Yes.